Crystal, Haddish can’t save strained so-called ‘comedy’
Back in 1989, Nora Ephron, in her film When Harry Met Sally, posed the age-old question: Can men and women ever really be friends? Now, thirty-two years later, Billy Crystal, who played the titular Harry, returns in Here Today to tell us that not only can men and women be friends, but that their friendship can yield an uninteresting, unfunny movie. Call this one When Charlie Met Snooze
Still magical. Yet, there’s something there that wasn’t there before, and that something is meh.
If you’ve seen the 1991 Disney animated classic Beauty and the Beast as much as I have, you’re probably just as nervously excited for the live-action version as I was. The 1991 film was the first animated feature to ever be nominated for the Best Picture Oscar Award, and for good reason: it was smart, magical, romantic, and broke down animation barriers. The new live action version had to stay true to these things, while simultaneously amping up the drama, the romance, and the magic, and still embracing its classic songs (“Bonjour”, “Be Our Guest”, “Beauty and the Beast”, etc.). For a while, it was scarily unclear if the new version would be a musical at all. Once announced it would be, however, the producers needed to cast actors who could sing, and employ special effects that didn’t ruin the fun-loving side characters like Lumiere, Cogsworth, and, of course, the central character of the Beast. While the new songs and expanded character backstories are jarring and uninspired, the majority of the new Beauty and the Beast is still full of magic and romance, and does the original and Disney source material proud. The film also marks a pivotal point in Disney’s aspiration to have one of the industry’s most inclusive, and ethnically and racially diverse, modern film portfolios.
Charming Paris apartment for sale: Long-term tenant and family secrets included
Playwright and screenwriter Israel Horovitz makes his directorial debut with this feature film adaptation of his 2002 play of the same name, and the results are commendable, particularly since this project marks his first big-screen directorial attempt. The picture retains its theatrical pacing, with much dialogue and limited action, but both the story and the acting are compelling enough to keep you so thoroughly engrossed that you won’t even miss having an intermission. Continue reading “Film Review: My Old Lady”
starring: James McAvoy, Robin Wright, Evan Rachel Wood, Alexis Bledel, Kevin Kline, Tom Wilkinson, Justin Long, Norman Reedus, Danny Huston, Jonathan Groff, Johnny Simmons, Stephen Root, Colm Meaney
written by: James Solomon (screenplay/story), Gregory Bernstein (story)