Show Review: Mac Sabbath prevails in a post-Ozzy world

Photos and review by: Alan Ralph @ConcertGoingPro

Spinning Platters has had the pleasure of seeing Mac Sabbath seven times since 2016 yet it’s hard to believe that there’s only one other written review here on the inventors and self-appointed kings of Drive Thru Metal! This latest appearance at Great American Music Hall was part of a short West Coast tour called ‘This One Goes To 11‘. 

courtesy of www.ConcertGoing.pro

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Show Review: 15 years of The Sword’s Warp Riders at GAMH

Photos and review by: Alan Ralph @ConcertGoingPro

In October 2022, the singer of The Sword announced the band was splitting up after 19 years.  21 months later… they’re back!  It’s hard to say whether announcements like this helps or hurts a band, but the Great American Music Hall was sold out for weeks after the tickets went on sale for the 15th anniversary tour for their concept album Warp Riders. Spinning Platter’s enjoyed a pre-show meal at the legendary Tommy’s Joynt with guitarist Kyle Shutt and a few from the other bands and crew and was informed that a great many other shows on this tour have also been sold out well in advance.  The moral of the story perhaps is to break up and get back together… it may help ticket sales!

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Show Review: the MFkn’ O.G. Original Gangsta ICE-T at GAMH!

Photos and review by: Alan Ralph @ConcertGoingPro

WHAT!? There’s no way that legendary O.G. Original Gangster rapper Ice-T (and heavy metal singer… and movie star…. and longtime Law and Order: SVU television actor) would be performing at the 470-capacity Great American Music Hall?! Is this for real? Ticket purchased immediately! Yes indeed, on Friday June 27, the I the C the E the T himself rolled into “Frisco” (his words) with his O.G. DJ Evil E and performed a ninety-minute set including shout-outs, NSFW jokes, and he even showed off a few of his special Bay Area friends.

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Show Review: Martha Wainwright at Great American Music Hall, 4/2/25

Comes out and plays through the album that made her, that created a being separate from lineage, too mature for this crude southern land, the pedigree and the world wise chanteuse disorienting pop music. Self aware, the first line is an irrepressible fein to the Carpenter’s ‘Superstar’. The very first line claims a place: Long ago, and so very… Continue reading “Show Review: Martha Wainwright at Great American Music Hall, 4/2/25”

Show Review: Max Cavalera’s Schizophrenia

Photos and review by: Alan Ralph @ConcertGoingPro

Max Cavalera tours a lot. Max and his brother Igor G. are best known for starting the band Sepultura in the early 1980’s, and since leaving that behind nearly 30 years ago, he has Soulfly, Nailbomb, Go Ahead and Die, and Cavalera Conspiracy keeping him and the Cavalera family very busy. They have plenty of good reasons to perform for their fans as much as they do, and that is because there is so much music to play! In fact, alongside Max on this particular excursion, both in the band and crew, is drummer/brother Igor G., guitar/son Igor A., manager/wife Gloria, and merchandise/son Richie

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Show Review: Alan Sparhawk with Circuit des Yeux at Great American Music Hall, 1/20/25

The Great American Music Hall, steeped in San Francisco’s history since its opening in 1907, is a venue that seems to absorb the spirit of every artist who graces its stage. Once a bordello and later a jazz hotspot, its gilded balconies and chandeliers whisper stories of the countless musical legends who’ve played there. Last Monday night, the Hall once again became a sacred ground for music, hosting Alan Sparhawk in a performance that felt both monumental and deeply intimate. Continue reading “Show Review: Alan Sparhawk with Circuit des Yeux at Great American Music Hall, 1/20/25”

Show Review: Perfume Genius with Julianna Barwick at Great American Music Hall, 9/24/24

Perfume Genius’ 10th-anniversary performance of Too Bright at The Great American Music Hall was an intimate and unforgettable night. With its classic San Francisco charm, the venue offered the perfect setting for a devoted crowd, huddling close around the stage like a protective cocoon for Michael Hadreas and his band. Everyone in the room seemed eager and reverent, excited to see Too Bright brought to life in full.

