Spinning Platters Interview: Anton Yelchin, Felicity Jones, and Drake Doremus on “Like Crazy”

Anton Yelchin and Felicity Jones in LIKE CRAZY

Few films have nailed the invincible excitement of young love with the giddy, wrenching precision of Like Crazy. The third feature film in as many years from director Drake Doremus, the film stars Anton Yelchin (The Beaver) and Felicity Jones (The Tempest) as Jacob and Anna, a young couple that meet while attending college together in southern California. When they discover their mutual attraction, they immediately understand the obstacle in their path – Anna is British and only in the U.S. on a student visa – but as they fall deeper and deeper into the first throes of romance, Anna decides to throw caution to the wind and stay with Jacob a few months past the expiration of her visa. Despite the instant gratification this choice provides, it will lead to lasting, disastrous consequences. The film works as a romantic drama as well as a terrifying cautionary tale about the dangers of abusing a student visa.

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Spinning Platters Interview: John Cho on “A Very Harold & Kumar 3D Christmas”

John Cho and Kal Penn in A VERY HAROLD & KUMAR 3D CHRISTMAS

John Cho recently had a fairly perfect San Francisco day. The Berkeley graduate, 39, was in town with his family during fleet week, observing its many air shows. “It was very loud,” he says. “If I lived here, I would have been really annoyed. But I was visiting, so it was fun.” And if Cho lived here, there’s at least one place you’d have a good chance of finding him: “That Embarcadero thing – you guys don’t know how good you have it. The eating there is ridiculous. I found a three-hour parking spot, then we went to Yank Sing, had dim sum, walked to the Embarcadero, got more yummies, watched the planes, then came back. It was kinda perfect.”

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Spinning Platters Interview: Antonio Banderas and Salma Hayek on “Puss in Boots” (and “The Skin I Live In”)

Antonio Banderas and Salma Hayek at the San Francisco premiere of PUSS IN BOOTS. Photo by Eric Lawson.

Antonio Banderas is out on a very polarized and complicated press tour at the moment. While it is not uncommon for an actor to have several projects opening at the same time, there have perhaps never been two more diametrically opposed films opening together than Puss in Boots, a feature-length spinoff of Banderas’ scene-stealing feline fan favorite from the Shrek films, and The Skin I Live In, a shockingly perverse psychological drama that reunites Banderas, now 51, with the great Spanish auteur Pedro Almodovar, who first introduced Banderas in such ’80s world cinema classics as Law of Desire and Women on the Verge of Nervous Breakdown. And so, when Banderas and his frequent collaborator/Puss in Boots co-star Salma Hayek came to San Francisco for a red carpet premiere of their film, we were supposed to be talking about the family-friendly Puss in Boots. But, inevitably, the conversation kept working its way back to his other, considerably more lurid project – whether he liked it or not.

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Spinning Platters Interview: Elizabeth Olsen and Sean Durkin on “Martha Marcy May Marlene”

John Hawkes, Elizabeth Olsen, Louisa Krause and Christopher Abbott in MARTHA MARCY MAY MARLENE

Every year at the Sundance Film Festival, there are inevitably a crop of star-is-born moments where little-known or unknown actors and filmmakers are suddenly catapulted to fame and acclaim thanks to a particularly well-received film. But surely one of the most surprising Sundance discoveries in recent memory is Elizabeth Olsen, 22, younger sister of Mary-Kate and Ashley Olsen. After growing up on the sets of her sisters’ projects, Olsen studied acting at NYU (she recently graduated), and is now making her feature-film debut in Martha Marcy May Marlene, a tense character study that also marks the incredibly promising feature-length debut of writer/director Sean Durkin.

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Spinning Platters Interview: Julianne Hough and Kenny Wormald on “Footloose”

Kenny Wormald and Julianne Hough in FOOTLOOSE

WHYYYYYYYYY??!?!??

