Show Review: The Corin Tucker Band w/ The Golden Bears at Great American Music Hall, 10/11/10

I need to level with you, my loyal readers. Sleater-Kinney is my favorite band. End of story. I have seen them more times than any other band, and, quite happily, only once has seen them as a support act. (As sub-headliner at This Is Not A Festival in 1999)

Since their hiatus began in 2006, I’ve been eagerly awaiting some musical output by the band members. Yes, Janet Weiss has been putting out Quasi records at the same frequency, but her SK-time has been devoted to Stephen Malkmus and Bright Eyes session work. Carrie Brownstein has been writing and doing comedy, amongst other things.  But, Corin Tucker has been quiet, at least comparatively so. She’s made a handful of public appearance, but for the most part, she’s been the reclusive one.

This year, Corin Tucker finally put out a solo record, and then pulled together a band to do a short tour in support of it. I’m equal parts excited and worried that it’s not going to be up to expectations.

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Show Review: Tom Tom Club at Great American Music Hall, 10/8/2010

Available for weddings and bar mitzvahs?

How much would you pay to hear one song? What if that song was going to be played by the most accomplished one-hit wonder in the history of music? When that song is “Genius of Love,” and that band is the Tom Tom Club, the long lasting musical project of Tina Weymouth and Chris Frantz of Talking Heads, then apparently that price is $26. This was, however, a 13-song set. So what about the other 12 songs? Were they worth the price of admission?

The short answer?  Continue reading “Show Review: Tom Tom Club at Great American Music Hall, 10/8/2010”

Show Review: Tu Fawning, Suckers, Menomena at Great American Music Hall

Working the alto sax.

What an inopportune time to have a camera battery die on you. I don’t mean run out of juice, as I’ve already learned that lesson in the past, but actually up and die as in refuse to work. As a result, I didn’t get the opportunity to shoot Tu Fawning, the up-and-coming Portland-based quartet that opened for Suckers and Menomena on Tuesday, September 14th at Great American Music Hall.

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Show Review: Southern Culture On The Skids at Great American Music Hall, 9/11/10

There are some bands that words cannot adequately describe. If I were to try and sum up the feeling one would get from listening to Southern Culture On The Skids it would include images of driving down a coastal highway in a pick-up truck while wearing a truckers hat. This quartet from Chapel Hill, North Carolina has been at it for well over 20 years, playing a playful blend of rockabilly, surf, punk rock and just a hint of traditional country & western music. I had the opportunity to check them out live for the first time at the Great American Music Hall. Hunkering down in the crowd with a beer in hand, I was about to learn exactly how much fun a woman with a bucket of fried chicken could have.

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Show Review: Jenny and Johnny with Sonny & the Sunsets and Farmer Dave Scher at Great American Music Hall, 9/2/10

I’m Having Fun Now, the “debut” album by Jenny and Johnny (Jenny Lewis and Johnathan Rice), is being marketed as the first collaboration between indie lovebirds Lewis and Rice. This isn’t strictly the case, though; Lewis and Rice have been all over each other’s material (what the kids are calling it these days) for the last five years. Rice has been playing in Lewis’ touring band since 2006, and had a very strong presence on her underrated 2008 LP, Acid Tongue. In turn, Lewis co-wrote and sang on several tracks from Rice’s 2007 album, Further North. But now these kids have made it official and released a full-length duets album. Last night, they played the first of two nights at Great American Music Hall. How did it go?

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Show Review: An Evening with Primus at the Great American Music Hall, 7/18/2010

those damn blue-collar tweekers.
those damn blue-collar tweekers. (photo by Sassy Monkey Media)

In today’s concerting world, most shows are focused more firmly on spectacle than on musicianship. We expect the bands to be at the top of their game, of course, but in case they aren’t, we’ve got pretty lights, soaring lasers, mystifying fog, and, sometimes, hurricanes of confetti to wow us and give us something to rave to our friends about. While the spectacle can be rather fantastic from time to time, it’s always refreshing to see the band pack up their light show, deflate the floating spacemen, and dismantle the fog machines, in favor of a rock-solid performance that focuses on what a concert is, truly, about: the music. The bands that are able to take all of these steps, cast off the grandeur, pack themselves — and several hundred feral fans — into a club, and rock the foundations as hard as they would in an arena, are truly wonderful to behold, and tonight’s performance by Bay Area native titans Primus was certainly no exception.

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Show Review: Mates of State with Free Energy and Nick Thune at Great American Music Hall, 7/1/2010

I love it when bands bring a giant banner.

Co-written with Dakin Hardwick

Mates of State brought their “Summer Crushes” tour to Great American Music Hall last week to promote their newest project, a covers album called Crushes. But rather than just show up and play, they brought along a traveling variety show. At the end of the night, though, it was the joyful music of Mates of State that I’m going to remember. So what else was there? Continue reading “Show Review: Mates of State with Free Energy and Nick Thune at Great American Music Hall, 7/1/2010”

Show Review: The xx, Phantogram at The Great American Music Hall, 6/1/10

In case you didn't know the name of the band...

Whenever a hot new band bursts on to the scene, there is inevitably a backlash. At some point, all of the critics, bloggers, and tastemakers that once adored a band eventually decide that they no longer have that affection they once did. They start calling the band boring, and then they start following something else. Although many people complain about the backlash, I think it’s time to embrace it. Because seeing a band during the backlash is the best time to see them. The people that are only at the show to brag about being at the show are gone, as well as the hipsters in the back that are only at the show because “they are supposed to be.” Instead, you get to really enjoy the music, and it feels really good to be in a room full of pure fans.

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Show Review: Evelyn Evelyn with Amanda Palmer, Jason Webley and Sxip Shirey at Great American Music Hall, 5/22/10

Evelyn Evelyn answer life's important questions

When Amanda Palmer and Jason Webley decided to join together to do a musical project, they decided to literally join together. They created Evelyn Evelyn, conjoined twin musicians, built a story and characters, recorded and released an album, and they’re now on tour together. This show was billed as Evelyn Evelyn with Amanda Palmer, Jason Webley and Sxip Shirey “also appearing.” There’s a point in this absolute pleasure of a three-hour show when Amanda Palmer thanks people for coming to such an odd show, and practically begs the audience to tell their friends in whatever way they can that they should come see the show. I’m game for this; read on to be convinced. Continue reading “Show Review: Evelyn Evelyn with Amanda Palmer, Jason Webley and Sxip Shirey at Great American Music Hall, 5/22/10”

Show Review: Dr. Dog with Sean Bones at the Great American Music Hall, 4/24/2010

Dr. Dog from another night. Thanks to Dena Flows for believing in Creative Commons, too.

Openers. As a general rule of thumb they tend to be doomed. The crowd isn’t usually there to see them and this can lead to feelings of impatience amongst the audience. This was not the case last night at the Great American.  I had never heard of or seen Sean Bones prior to last nights show. A quick Google image search led me to assume that this was going to be a Brooklyn based indie band with stupid instruments. This also, thankfully, was not the case. Continue reading “Show Review: Dr. Dog with Sean Bones at the Great American Music Hall, 4/24/2010”