Show Review: Two Days with Florence & The Machine

louder than sirens, louder than bells
louder than sirens, louder than bells (photo by Anna Garcia)

In the past two years, a number of new artists have suddenly sprung out of the woodwork of obscurity and made headlines and huge sales numbers with their debut records. The staying power of these acts is often questionable; the general musical mood of the public at large shifts so quickly, so often, that it is even more difficult than ever to ensure that one is not lost in the tide. In the wake of diminishing record sales, a band must tour to really gain their followers, and must, at every single show, captivate and amaze their audience, leaving no doubt of their staying power within their minds.

For someone like Florence Welch, this is absolutely no contest. She has a voice that can move mountains.

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Show Review: Jónsi with Mountain Man at The Fox Oakland, 10/19/2010


Go scream, do shout // Make an earthquake
Go scream, do shout // Make an earthquake (photo by Paige K. Parsons)

The Icelandic quartet known as Sigur Rós has offered its fans, and concertgoers everywhere, some of the most emotionally-gripping, beautifully destructive, and downright astonishing shows that they will ever experience in their lives. I personally cannot think of a single show that I have seen that came close to the breath-catching feet-out-from-under-me sensation that overwhelmed me the first time I watched the band perform, at a 2,000-seat theater in Marin — possibly the most intimate setting they have allowed themselves to be contained within on this side of the Atlantic. It is only natural, therefore, to expect a show of similar caliber from the solo career of Jón “Jónsi” Þór Birgisson, the ethereal and mesmerizing vocalist of Sigur Rós.

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Show Review: The Flaming Lips with Ariel Pink and Thee Oh Sees at The Fox Oakland, 10/1/2010

Everything's exploding!
Everything's exploding!

By this point in time, the average music fan who knows about The Flaming Lips and their colossal live shows has probably heard absolutely everything. This is not simply referring to the vast amount of positive-sounding adjectives and awestruck expressions on the faces of fans, but, moreso, the absolute hugeness of their performances. It seems only appropriate to give them as great a berth as possible, in order to have some hope of maintaining the glorious, wonderful chaos that is a Flaming Lips concert; thus, it was bizarre but also incredibly exciting to the Bay Area when the band announced that they would be playing in Oakland’s majestic Fox Theater. Demand was so high that tonight’s show sold out within days; this prompted a second date to be added, with a new set of opening acts. Frontman Wayne Coyne, in his pre-show address, commented that the theater was gorgeous, and that for their next tour, they would attempt to play on the ceiling itself.

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Show Review: X Japan with Vampires Everywhere! at The Fox Oakland, 9/28/2010

Toshi (vocals), Sugizo (guitar) and Yoshiki (drums) of X Japan
Toshi (vocals), Sugizo (guitar) and Yoshiki (drums) of X Japan

While there are many international artists who have made their way, as the expression goes, “across the pond” and have done well in America, most of them do so by bringing a similar formula of what is popular in today’s music and blending in before anyone realizes that they’re “not from ’round here.” The artists who stick to their own form of a creative mold and are unique and unchanging in their ways can either make or break their careers when they land on U.S. soil; some of them, indeed, will stay on the other side of the world for their entire career, despite the cult following that might have simmered into existence on this side of the States. Tonight, however, one of these artists not only came to this country for their first stateside tour, but it was on the tails of an incredible reunion tour after almost twelve years of absence from the musical world. For the first time in their career, X Japan, arguably one of the biggest acts in the country’s history, has come to the U.S. to tour — and boy, were we ready for them!

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Show Review: The xx with Warpaint and Zola Jesus at The Fox Oakland, 9/23/2010

Welcome, they said welcome to the floor / It's been a while (Photo by Carla Deasy)
Welcome, they said welcome to the floor / It's been a while (Photo by Carla Deasy)

How often do you find yourself enthralled with an opening band? For most of us, the answer would usually be “not very often”, and in a fairly large sum of concertgoers, “hardly ever”. What, then, do you say when you find yourself attending a headlining show of that same band? Do you bite your tongue and feel a hypocrite, or do you revel in the fact that you are experiencing them again, and this time in a fuller, more realized capacity? It was, most likely, these sorts of thoughts and sensations going through the heads of many members of the crowd inside the Fox Theater tonight, for the band that had returned to Oakland for their second performance at this historic venue were doing just that: headlining. The xx were the opening act for the electronic masterminds of Hot Chip back in April; this time around, the dark, haunting-yet-danceable London rockers were the ringleaders of the show, which apparently sold out even faster than their previous Fox Theater show from 5 months ago.

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Show Review: Silversun Pickups with Against Me! and The Henry Clay People at The Fox Oakland, 8/3/2010

Yes, I'm looking at you.

At one point late in the Silversun Pickups set at The Fox Oakland, lead singer Brian Aubert started listing off all of the Bay Area venues they had played: Rickshaw Stop, The Fillmore, Bimbo’s, Cafe Du Nord, Bottom of the Hill (this one got the biggest applause), BFD, Outside Lands. They’ve been here a lot. Because of this, it’s a bit of a surprise that it took them nearly 18 months after the release of their last album, Swoon, to finally play a headlining show in the Bay Area. So, was it worth the wait? Continue reading “Show Review: Silversun Pickups with Against Me! and The Henry Clay People at The Fox Oakland, 8/3/2010”

Show Review: Wolf Parade with Moools and Zola Jesus at The Fox Theater, 7/28/2010

Friday night at The Fox Theater in Oakland, the Bay Area had Wolf Parade back in town for the tour for their 3rd album, Expo 86 ,which came out last month.  The guys in the band are made up from quite a few other successful bands such as The Handsome Furs, Sunset Rubdown, and Hot Hot Heat. There’s an Arcade Fire song under their belt, among others projects as well.  That’s some major Canadian indie rock street cred. Continue reading “Show Review: Wolf Parade with Moools and Zola Jesus at The Fox Theater, 7/28/2010”

Show Review: Goldfrapp at The Fox Oakland 6/26/10

Alison Goldfrapp. Photo by Kara E. Murphy.

With everything that’s been going on lately on the job interview and contracting front, it’s almost a miracle that I found the time to get this review posted. I’m thrilled with the photos I took for the Goldfrapp show at Fox Theater this past Saturday evening and I’m hoping the words in the post can do the incendiary performance some justice.

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Show Review: She & Him with The Chapin Sisters at The Fox Oakland, 5/29/10

The ethereal She.

When Zooey Deschanel walked on stage in a sparkly dress you would have thought it was the next messiah walking out to greet her followers.  In a weird way I guess she is the messiah of sweet indie-ness.  Between her movie career and the success of She & Him, Zooey Deschanel is the It girl of indie rock.  She certainly looked the part at The Fox: bouncy perfect hair, cute make-up, black tights and kitten heels, but what really sold the show was her voice.  From the first note it was strong, clear and emotive, and for the next hour and a half it was glorious. Continue reading “Show Review: She & Him with The Chapin Sisters at The Fox Oakland, 5/29/10”

Show Review: Sublime with Rome, Dirty Heads at The Fox Theater – Oakland, 4/23/10

As most everyone knows, Bradley Nowell passed away in 1996, months before the release of their self-titled record that ended up taking the world by storm. Very few people actually saw Sublime live because of this. Which may have been to the benefit of the band, because Sublime were a terrible live band. Nowell was wasted about 90% of the time, and rarely was able finish a song. The vast majority of the people that are offended by this reformation of the band aren’t aware of this.  This version of Sublime is more than just a chance for the original rhythm section to hit the road again, this is a shot a redeeming Brad Nowell’s memory

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