Noise Pop Review: The Fiery Furnaces with Spacemoth. at The Chapel, 2/26/26

I’ve seen The Fiery Furnaces just once before. Opening for The Shins at The Warfield just about 20 years ago. I was taken aback by their joyful weirdness… So many layers, and it was magic. And I’d yet to have an opportunity to see them again. So when Noise Pop added them to The Chapel, one of the most stunning spaces in SF, I jumped on tickets. Yet, I had no idea what I was in for…

Before Eleanor Friedberger and her brother Matthew, the sibling duo that leads The Fiery Furnaces, took the stage, we were treated to a rare solo performance by local psych hero Maryam Qudus. Better known by her stage name, Spacemoth.. She treated us to layers of samples and washes of guitar and synths, all played by Qudus herself. She crafted blissful pop symphonies, effectively replicating the full-band sound of her debut record, No Past No Future. Early in the set, she played “This Shit” with its chorus, “When is this shit gonna end? Gonna End?” a statement that resonates really well in the current climate. 

I was initially caught off guard by the stage setup. Once Spacemoth. cleared her gear, all we saw on stage was an upright piano and a mic stand. It became clear to me that I wasn’t getting the same band that I’ve wanted to see again for two decades. I was nervous about the show. 

Matthew sat at the piano, and Eleanor picked up the mic. Fiery Furnaces treated us to… An acoustic duo set! The layers were stripped away, and the songs were brought to the forefront. They played a career-spanning set, hitting almost every album. But, instead of the big, experimental songs, we got cabaret. Eleanor’s voice was in fine form tonight, sending chills at the right moments. Matthew played a delicate balance of jazz, showtunes, and pop on the piano. It was a fantastic show, despite not being the show I expected. 

Single Of The Week: “Waves Came Crashing” by Spacemoth

It’s almost always magical when folks that have worked behind the scenes start releasing material on their own. Carole King’s Tapestry, NERD’s In Search of…, J Dilla’s Donuts just to name a few… These are people with music in their veins, and all three of those records are timeless pieces of work. Spacemoth is the alias of engineer and producer Maryam Qudus who has worked on records by local legends such as Thao Nguyen, Toro y Moi, tUnE-yArDs, and mxmtoon to name a few. This week she graces us with the latest single from her upcoming record, No Past No Future, “Waves Come Crashing.” This track is a big, layered piece of genius that is equal parts “I just want to lay in the grass with headphones and let my brain swim” and “I want to play this loud and dance frantically around my apartment.” 

“Waves Come Crashing” is available at all of your favorite places to listen to music. No Past No Future is coming your way on July 22nd and can be preordered here