What an amazing movie. Parts of it may repulse you. Go see it anyway.
Nicolas Winding Refn doesn’t care what you think about his movies. He makes films without traditional plots, and with a fair measure of gruesome violence. He believes himself so important that he uses a little NRW monogram under the title card of his features. He doesn’t feel the need to explain anything to the audience; instead, he deals with metaphor and buried meaning. Regardless of whether or not his movies fall under any old fashioned idea of what’s “good,” he’s awesome at making them.
We’re midway through the 58th San Francisco International Film Festival (SFIFF), and we’ve got more spotlights for you! There’s still a week of films and events left to go, so it’s not too late to get in on the fun; the Festival closes May 7th. Tickets and more information can be found here, and keep checking Spinning Platters for more coverage. In the meantime, here are four more Festival titles to check out:
Me and Earl and the Dying Girl (USA, 2015, 104 min, Added Programs)
Mostly known for his TV work (Glee, American Horror Story), director Alfonso Gomez-Rejon was the darling of Sundance this January, deservedly winning both the Grand Jury Prize and the Audience Award for this outstanding, off-beat picture based on the popular novel of the same name. Funny, sweet, and sad without being maudlin, Gomez’s film has all the classic quirky charm of a Sundance hit, combined with the refreshing honesty of the best recent coming of age films like The Perks of Being a Wallflower and The Way Way Back. When awkward Greg (Thomas Mann) is forced by his Mom (Connie Britton) to befriend Rachel (Olivia Cooke), a classmate with leukemia, he and his best friend Earl (RJ Cyler) embark on a project to make a film for her (their movies are short, altered, and hilarious versions of classics; A Clockwork Orange become A Sockwork Orange, for example, filmed with sock puppets). With terrific supporting turns by Nick Offerman as Greg’s dad and Molly Shannon as Rachel’s mom, the entire cast is first-rate. Gomez has made 2015’s first absolute-must-see film. Don’t miss it.
Screenings:
Will open widely on June 12th; check your local theater listings.