SF Sketchfest Review: Red Room Orchestra does “Repo Man” at Great American Music Hall, 2.3.23

I should confess… I’ve never seen the movie Repo Man. I worked at a corporate music store in the late ’90s, and I recall stocking a CD called Repo Man and putting it in the punk compilations. Because, looking at the track listing, I just assumed that the “movie” was a fake movie for what was an AMAZING compilation of LA Punk. I honestly just assumed it was an early ’80’s version / LA version of the classic Kill Rock Stars compilation in the early ’90s / Pacific Northwest. I probably owned that CD for over a decade before I learned it was a real movie. 

Continue reading “SF Sketchfest Review: Red Room Orchestra does “Repo Man” at Great American Music Hall, 2.3.23″

Noise Pop Show Review: The Ghost Of A Saber Toothed Tiger, If By Yes, Consortium Musicum at The Independent, 2/24/10

This show was, to some degree, the after party for the big  YOKO ONO PLASTIC ONO BAND on Tuesday night. It was just quite a bit later, but every member of the Plastic Ono Band was onstage, aside from the very famous lead singer. In fact, only one person appeared on stage tonight that didn’t appear at the previous evening’s show. It also consisted almost entirely of music that isn’t yet available in recorded form, which helped even out the familiarity playing field, but based on the turnout, it had little effect on ticket sales. It was a rare show that all in attendance came based on the reputations of the performers. Of course, when you have the son of a Beatle, leaders of two of the most innovative and influential acts ever to come out of japan, and the go-to girl for session violin of the alternative rock era, you’ve got a pretty set to work from.

Continue reading “Noise Pop Show Review: The Ghost Of A Saber Toothed Tiger, If By Yes, Consortium Musicum at The Independent, 2/24/10”