Bumbershoot Music and Arts Festival has existed in Seattle since 1971 and has happened every Labor Day weekend with the exception of 2020-2022 due to Covid restrictions. I’ve been a Seattleite my entire life. I was born the weekend before the festival’s 8th anniversary, also its final year of being a free festival. I grew up attending Bumbershoot with friends and family many times over the years up until September 2, 2001, when I saw David Lee Roth perform at Memorial Stadium. Since then, Bumbershoot has changed hands management a few times, and based on my experience this past weekend, the new changes have been a net positive. Back in 2001, Bumbershoot was a four days long, often oversold, crowded, difficult-to-navigate, bloated event that involved wristbands one needed to collect at the beginning of each day to allow you access to the stadium to see each evening’s headliner in the stadium, which served as the Main Stage. I skipped many a year and many an act due to this ridiculous first come, first serve approach to seeing a headliner at a festival. To me, it defeated the entire purpose of what seeing a fest should be. After all, if buying a ticket didn’t allow you access to the main event, then why would anyone humor that flawed system? Continue reading “Festival Review: Bumbershoot 2024”
Tag: Kim Gordon
Single Of The Week: “BYE BYE” by Kim Gordon
Kim Gordon is well over 40 years into her career, and with every turn, she surprises me a little bit more. But “BYE BYE” is the last thing I expected to come out from her, and it’s bloody amazing. She has captured the soul and energy of HYPERPOP and has released a track that falls somewhere between Pussy Riot, Charli XCX, Nine Inch Nails, and her own Free Kitten project. Fresh and vital and noisy and… It’s just everything good about music in general.
“BYE BYE” is the first single from Gordon’s second solo album, “The Collective,” coming your way on March 8th. Preorders can be done here. She’s also embarking on a very short tour this Spring, and those tickets can be secured here.
Single of the Week: “Abstract Blues” by Kim Gordon & J. Mascis (featuring Fred Armisen)
Most supergroups are a bit of a disappointment. However, this track, which is actually a few months old but is finally getting an official release as part of the Sub Pop Single Club this week, really does what you want a supergroup to do- it takes the most complimentary gifts the different artists have and builds on it. Kim Gordon’s exasperated growl blends nicely with J Mascis’ guitar work that’s drenched in both noise AND melody. Fred Armisen is here, but he just stays in the pocket, supporting two bonafide rock legends and not showing off.
“Abstract Blues” can be streamed in all the usual places. If you are looking for something physical, you can still join the 2021 Sub Pop Singles Club here and get 12 exclusive 45’s.
Film Review: Don’t Worry, He Won’t Get Far On Foot
The self and its discontents
Over the years, the director Gus Van Sant has returned time and again to his favorite subject: our constant struggle with self-deception and our many, mostly failed attempts at self-discovery. Let’s start with some dreamy-eyed pharmacy thieves (Drugstore Cowboy), move to homeless hustlers (My Own Private Idaho), catch up to a hitchhiker with enormous thumbs (Even Cowgirls Get The Blues), watch an aspiring TV Newswoman (To Die For), and let’s not forget the genius mathematician janitor at M.I.T. with girl trouble and the world’s funniest psychologist (Good Will Hunting). Van Sant’s characters show what an illusion we can be to ourselves. Does he return to this ground in Don’t Worry, He Won’t Get Far On Foot? Absolutely. Is it worth it to follow him yet again on this journey? Mostly.
Continue reading “Film Review: Don’t Worry, He Won’t Get Far On Foot“
Noise Pop Review: Body/Head, Horsebladder, Burmese at Rickshaw Stop, 2/26/13
When Kim Gordon and Thurston Moore split up last year, my heart broke. I always felt that they were the perfect rock couple- Moore was the pop yin to Gordon’s experimental yang. And, as expected, Moore’s post Sonic Youth output has largely been filled with guitar pop. And Gordon has been largely quiet. So, when Noise Pop announced that they were featuring her new project, Body/Head, on their opening night of Noise Pop, I was thrilled. When I learned that it was a “noise” project with east coast avant gardist Bill Nace, I had very high hopes for this performance. My favorite Sonic Youth moments have always been when Gordon vocalizes over thunderous guitar shredding. To have a band that strips them down to the just this part was practically a dream show. So, yes, I needed to be there.
Continue reading “Noise Pop Review: Body/Head, Horsebladder, Burmese at Rickshaw Stop, 2/26/13”
A Music Nerds Guide To Noise Pop 2013
Every year, for one week, the good people of Noise Pop with their epically refined tastes put together the best week of live music program of the year. And, of course, it could be highly intimidating as well. So, here is a well thought out guide to Noise Pop 2013.