Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
How do you solve a problem like Phil Spector? In The Agony and the Ecstasy of Phil Spector (opening today at the Roxie Theater), filmmaker Vikram Jayanti — who co-produced the Oscar-winning documentary When We Were Kings — creates a compelling but fundamentally flawed portrait of this culture-shaking musical genius and convicted murderer.
Continue reading “Film Review: “The Agony and the Ecstasy of Phil Spector””
As a child I was only allowed to listen to soft rock and classical music. Though I should have probably called CPS, I did not know any better. I do still however love both forms of music. This is probably why I thought Pianomania ruled. The music was absolutely enchanting. Continue reading “SFIFF Film Review: “Pianomania””
“Coco Chanel and Igor Stravinsky” twists the worlds of fashion, art, music and society together. It screams about the new-ness inherent in the early 20th century: in music, in fashion, and in people’s relationships. The film depicts the couple’s passionate affair along with what is billed (by the film) as each of their greatest works: Stravinsky’s ballet “The Rite of Sping” or “Le Sacre du Printemps” and Coco Chanel’s iconic fragrance Chanel No. 5. In this day and age where music and fashion are so intertwined the film successfully takes you into the world of 1920’s Paris where this was far from the truth. Coco Chanel is the unlikely patron here, bringing Igor Stravinsky into her world with money, and with that relationship forged, the pair change each other’s art and direction. Continue reading “SFIFF Film Review: “Coco Chanel and Igor Stravinsky””
Rejoice and Shout, the latest music documentary from director Don McGlynn (The Howlin’ Wolf Story, Somewhere Over The Rainbow: Harold Arlen, and many more) is the most thoroughly researched and exhaustive film about African-American gospel music ever committed to film. In telling the story of gospel in America, it simultaneously mirrors the entire narrative of the African-American experience, beginning with slavery and ending with the election of the nation’s first black president. It is an ambitious undertaking, and for the most part, it is successful.
“This isn’t about women’s lib,” crows Kim Fowley (Michael Shannon) in The Runaways, the feature-length debut from renowned music video director Floria Sigismondi. “This is about women’s libidos.” See what he did there? But this quote gets to the paradoxical high-wire act at the heart of this film: lib or libido? Empowerment or exploitation? A film that opens with a close-up of Dakota Fanning’s first drops of menstrual blood hitting the L.A. pavement could go either way.
Following the release of their 2007 album, Icky Thump, Jack and Meg White prepared for two simultaneous landmarks in their storied career: their tenth anniversary as a band, and their first extensive promotional tour of Canada’s many provinces and territories. They invited acclaimed music video director Emmett Malloy to accompany them on this excursion, capturing every moment along the way. The ensuing hybrid of aww-shucks Canadian culture shocks and feverish self-aggrandizement comprises The White Stripes: Under Great White Northern Lights.
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The film Strange Powers, Stephin Merritt and The Magnetic Fields opens with Stephin Merritt being interviewed by one of the directors. She asks “What are you reading now?” and the question is greeted with a dark stare and stony silence. This is how genuine the film is in its portrayal of this iconic songwriter, which is demonstrated in the Q & A after the movie. Stephin Merritt doesn’t waste words. Much like his song lyrics, his responses are concise and thought out. The good news is, for the most part, so is the film. Continue reading “Noise Pop Film Review: Strange Powers Stephin Merritt and The Magnetic Fields at The Mezzanine, 2/28/10”