Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
You need to know what concerts are coming to The Bay Area this week? You’ve come to the right place.
We’ve got folk rock, pop metal, malicious metal, the cosmic intersection of country and rock, and the most highly-weaponized pop that US dollars can purchase.
It’s a good week.
Here’s what’s coming up.
Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts, 1/15/14-1/22/14”
You know you’re at a show with a decent amount of energy when the singer and the guitarists jump and dance around on stage. You know you’re at a show with an amazing amount of energy when the drummer jumps and dances around on stage. Hyperkinetic experimental rockers Man Man put one one such show at San Francisco’s Great American Music Hall, joined by the incomparable Xenia Rubinos. Brilliant, engaging music coupled with riveting stage presence led to an unforgettable night of unusual music.
October is nearly here. Match pre-Halloween candy sales with some concert-going and that’s a recipe for general happiness.
Here’s what’s coming up this week.
Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts, 9/26/13-10/2/13”
Hello there, Bay Area live music lover. As we reach April, we know that the next 30 days will be quite busy. We haven’t even started with the Coachella bands coming to town, and, well, I’m already exhausted just looking at this thing!
Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts, 3/28/13-4/3/13”
Mika burst on to the scene a few years ago with a sugary pop masterpiece, Life in Cartoon Motion, and his joyful and colorful live shows, chock full of balloons, confetti, streamers and a giant pop band behind him. Now, he’s on tour supporting his newest album, The Origin of Love, and he’s taking a markedly different approach. This show, billed as “An intimate evening with” saw him behind a piano for the lion’s share of the evening, joined only by Max Taylor and Curtis Stansfield on a variety of instruments. It was stripped down, and it was wonderful. Continue reading “Show Review: An Intimate Evening with Mika at Great American Music Hall, 3/25/2013”
A dark-snarling-rocker, avant-garde-artiste-extraordinaire, maniacally-grinning crooner, possessed of a sinister disposition and an undulating, catlike movement — these are all terms that accurately describe Bay Area native Mike Patton. Outside of the impressive trail that he and his bandmates in alt-metal band Faith No More blazed, through early 90s metal and the foundations of heavier alternative music, Patton has always been dabbling in sonic experiments and new forms of performance, and the extent of his craft is all but belied by Faith No More’s marvelous, but definitely accessible, compositions. Patton, of course, is not the only creative force within his various endeavors, and has spent most of his projects with bassist Trevor Dunn, in bands such as Mr. Bungle and the John Zorn-spearheaded Moonchild Trio. Dunn has now joined the ranks of the indescribable-yet-definitely-dark-and-thrashy Tomahawk, formed by Patton and Jesus Lizard guitarist Duane Denison, and the result is a tough-as-nails blast of energy and mesmerizing chemistry in an onstage performance — all the sensation of the insane chaos of the pair’s less accessible work, coupled with enough familiar songwriting techniques to draw in the more discerning of music fans.
Continue reading “Show Review: Tomahawk with Retox at the Great American Music Hall, 2/15/2013”
As of late, the ever-shifting tide of new music that continues to surge its way into existence seems to be drifting more and more into a haze of dreamy, warbly tunes, evoking the warm nostalgia of 60s psychedelia and fuzzy lo-fi rock, while also pulling from newer, contemporary songwriting styles. In addition to the snarling analog tidal wave of garage punk that has been barreling its way into the world, care of surf-cum-garage-rock acts like Ty Segall, FIDLAR, and Wavves, the good-time-loving, hippie-mindset tunes are bringing a gentle glee back into the musical world, happily paired with the shimmering, dissonant production of yesteryear. The intercontinental throwback rockers Unknown Mortal Orchestra bring their own take on the retro rock with their new record, II, and set off on tour with their Jagjaguwar label mates Foxygen, themselves hot on the heels of their sophomore release We Are the 21st Century Ambassadors of Peace & Magic. Spinning Platters took a little trip with them to the dimly-lit, hazy stage of the Great American Music Hall in San Francisco to document the action!
As November rains its way into December, the Bay Area does its part in the War on Christmas with the onset of our annual secular holiday concert season. Relive that scene in My So-Called Life where Rayanne went flyering drunk in the school parking lot when Toad the Wet Sprocket play not one but two full-length album shows. And also: THE BOSS. All this and more after the jump.
Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts, 11/29/12-12/5/12”
Until recently, I barely knew the names Andy Grammer or Ryan Star. Rachel Platten, however, was a name I knew – I’d just seen her open for the musically delicious Keaton Simons back in October. Adorable, charming, and a catchy singer-songwriter, I made a mental note to review her set next time she came to the Bay Area. Which is how I found myself researching the likes of Ryan Star and headliner Andy Grammer last week, in preparation for last night’s show at SF’s Great American Music Hall. I knew a song or two from each guy (“Start a Fire” and “Breathe” from Mr. Star, and last year’s catchy hit “Keep Your Head Up” from Andy), all of which I liked enough to get excited to discover new tunes. As it turned out, the show would exceed my expectations tenfold. Continue reading “Show Review: Andy Grammer with Ryan Star and Rachel Platten at Great American Music Hall, 1/15/2012”
San Francisco’s disproportionately large population of ex-Ohioans once again flocked to Great American Music Hall to see the Buckeye State’s finest cultural ambassadors – Linford Detweiler and Karin Bergquist of Over the Rhine – perform another exquisitely drowsy set of their infinitely soothing jazzy Americana.
Continue reading “Show Review: Over the Rhine at Great American Music Hall, 11/15/11”