old 97’s – Spinning Platters

Sketchfest Review: Wheels Off with Rhett Miller at Swedish American Hall, 1/20/19

There are a bunch of shows that seem to happen every year or almost every year at SF Sketchfest. Many of these things are nightclub acts that happen regularly in other markets, or are live podcast recordings. Almost all of them exist somewhere outside of Sketchfest. One of the few shows that don’t fit this mold is “Wheels Off with Rhett Miller.” Rhett Miller is the lead singer of The Old 97’s, and generally does about 200 shows a year if you combine his full band gigs and solo shows. However, with all of that criss-crossing the country, SF is the only place where we get this very unique show.

(Editor’s Note: At the time of publication we didn’t know that Miller was going to start doing Wheels Off as a podcast. Now you can enjoy this from the comfort of your own headphones)

Continue reading “Sketchfest Review: Wheels Off with Rhett Miller at Swedish American Hall, 1/20/19”

Show Review: Old 97’s at the Fillmore, 3/24/2017

Old 97’s: Ken Bethea, Rhett Miller, Murry Hammond. Not pictured: Drummer Philip Peeples. Photo by Mark Couvillion, used under Creative Commons.

The Old 97’s are an alternative country band hailing from Austin; they have been playing twangy rock and roll for the past 24 years. Their songs are three minutes of catchy hooks, marrying country twang with a dash of punk. Their wry cynicism doesn’t mope or lecture – it bursts with joyful irreverence in songs about angst, or love, or angsty love, or drinking, or drinking and sex. Their love songs are what keep me coming back to them: well crafted little songs about the messy complications of being so entwined with another person. Continue reading “Show Review: Old 97’s at the Fillmore, 3/24/2017”

Spinning Platters Weekly Guide to Bay Area Concerts, 5/8/14-5/14/14

Opening for Holly Golightly at Thee Parkside

Thursday, May 8th Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts, 5/8/14-5/14/14”

Spinning Platters Picks Six: Bands To See at SXSW While Wearing Cowboy Boots

Great-Lake — Who's with me on this one?!

With the recent breakout success of Mumford & Sons, I finally feel validated that the sound I’ve enjoyed for years has finally crossed over to the category of “stuff my friends will actually listen to.” In past years, I’ve had to venture out amongst the throngs of music go-er’s at SXSW by myself in order to catch the bands that I wanted to see. Not the “on-the-verge-of-breaking-out-so-you-better-see-them-now” bands, but bands like Deer Tick, and A Hawk and A Hacksaw; folky, introspective music that doesn’t necessarily provide an earth shattering good time or story, but leaves you with a lingering ache in your stomach, like recalling an old memory, long after the show is over. Music that creates that physiological response is what ultimately attracts me as a listener. So hopefully these acts will provide that tingly sensation to my SXSW companions, and entice them to join me the next time their schedule opens up. Continue reading “Spinning Platters Picks Six: Bands To See at SXSW While Wearing Cowboy Boots”

Spinning Platters Weekly Guide to Bay Area Concerts, 1/20/11-1/26/11

There are a lot of really surprising, and really funny shows within. This is an extra special week of fun silliness, and I think that you should check it out:

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Hardly Strictly Bluegrass Festival Journal, 10/03/09

So, this is the kind of crowd you get to see a retired amusement park employee play banjo? San Franciscans are weird...

The Hardly Strictly Bluegrass festival is different than most music festivals in several ways. The best thing about it is that it’s free. That might also be it’s biggest downfall, as well. It attracts a lot of people that normally don’t go to shows. The crowd veers a bit older, and they tend to prefer to bring lawn chairs and stay in one place. If you really want to get up close and personal with a big act, you essesntially have to get there at the crack of dawn, stake a place, and hang out. If you go to the show thinking that you can jump stages and get a good spot for everyone, you are really out of luck. The best way to enjoy this festival is to drop most expectations of actually seeing the performer, and jump between stages freely, taking an the smorgasboard of music in little sample sizes. You will end up with a much more eclectic palate, and you will have a much better time. Continue reading “Hardly Strictly Bluegrass Festival Journal, 10/03/09”