Thanks to Daniel Gluskoter (dgpics.com) for the great Crows pics!
Imagine a terrible day: you’re sick. You’ve been fighting with one of your best friends all day. You’re late to an important appointment because traffic is insane, and there’s absolutely nothing you can do about it. Said lateness makes you miss a fantastic opportunity, so you’re even more upset than you already were. Oh, and it’s chilly outside, with the wind picking up. Your saving grace: you’re seeing two awesome bands that night. Do Counting Crows and The Wallflowers have the superpowers necessary to turn your whole day around, and end it on a bright note? I showed up last Thursday evening at America’s Cup Pavilion to find out. Continue reading “Show Review: Counting Crows with the Wallflowers at America’s Cup Pavilion, 7/18/2013”
In the little world that exists between the New Kids on the Block and their fans, I’m what’s affectionately referred to as a “BH:” a Blockhead. I don’t say this with any level of chagrin or irony, and there’s nothing I feel guilty about in the pleasure I take from this group. The fact of the matter is, I’ve loved them for more than 25 years, and at this point, I don’t feel the need to explain or justify that to anyone who doesn’t get it. (And honestly, why do we feel the need to ridicule each other for something that brings us joy?) If anybody is experiencing anything like the fun I have with the NKOTB, I would be a fool to try to tear it down – that’s the kind of thing I think we ought to seek out and celebrate! Which is exactly what I did, when The Package Tour (NKOTB, Boyz II Men, and 98°) pulled up to HP Pavilion last night in San Jose. Continue reading “Show Review: The Package Tour — New Kids on the Block, Boyz II Men, and 98° at HP Pavilion, 7/7/2013”
“PTX” takes the stage (L to R: Kirstie, Avi, Kevin, Scott & Mitch)
Never heard of Pentatonix? That’s okay, you’re not alone: neither had our editor-in-chief until I mentioned my excitement at covering their sold-out show at the Warfield this past Sunday. While he feared he may be losing his touch (“getting old I am,” said his text), I reassured him that if a cappella groups aren’t his thing and/or he’s never seen a recent episode of NBC’s The Sing-Off, it makes sense that season 3 winners Pentatonix haven’t yet crossed his radar…until now.
Thanks to Jason Miller for this awesome pic of Tom Chaplin killin’ it!
Have you ever seen something advertising a band playing in your city, and thought, “I’d really like to see them, even though I only know one or two of their songs”? That was the extent of my relationship with Keane until recently. I’ve certainly heard several of their songs on the radio over the years, and especially love their biggest hit, “Somewhere Only We Know,” but until I found out I had access to check them out with opener Youngblood Hawke this weekend at San Francisco’s Warfield, I hadn’t actually sat down to give their tunes a thorough listen. Continue reading “Show Review: Keane with Youngblood Hawke at the Warfield, 1/11/2013”
Left to right: Switchfoot’s Chad Butler (drums), Jon Foreman (guitar & vocals), and Jerome Fontamillas (keys)
There’s something unique about Switchfoot. As a result, their fans have a different vibe than those belonging to your average rock band, and so their shows have a different feel to them than most I find myself attending. Sure, some consider Switchfoot a “Christian band,” but it’s not quite that simple. Yes, the members themselves are Christians. Yes, much of their lyrical content has spiritual undertones, and no they don’t try to hide it. But truth be told, I’m not sure I’d give them much of a second listen if they were the kind of band marketed solely to “Christian rock” radio. That just isn’t my thing. (Not that there’s anything wrong with that…) Because these guys prefer to live their lives as good, salt-of-the-earth people with a great sound and steer far clear of anything that might feel like they’re pimping their beliefs on me, I’ve been hooked for over a decade. But it’s more than that… There’s honestly a kind of “live and let live” mantra between the band and its fans: as long as you respect what I believe, I can do the same for you and we can all get along and enjoy each other. And that’s the sort of breath of fresh air that inspires me at a Switchfoot show, and what keeps me coming back. This week, they played San Francisco’s tiny Regency Ballroom Tuesday night, alongside Nashville indie rock band Paper Route, and before the night began, I was full of anticipation and excitement for a night of music by the band whose music has been something of a soundtrack for the last decade of my life. Continue reading “Show Review: Switchfoot with Paper Route at Regency Ballroom, 10/23/2012”
Jay Brannan’s stories are so good, he even makes himself laugh
Leaving the Great American Music Hall Saturday night, sure we talked about the great show and how opener Chris Pureka was a perfect fit, but mostly we talked about how Jay Brannan should be a superstar. His personality beams charm at you from the stage and his voice is clear tenor perfection that emotes every single word, so much so that it can almost break your heart. So why isn’t he super famous? Continue reading “Show Review: Jay Brannan at Great American Music Hall 8/4/12”
Kyle Gass and Jack Black. Or, as we like to call them, Tenacious D.
If you search my iTunes account for “Jack Black,” you’ll find results in two separate areas: comedy films like School of Rock, and hidden in the music of a band known as Tenacious D. Their music has the distinction of being the only band on my entire iPod listed with the genre I call “comedy rock.” But the truth is, I never paid the band much mind. See, I love Mr. Black’s movies, and frankly I quite like everything I’ve seen of him as well. I’ve noticed over the years that he’s got a pretty great voice, too, which is how I came to acquire these Tenacious D albums. But the truth is, I’ve never really listened to them. I’m not sure why, but there’s the truth. So when I noticed they were headed my way (The Fox Theater in Oakland, to be exact) this week (Thursday night) promoting their newest album, Rize of the Fenix, I couldn’t pass up the chance to finally check out this band loud and live, the way I suspected they’re best experienced. Continue reading “Show Review: Tenacious D with The Sights at Fox Theater, 5/24/2012”
Don’t you hate it when you’ve totally been looking forward to an event and then when it actually rolls around, something comes up that completely hinders your ability to enjoy it as much as you’d planned to? Sadly, that was my experience Friday night last. The thing I look forward to is, of course, seeing great live music. In this particular case, it was Jay Nash I’d been anticipating seeing again, at the Red Devil Lounge. Jay’s newest EP, Of the Woods, was just released last week, so of course I was also excited to hear the new material.
Jonny Buckland and Chris Martin (with Guy Berryman in background)
To most of the fans in attendance at HP Pavilion this past Saturday night, I might have seemed crazy… or at least like I’ve been living under a rock since 2000. That’s not to say that I’ve never heard of Coldplay, or don’t enjoy the singles I’ve been hearing over the years, or that I dislike them. I just never caught the fever. Much like U2, Coldplay was always a band I liked, but had never gotten rabid about like their hardcore fans. In my experience, when I feel that ambivalent about a band, I often think that most of their songs sound the same. I remember when “Yellow” came out: I was 21, and I loved it. And after that, for some reason, I never paid much attention. But here I am, 12 years later, and the opportunity to see (and review) them falls into my lap – do I go? Hell yes! I couldn’t pass up a chance to see what all the fuss was about, and I knew I’d leave the show with a forever “meh” attitude about them, or come home having caught the fever…
Prior to this week, I couldn’t have picked Ingrid Michaelson out of a police line-up. I had more than a good handful of her songs on my iPod, and had seen her on at least one TV appearance and multiple album covers, but she appears to be somewhat chameleonic if you judge by those: from the girl with the ponytail and the face paint on the cover of Be OK to the girl-next-door blonde on Everybody to the bundled-up brunette in hipster glasses in last year’s Macy’s Thanksgiving Day parade, I really didn’t know who she was, other than a girl with a voice I really liked. Thankfully, last Wednesday night at the Fillmore, I had the opportunity to find out for myself just what Ingrid Michaelson is all about.
