nathan fillion – Spinning Platters

SF Sketchfest Review: Upright Citizens’ Brigade: A.S.S.S.S.C.A.T. at The Curran, 1/21/17

Saturday, January 21st, 2017 was a historic day. It marked the most significant single day of protest the US has ever experienced. Nearly one out of every hundred Americans went to the streets to protest the agenda of the incoming administration. It was an amazing and profound experience, and I was proud to participate in it. With it, another, smaller record was broken: on this fateful day, 1,667 people experienced what will be known as the largest improv show in history. (Please don’t fact check this. It’s a joke. Don’t be that person.) Continue reading “SF Sketchfest Review: Upright Citizens’ Brigade: A.S.S.S.S.C.A.T. at The Curran, 1/21/17”

Film Review: Monsters University

Monsters in Monsters University — Scary monsters are scared in Monsters University

It has been nearly twelve years since Monsters Inc. made its theatrical debut, introducing audiences to one of film history’s most imaginative storylines and a memorable duo of lovable Monster protagonists, Mike Wazowski (Billy Crystal) and James P. “Sulley” Sullivan (John Goodman). It was Pixar’s fourth feature film and became an instant classic, one that still ranks high up on most people’s “what’s your favorite Pixar film?” list. Because of the place Monsters, Inc. held in our hearts, we all became cautiously optimistic yet filled with trepidation with the announcement of the prequel, Monsters University. We wondered why Pixar would even bother returning to a world that was so perfectly captured in a tightly bound film that had no cause for story extensions. The answer may be shrouded in dollar signs, or, perhaps like Toy Story 2 & 3, the Pixar team just could not abandon these lovable monsters forever. When all was said and done, Monsters University was greenlit and it has now finally arrived. The finished product is a playful “origin” story, filled with substantially more satirical humor rather than original humor, but also showcases a larger cast of lovable characters and genuinely touching moments.

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Film Review: Much Ado About Nothing

Fran Kranz as Claudio in Much Ado About Nothing

While the echoes of Shakespeare and his work can be felt in the backbones of modern storytelling for the past few centuries, there is really nothing like the actual stories themselves, and they make for timeless tales that can be endlessly re-performed and re-interpreted. The mostly-blank canvas of a play allows for a great deal of re-imagination, and in today’s world of film and television, who better to take up such a task than a director who is known for his marvelous creativity and his own original work? Thus was born Joss Whedon’s modern take on the Bard’s well-loved tale, Much Ado About Nothing, a play highly regarded for its delicate balance of tragedy and comedy and much lauded for its look at relationships and roles of gender. The movie itself has been given a rather arduous task — doing justice to a modern interpretation of Shakespearean play is a concept often wrought with tribulation — but it succeeds magnificently, and is spellbinding in its blend of wry and somewhat slapstick humor, deeply-moving dramatic moments, and the ever-intriguing firecracker romance of its lead characters, Beatrice (Amy Acker) and Benedick (Alexis Denisof).

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SFIFF Spotlights #1: Ernest & Celestine / Key of Life / Leviathan / Much Ado About Nothing

The 56th Annual San Francisco International Film Festival (SFIFF) is in full swing. From April 26th through May 9th, Bay Area cinephiles, filmmakers, and movie lovers of all ages can visit select theaters on either side of the bay to see exciting new films from all over the world.

Here at Spinning Platters, we’ll shine our spotlights on a few films we’ve had the pleasure of seeing and other festival events we’ve had the pleasure of attending. We encourage you to follow along and also visit the SFIFF website at http://festival.sffs.org/ to learn more about upcoming screenings!

Ernest & Celestine
(France/Luxembourg/Belgium 2012, 80 min)

The unlikely friendship between a hungry street-busking bear and a spirited young mouse takes center stage in this delightful French animated film. Based on the series of children’s books (which I haven’t read but now intend to), Ernest & Celestine is a charming story about friendship told through excellent voice work, a great musical score, and beautifully painted images. I was smiling all the way through. This is a title you shouldn’t miss!

Next Showing:
Wed., May 1st at 7:00PM – Sundance Kabuki Cinemas

Continue reading “SFIFF Spotlights #1: Ernest & Celestine / Key of Life / Leviathan / Much Ado About Nothing”