This was the universal reaction when it was announced several years ago that Paramount was mounting a remake of the much-beloved Kevin Bacon classic, Footloose. And however skeptical you remain about it, just know that the remake as originally conceived — which was going to reunite High School Musical director Kenny Ortega and star Zac Efron — would have been far more likely to offend your sense of ’80s cultural reverence. But then Ortega dropped out and was replaced by Craig Brewer, best known for decidedly adult films like Hustle & Flow and Black Snake Moan. Brewer, himself a Footloose devotée, set out to make the most authentic update imaginable, and a lot of that would depend upon the casting of the iconic roles of Ren (Bacon’s character) and Ariel (originally played by Lori Singer). Enter the unlikely duo of Kenny Wormald and Julianne Hough.

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Spinning Platters Interview: Seth Rogen and Will Reiser on “50/50”

Will Reiser and Seth Rogen on the set of 50/50

Have you ever watched a cancer movie and thought, “You know what this needs? More dick jokes!” If so, 50/50 is the cancer movie for you. Joseph Gordon-Levitt stars as Adam, who seems to have his life together: he works for a public radio station in Seattle, he has a devoted (if obnoxious) best friend, Kyle (Seth Rogen), and a beautiful girlfriend, Rachael (Bryce Dallas Howard). But when Adam is suddenly diagnosed with cancer, his life begins to fall apart. His relationship with Rachael becomes increasingly strained, he is assigned a counselor named Katherine (Anna Kendrick) who is barely out of diapers, his overbearing mother (Anjelica Huston) won’t leave him alone, and Kyle keeps using Adam’s cancer to get himself laid. And if that sounds like too irreverent of a storyline for a film about cancer, then take it up with screenwriter Will Reiser. Because it’s inspired by his life.

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The Spinning Platters Guide to the 34th Mill Valley Film Festival

Michelle Williams as Marilyn Monroe in MY WEEK WITH MARILYN, which is having its Bay Area premiere during the Mill Valley Film Festival.

The Mill Valley Film Festival, one of the Bay Area’s most esteemed and prestigious film events, is returning for its 34th installment October 6-16. The MVFF has come to represent the first opportunity for Bay Area film buffs to check out festival favorites from the likes of Toronto, Venice, and Telluride before their theatrical releases, not to mention a chance to mingle with the talent; expected guests this year include Glenn Close, Martin Donovan, Luc Besson, Michelle Yeoh, Anton Yelchin, Felicity Jones, Elizabeth Olsen, John Hawkes, and Ezra Miller. Last year’s festival featured the likes of 127 Hours, Blue Valentine, and eventual Best Picture winner The King’s Speech. Look after the jump for the top 12 films to check out this year.

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Film Review: “Drive”

Ill-fated henchman and Ryan Gosling in DRIVE

starring: Ryan Gosling, Carey Mulligan, Bryan Cranston, Albert Brooks, Ron Perlman, Christina Hendricks, Oscar Isaac

written by: Hossein Amini

directed by: Nicolas Winding Refn

MPAA: Rated R for strong brutal bloody violence, language and some nudity.

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Spinning Platters Interview: Vera Farmiga on “Higher Ground”

Vera Farmiga in HIGHER GROUND

“This is challenging! This discourse is challenging! This is a campaign that is more rigorous than the Up in the Air Oscar campaign. Those questions were like, ‘What is it like to kiss George Clooney?'” But Vera Farmiga wouldn’t have it any other way. The Oscar-nominated actress, 38, is making her directorial debut with Higher Ground, adapted for the screen by Carolyn S. Briggs (and Tim Metcalfe) from her memoir, This Dark World. It is a finely observed, deeply felt spiritual character study about a woman named Corinne (Farmiga). Yes, this film dares to address religion, specifically evangelical Christianity. But it does so in a manner as completely disarming, sensitive, and uncompromising as Farmiga herself.

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Spinning Platters Interview: Miranda July on “The Future”

Miranda July in THE FUTURE

Miranda July is an anomaly in the film industry. Perhaps this is because, although she has experienced success within it, she understands there is much more to the creative world outside of it. A multimedia artist in the truest sense of the term, July has been celebrated as much for her performance art as for her filmmaking. Her multimedia pieces have been shown and performed in galleries around the world. Her debut collection of short stories, No One Belongs Here More Than You (2007), won the Frank O’Connor International Short Story Award. And her debut film, Me and You and Everyone We Know (2005), which July wrote and directed as well as starred in, won four prizes at the Cannes Film Festival, in addition to numerous critics awards and a Special Jury Prize at Sundance.

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