eureka theater – Spinning Platters

SF Sketchfest Review: One Star with Thomas Lennon and Matt Mira on 2/8/14

There is something about Yelp that inspires some of the finest creative writing out there today. I really enjoy reading pieces where the writer is in so much pain and frustration over the poor treatment they got at a commercial establishment, that they feel compelled to write a letter to the entire world about the demons that can be found in such a place. One Star with Thomas Lennon and Matt Mira is a show that pays loving tribute to those passionate writers. Until last night, those voices could only be heard if you stumbled across them on the web. Now, those voices can be heard by all.

Continue reading “SF Sketchfest Review: One Star with Thomas Lennon and Matt Mira on 2/8/14”

SF Sketchfest Review: Stardumb! on 2/1/2014

Bill Dwyer and Erica Rhodes, hosts of Stardumb!

Stardumb! is a fake game show hosted by Bill Dwyer where actors and comedians are asked to answer varying levels of personal questions for points. When I read the description on the SF Sketchfest site I knew I had to see what this was all about. That and two of my celebrity crushes were scheduled to be there. How could I resist that? I’m so glad I didn’t. Continue reading “SF Sketchfest Review: Stardumb! on 2/1/2014”

SF Sketchfest Review: Sara Benincasa & Kate Berlant at The Eureka Theater, 2/1/14

A lot of people have a hard time with the notion of “feminist comedy.” A lot of people assume that it’s nothing more than a lot of jokes about men, and, well, not very funny. This double header at The Eureka Theater proves that entire notion to be wrong. This show featured two of the finest feminist comedians working the circuit today, and this set presented the genre in a way that would open the mind of the most prejudiced comedy fan. Continue reading “SF Sketchfest Review: Sara Benincasa & Kate Berlant at The Eureka Theater, 2/1/14”

SF Sketchfest Review: BriTANick on 1/29/2014

The coincidently nautical showcase of BOAT and BriTANick (rhymes with Titanic) capsized before the show even started. Eureka Theater’s projector mutinied, died at a time most inopportune. It left behind a lobby drowned with humanity—a sold out show. Continue reading “SF Sketchfest Review: BriTANick on 1/29/2014”

SF Sketchfest Review: Don’t Watch This Show Live! and Femikaze on 1/27/2014

Who will speak for sketch? When it’s all over, when the theaters are empty, when the stand-ups scatter, the celebrities fly away and the improvisers jam out, who will speak for the hardest discipline to sustain in San Francisco? It was important to find a line-up of pure, uncut, Mario-Savio-meets-Frank-Chu Bay Area Grease, and, with a gun to my head, I chose Don’t Watch This Show LIVE! and Femikaze at the Eureka Theater. Both are two sterling paragons of regional ethos, although diametrically opposite: social ills vs. social thrills; subverting media vs. subverting medium; pounding pop culture vs. pounding Pop’s culture. One hits the nail on the head; the other hits it in the balls. How many analogies must I make to convey that these groups are as different as night and day? Wait, damn it! Continue reading “SF Sketchfest Review: Don’t Watch This Show Live! and Femikaze on 1/27/2014”

SF Sketchfest Review: Shitty Jobs on 1/25/2014

Well, four of these guys were there. I guess you only get the others in LA.

Shitty Jobs is a regular UCB show in LA with Sean Clements, Dominic Dierkes, DC Pierson and Charlie Sanders. It is another great example of the stuff people get in LA all the time, and we are thankful to get to watch during SF Sketchfest. This is an improv show where they interview the audience about their shittiest job then do an extended improv sketch about a particularly insane day at said job. This opens the show up for many brilliant possibilities and many awkwardly wonderful conversations with the audience. Continue reading “SF Sketchfest Review: Shitty Jobs on 1/25/2014”

Sketchfest Review: 7-Man Sweater (2/5/2012)

Bob Odenkirk: a cult legend credited with championing and evolving a subversive, acclaimed comedy sentiment. Birthday Boys: a hyped collection of vastly witty, silly sods. Together they formed a rousing precession of jubilant, sophisticated sketches, closing Sketchfest with a bang — bang, scream, yell, “He’s got a gun!”, “My baby!”. You know, comedy. Continue reading “Sketchfest Review: 7-Man Sweater (2/5/2012)”

Sketchfest Review: Killing My Lobster (2/1/2012)

In the fast-paced, cutthroat, Wild West of Bay Area sketch, few are in league with enterprising comedy tycoon, Killing My Lobster. Barons and Baronesses of the Neo Internetdustrial Revolution, the troupe has made appealing regional satire a booming forte. Powered by live action and recorded skits, and coupled to A.J. Schroder Esq. and the duchess, Jill Bourque, the KML Express set across the Eureka prairie. Continue reading “Sketchfest Review: Killing My Lobster (2/1/2012)”

Sketchfest Review: Mahan/Leon/Vermeire @ Eureka (1/25/2012)

SF Sketchfest has a brilliant ability to capture the Bay Area’s attention and imagination. Benefactors of this allotted spotlight are local artists, made bolder and louder by proper production value. In the case of Scott Vermeire, Harmon Leon and Colin Mahan, the added bells and whistles enhanced their rustic independence, demystifying each artist’s vision. Continue reading “Sketchfest Review: Mahan/Leon/Vermeire @ Eureka (1/25/2012)”

Sketchfest Review: The Groundlings “The Black Version” (1/22/2012)

The Black Version by Tommy Lau — by Tommy Lau

Fact: The Eureka Theater hosts some of the best comedy in the in the world. Fact: The Groundlings are a legendary Los Angeles improv company with alumni including Will Ferrell, Kristen Wigg and more. Fact: “The Black Version” is not a racially specific interpretation of Beverly Winwood Presents: The Actor’s Showcase. Fact: San Francisco’s black population was 6.1% in 2010. Fact: The black population of The Black Version’s cast was 100%. Fact: Comedy is proven to be simultaneously colorful and colorblind. Continue reading “Sketchfest Review: The Groundlings “The Black Version” (1/22/2012)”