Noise Pop Review: Francisco The Band, Kitten at Bender’s Bar & Grill, 2/28/13

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Noise Pop Happy Hours are once of the better kept secrets of the festival. They all happen at Bender’s Bar & Grill in the Mission- a great spot that serves some of the cheapest drinks of any music venue in town. They also serve tater tots. And who doesn’t like tater tots? It also gets you some really intimate performances for free, and set times that are early enough for the fans to get with day jobs to get to bed at a reasonable hour, or the hardcores can tackle two shows in one night! On this Thursday evening, I managed to battle rush hour traffic in order to head out to see a couple of bands over a delicious grilled macaroni & cheese.

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Spinning Platters Interview: Chloe Chaidez of Kitten

Kitten at Bottom Of The Hill last June. Photo by Marie Carney
Kitten at Bottom Of The Hill last June. Photo by Marie Carney

Kitten are a beast of a band. They play a furious blend of punk and new wave, while their lead singer, Chloe Chaidez, is at the tender age of 17, one of the most dynamic and aggressive front people in rock. We recently took the time out to speak Chaidez about their recently released EP, Cut It Out, the evolution of their sound and the logistics behind being in a teenage rock band. Kitten will be playing a Noise Pop Happy Hour show on Thursday, February 28th at Bender’s Bar & Grill as well as opening for Paramore at The Warfield on May 4th, and their debut full length is due to drop later this year.  You’d be foolish to miss their live show.

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A Music Nerds Guide To Noise Pop 2013

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Every year, for one week, the good people of Noise Pop with their epically refined tastes put together the best week of live music program of the year. And, of course, it could be highly intimidating as well. So, here is a well thought out guide to Noise Pop 2013.

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10 Quick Questions with Dawson Ludwig: Marketing Director for Noise Pop

The only time a Dave Matthews Band picture will be featured in a Noise Pop Preview
The only time a Dave Matthews Band picture will be featured in a Noise Pop Preview

Noise Pop is having it’s 20th birthday this year, and it’s bigger than ever! What started out as a small, one night mini-festival at The Kennel Club (now The Independent), has evolved into a week long event that takes over nearly every venue in San Francisco.  In addition, it’s organizers have also created Treasure Island Music Festival (aka The Best Music Fest in America in my opinion) and opened do415, a site to help music fans find shows. SpinningPlatters got the opportunity to talk with Noise Pop’s Marketing Director, Dawson Ludwig, to learn a bit about this year’s festival and his own evolution as a music listener.

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Noise Pop Show Review: The Fresh & Onlys, Disappears, Talkdemonic at Bottom of the Hill, 2/22/12

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The Fresh & Onlys gaze on...

The Bottom of the Hill is one of those venues where amazing things can happen. Its intimate space creates a setting where bands, their friends, and patrons can all rub elbows without the pretense of Rock Stardom bogging down a conversation. Many a band right on the verge of blowing up have graced the stage fully aware of their sparkling future and have played to it, creating an “I was there” situation where one constantly reminds his or her friends (or just about anyone who happens to be around) of the night they saw so-and-so play Bottom of the Hill. I’ve been known to drop an “I was there” once or twice myself (cough Arcade Fire cough).

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Noise Pop Show Review: The Flaming Lips perform The Soft Bulletin at Bimbo’s 365 Club, 2/21/2012

Everything's explodin'! (photo by Paige K. Parsons)
Everything's explodin'! (photo by Paige K. Parsons)

Twenty years. For many fans in the live music scene, this is an impossible amount of time to fathom. The concert demographic, wide as it might be, generally seems to fall between teens and people in their 50s, and if you go twenty years back, you’ve got a whole group of people who weren’t even born yet, to those who were solidifying their first solid years of adulthood. The amount of music, live or otherwise, that has been recorded, performed, and otherwise created in that timespan is magnificent in its breadth and depth. For twenty years, the Noise Pop Festival has helped to bring acts of all leagues and backgrounds to the San Francisco music scene, peppering venues with marvelously-clashing lineups and intimate gatherings that blow the minds of even the most seasoned veterans of the club-hopping world. After twenty years, it’s good to know that the Bay Area can still be stunned, which happened when the Noise Pop folks pulled out their trump card of the 2012 lineup — The Flaming Lips were making an appearance at the barely-700-person-capacity Bimbo’s 365 Club, and were performing their magnum opus The Soft Bulletin from start to finish.

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Festival Diary: The 2011 Treasure Island Music Festival, Day 1

The glamtastic Saturday headliners

The details of the Treasure Island Music Festival are well known to Bay Area music regulars. I’ll go over them briefly.

The setting is beautiful, on an island in the middle of San Francisco Bay. There are only two stages that alternate acts, so there’s never any clashes. There are two days: Saturday leans toward dance music, and Sunday is for indie rock. It’s small so you can easily get close to the stage whenever you want, without having to park yourself in the front row all day long. Those are the basics — everything else changes year to year. In fact, the organizers — Noise Pop and Another Planet — intend to never repeat a band. So here’s a quick look at this year’s collection of talent.

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Noise Pop Show Review: Ben Gibbard at Great American Music Hall, 2/27/11

Ben Gibbard is called out by Bob Mould at Noise Pop

Closing the Noise Pop festival with solo acoustic shows from Ben Gibbard and Zach Rogue was the right choice. People flew in from Europe, skipped the Oscars, even skipped church for an a relaxing evening at San Francisco’s Great American Music Hall. The young crowd was a mix of experienced Noise Pop festival attendees and those that made last night’s show their select choice. Continue reading “Noise Pop Show Review: Ben Gibbard at Great American Music Hall, 2/27/11”

Noise Pop Show Review: No Age, Grass Widow, Rank/Xerox and Crazy Band at Rickshaw Stop, 2/26/11

I want it to be understood that I’m fucking sick of irony…and I’m not being ironic here either. Continue reading “Noise Pop Show Review: No Age, Grass Widow, Rank/Xerox and Crazy Band at Rickshaw Stop, 2/26/11”

Noise Pop 2011 — My Notes and Ramblings

Kid Koala capped off my Friday evening, and I wasn't drunk. He really was wearing a koala suit. (Kid Koala action photos by David Price.)

What you might be thinking is, “why does he get to write all of his Noise Pop comments in one post when everyone else did full reviews of each night they went?” From an excuse standpoint, I’ll just say that I’ve been so busy editing posts, resizing & captioning photos, and redesigning the website, I decided to give myself a little slack. (Editor’s privilege?) But really, this all started because of Wednesday night.

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