Show Review: Antemasque and Les Butcherettes at Great American Music Hall, 8/12/14

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All photos by Jonathan Pirro

There was a point in my life where The Mars Volta were, in my opinion, the most interesting thing in rock. Those first three full length records, De-Loused In The Comatorium, Frances The Mute, and Amputechture were all in heavy rotation while I moved from my early to mid 20’s. These records were the perfect balance of heavy and creative. Insane records filled with intensity that drew from influences as wide ranging as Fania All Stars, Pink Floyd, Fugazi, and Stockhausen. Delicious albums that I listened to almost daily. Before long, however, it felt like the band kept losing the plot. The records seemed stale, and the live shows also seemed to like some of the “Oomph!” of their earlier sets. When they decided to close up that chapter, it made sense to me. Both Omar Rodriguez-Lopez and Cedric Bixler-Zavala found themselves exploring music apart from each other, and made for some awfully compelling records.

The year that they parted ways was 2012. Now, a mere two years later, Cedric & Omar quietly started putting out new material on the web. Under the name “Antemasque.” These were some great, concise tracks. So, the moment they announced a tour, I decided it was worth my while to see if they’ve really re-inspired themselves.

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Show Review: The Antlers with Yellow Ostrich at Great American Music Hall, 07/11/2014

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I have a bit of a weird history with The Antlers. Not, like, personally. It’s just that one of their (arguably) best albums, Hospice, was something I found when I was in the depths of a deep depression. I won’t ever forget how much it tore up my heart to listen to “Bear” for the first time and how heartbreaking those lyrics were. Tonight, I entered Great American Music Hall, but found myself back in that darkened apartment, whiskey in hand, tears soaking my face.

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Show Review: An Evening with Failure at the Great American Music Hall, 5/14/2014

Kellii Scott and Ken Andrews of Failure
Kellii Scott and Ken Andrews of Failure

Back in March of 2014, the massive art-metal juggernaut known as Tool rumbled through the Bay Area, gracing its residents with a set of shows once again at the Bill Graham Civic Auditorium. Those who were wise enough to arrive early for the show might have had a chance to watch the real surprise of the night: the recently-reformed Los Angeles trio of Failure, bringing their expert musicianship and crushing brand of alt-space-rock back into the fold for a set of short but powerful sets. Continuing the connection, Failure made a reappearance for Tool singer Maynard James Keenan’s 50th birthday celebration, with all three members offering both their own songs and contributions to the sprawling evening of music that took place each night. With a healthy amount of new exposure under their belt, Failure is coming back on the road for their own headlining tour, this time with zero accompaniment — an Evening With, two sets, and a furious chunk of tunes across their three records to throw into the mix. If their show at the Great American Music Hall was any indication, this is one reunion that isn’t fading any time soon: Failure are back and as sonically potent as ever before.

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Spinning Platters Weekly Guide to Bay Area Concerts, 1/15/14-1/22/14

Anti-bunny.
Sometimes there are signs that insist on no bunny.

You need to know what concerts are coming to The Bay Area this week? You’ve come to the right place.

We’ve got folk rock, pop metal, malicious metal, the cosmic intersection of country and rock, and the most highly-weaponized pop that US dollars can purchase.

It’s a good week.

Here’s what’s coming up.

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Show Review: Man Man with Xena Rubinos at the Great American Music Hall, 10/1/2013

Honus Honus rocks the mic in a very special way

You know you’re at a show with a decent amount of energy when the singer and the guitarists jump and dance around on stage. You know you’re at a show with an amazing amount of energy when the drummer jumps and dances around on stage. Hyperkinetic experimental rockers Man Man put one one such show at San Francisco’s Great American Music Hall, joined by the incomparable Xenia Rubinos. Brilliant, engaging music coupled with riveting stage presence led to an unforgettable night of unusual music.

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Spinning Platters Weekly Guide to Bay Area Concerts, 9/26/13-10/2/13

I remember the video was all austere and stuff.
It’s going to be like 1990 all over again at The Shoreline tonight, y’all.