Opening the night, Julianna Barwick cast the room in waves of indigo light. Her set, ethereal and expansive, felt like an homage to artists like Julee Cruise, Donna Summer, and Enya, with a modern twist of binaural beats and the haunting echoes of ancient voices. It was as if she channeled something otherworldly, conjuring a space where time and genre folded in on themselves. You could almost feel the presence of ancestral female spirits, grounding the room in calm energy and preparing it for what was to come.

When Perfume Genius finally took the stage, Michael Hadreas was radiant—relaxed, proud, and fully present. I’ve seen him perform before, sometimes on edge with the demands of obsessive fans, but tonight was different. There was a jovial trust between him and the crowd, a mutual respect that allowed him to flourish. His band, tightly synced and full of emotional charge, mirrored this sense of cohesion. Each note felt connected, like a shared breath between them. His partner on keys added an extra layer of intimacy, deepening the emotional resonance of the performance.

Hadreas himself was a sight to behold. Part Elvis, part Morrissey, his body was a slithering, back-bending expression of the music. Dressed in a slick olive sateen button-down, the shirt clung to his skin, wet with the raw energy of his performance, wrinkled and sexy. The microphone cord draped along his fingers like an extension of himself as he writhed upward, completely lost in emotion.

The highlight, of course, was “Queen,” which he played not once but twice—because really, who wouldn’t want to be slayed by that iconic strut all over again? The first time, the crowd was electrified; by the second, it felt like we were all ascending to another level of sonic bliss. Hadreas delivered the anthem with all the sashay and defiance it demanded, leaving no one untouched.

It was a night where the connection between artist and audience felt palpable as if we were all part of the same heartbeat. You could feel the trust, the love, and the shared history in every moment, making this anniversary a night to remember.

 

Show Review: Cavalera Conspiracy w/Exhumed, Incite, Thrown Into Exile, and SANGRE at The Wiltern, 10/18/2023

Cavalera: The REAL Sepultura

Show Review and Los Angeles Photos by: Oliver Brink
San Francisco Photos by: Alan Ralph @AlanHasPicks

This one was a bit special for me. Sepultura is a band that I fell deeply in love with in high school, and their music and the continued projects of Max Cavalera have been with me constantly as I navigate my way through life. I always find moments where I just need a song like “Refuse/Resist” or “Troops of Doom” to help me get through a moment of angry energy. So, of course, I had to jump at a chance to see Max and Iggor Cavalera, finally, and when that opportunity arrived, I jumped right the hell on it, even if it meant going to one of my least favorite venues to photograph. More on that later; bands first!

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Show Review: Mac Sabbath drives thru the Great American Music Hall!

Photos and review by: Alan Ralph @ConcertGoingPro

“More Than Meats the Eye” is what happens when McDonald’s worst nightmare Mac Sabbath books a tour with a bunch of Transformers and they all Drive Thru the Great American Music Hall in San Francisco on a warm Thursday evening.

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Show Review: Overkill Scorched San Francisco

Photos and review by: Alan Ralph @ConcertGoingPro

It is fairly common knowledge that thrash metal originated from here in San Francisco starting in the early-mid 1980’s with most of the heavy hitters like Metallica, Death Angel, Testament, Forbidden, Exodus, and Vio-lence, among others.  The east coast, however, also had some major thrash metal bands brewing, with Anthrax, Nuclear Assault, and Overkill leading the pack.  Cut to today, and most of these bands are still around and still continue to rage, almost as good or better than they did all those years ago!

One of those bands actually travelled 3,000 miles from their east coast home to begin their tour here in San Francisco.  Hailing from Old Bridge Township, New Jersey, the seminal 1980’s band Overkill came to town to show-up their Bay Area thrash metal brethren, and in the process, laid waste to the Great American Music Hall, proving that after 43 years and 20 albums, they still thrash as well or better than most of their Bay Area metal counterparts… and everyone else!

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