Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
The 2020 Sundance Film Festival concluded this weekend with Festival jurors bestowing prizes upon 28 of the 128 films shown during the ten-day Fest. All the winners can be found here, but, as I did last year, below I present my own highlights — good and bad — and let you know which films you should SEE or SKIP, should any of these be widely released at some point.
Continue reading “Film Feature: Highs and Lows from the 2020 Sundance Film Festival”
Solo: A Star Wars Story, which opens today in just about every Bay Area theater, is a big-screen comic-book origin story, with an accomplished and sometimes first rate cast in front of the camera, and some seriously seasoned talent behind it. Unfortunately, in the year-and-a-half since principal shooting began, issues real and manufactured have given the internet too much time to speculate, postulate, pontificate, and generally expectorate on any number of meaningless side stories. Thankfully, at the center of this mostly worthless dead zone of internet fodder lies a straightforward, entertaining film that should service, if not delight, Star Wars fans and casual viewers. Continue reading “Film Review: Solo: A Star Wars Story“
The 2011 Wondercon film panel lineup was the worst in recent memory. It was more notable for what was missing (Captain America, Thor, Super 8, Pirates of the Caribbean) than what was there (Immortals, Priest, The Three Musketeers). Jon Favreau noticed that movies weren’t prioritizing Wondercon for their promotion, and I can’t say I understand why. Was it the relative commercial failure of such ComicCon-loved properties such as Kick Ass and Scott Pilgrim? Or was it really all just about scheduling? But we did have film panels on Saturday (and one on Friday), so I was there. And this is what I saw. Continue reading “Wondercon: The 2011 Film Panels”