October is nearly here. Match pre-Halloween candy sales with some concert-going and that’s a recipe for general happiness.

Here’s what’s coming up this week.

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Spinning Platters Weekly Guide to Bay Area Concerts, 3/28/13-4/3/13

Appearing this April Fool's Day at Bottom Of The Hill!
Appearing this April Fool’s Day at Bottom Of The Hill!

Hello there, Bay Area live music lover. As we reach April, we know that the next 30 days will be quite busy. We haven’t even started with the Coachella bands coming to town, and, well, I’m already exhausted just looking at this thing!

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Show Review: An Intimate Evening with Mika at Great American Music Hall, 3/25/2013

Just Mika, some white lights, and those darned camera phones.
Just Mika, lit only by a single white globe that appeared to be floating in air, and those darned camera phones.

Mika burst on to the scene a few years ago with a sugary pop masterpiece, Life in Cartoon Motion, and his joyful and colorful live shows, chock full of balloons, confetti, streamers and a giant pop band behind him. Now, he’s on tour supporting his newest album, The Origin of Love, and he’s taking a markedly different approach. This show, billed as “An intimate evening with” saw him behind a piano for the lion’s share of the evening, joined only by Max Taylor and Curtis Stansfield on a variety of instruments. It was stripped down, and it was wonderful. Continue reading “Show Review: An Intimate Evening with Mika at Great American Music Hall, 3/25/2013”

Show Review: Tomahawk with Retox at the Great American Music Hall, 2/15/2013

Mike Patton of Tomahawk
Mike Patton of Tomahawk

A dark-snarling-rocker, avant-garde-artiste-extraordinaire, maniacally-grinning crooner, possessed of a sinister disposition and an undulating, catlike movement — these are all terms that accurately describe Bay Area native Mike Patton. Outside of the impressive trail that he and his bandmates in alt-metal band Faith No More blazed, through early 90s metal and the foundations of heavier alternative music, Patton has always been dabbling in sonic experiments and new forms of performance, and the extent of his craft is all but belied by Faith No More’s marvelous, but definitely accessible, compositions. Patton, of course, is not the only creative force within his various endeavors, and has spent most of his projects with bassist Trevor Dunn, in bands such as Mr. Bungle and the John Zorn-spearheaded Moonchild Trio. Dunn has now joined the ranks of the indescribable-yet-definitely-dark-and-thrashy Tomahawk, formed by Patton and Jesus Lizard guitarist Duane Denison, and the result is a tough-as-nails blast of energy and mesmerizing chemistry in an onstage performance — all the sensation of the insane chaos of the pair’s less accessible work, coupled with enough familiar songwriting techniques to draw in the more discerning of music fans.

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Photo Gallery: Unknown Mortal Orchestra with Foxygen at the Great American Music Hall, 2/13/2013

Ruban Nielson of Unknown Mortal Orchestra
Ruban Nielson of Unknown Mortal Orchestra

As of late, the ever-shifting tide of new music that continues to surge its way into existence seems to be drifting more and more into a haze of dreamy, warbly tunes, evoking the warm nostalgia of 60s psychedelia and fuzzy lo-fi rock, while also pulling from newer, contemporary songwriting styles. In addition to the snarling analog tidal wave of garage punk that has been barreling its way into the world, care of surf-cum-garage-rock acts like Ty Segall, FIDLAR, and Wavves, the good-time-loving, hippie-mindset tunes are bringing a gentle glee back into the musical world, happily paired with the shimmering, dissonant production of yesteryear. The intercontinental throwback rockers Unknown Mortal Orchestra bring their own take on the retro rock with their new record, II, and set off on tour with their Jagjaguwar label mates Foxygen, themselves hot on the heels of their sophomore release We Are the 21st Century Ambassadors of Peace & Magic. Spinning Platters took a little trip with them to the dimly-lit, hazy stage of the Great American Music Hall in San Francisco to document the action!

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