When a massive act plans a statewide, or possibly worldwide, tour, one of the factors involved is selecting opening bands for the tour. More often than not, the presence of a more famous and popular headliner will usually be a signal that larger, more well-known opening acts will come along for the ride. In the case of Porcupine Tree, however, their opening slot on Coheed And Cambria’s colossal new tour comes with the hope that at least a good chunk of the audience will be part of the dedicated following that they have carved out themselves within the states. As a nod to those fans, Porcupine Tree kicked off the tour with a special headlining show for one of their favorite cities (as claimed by frontman Steven Wilson on a few occasions): San Francisco, California.
Tag: Concert Reviews
Show Review: We Are Scientists with Rewards (Aaron Pfenning) at Slim’s 8/7/10
Ah, a Saturday night show. The one time the audience has no excuse but to bring the energy. At the We Are Scientists show at Slim’s the energy was bursting from the seams. There was great music, a relatively friendly crowd, a lot of laughter, and even more drinking. At least that’s what happened where I was standing… Continue reading “Show Review: We Are Scientists with Rewards (Aaron Pfenning) at Slim’s 8/7/10”
Show Review: Silversun Pickups with Against Me! and The Henry Clay People at The Fox Oakland, 8/3/2010
At one point late in the Silversun Pickups set at The Fox Oakland, lead singer Brian Aubert started listing off all of the Bay Area venues they had played: Rickshaw Stop, The Fillmore, Bimbo’s, Cafe Du Nord, Bottom of the Hill (this one got the biggest applause), BFD, Outside Lands. They’ve been here a lot. Because of this, it’s a bit of a surprise that it took them nearly 18 months after the release of their last album, Swoon, to finally play a headlining show in the Bay Area. So, was it worth the wait? Continue reading “Show Review: Silversun Pickups with Against Me! and The Henry Clay People at The Fox Oakland, 8/3/2010”
Show Review: Scorpions with Cinderella at Concord Pavilion, 8/1/2010
The Scorpions are too famous for their giant hit song, “Rock You Like a Hurricane,” and not well respected enough for their rest of their catalog. Filled with shiny gems of pop metal, the German legends have a huge list of hard-but-not-too-hard rock songs to choose from as they continue touring for the last time. They’ve said the tour will run through 2012 or 2013, so whether this is their last stop in the Bay Area or not is still a question. If it’s not, though, you’ll see me in the audience for the next one. These guys still have their stingers. Continue reading “Show Review: Scorpions with Cinderella at Concord Pavilion, 8/1/2010”
Show Review: Morcheeba with The Mumlers and Mariee Sioux at The Fillmore, 7/28/2010
Any sort of band that plays music that can be even remotely described as “downtempo” has, in some eyes, a serious disadvantage when it comes to their live performance. The energy and excitement and wildness that comes from a live gig is toned down, and re-formed into the fluid, organic compositions that make up the worlds of dub, trip-hop, and ambient performance. Often, an audience with great patience and love of such swell in a melody becomes the ultimate factor in a successful show, or act, that brings mostly slower, dreamier, and more wistful compositions to the live world of music. Tonight’s crowd at the Fillmore Auditorium in San Francisco fit this bill perfectly, so to speak, so it was little surprise when Skye Edwards and the other Londoners of Morcheeba proclaimed the intimate venue to be one of their favorite places in the world to play. Continue reading “Show Review: Morcheeba with The Mumlers and Mariee Sioux at The Fillmore, 7/28/2010”
Show Review: Jonathan Richman with Olof Arnalds at Swedish American Hall, 7/21/10
Jonathan Richman explained the reason for the existence of his ongoing residency at Swedish American Hall this week. He was in Reykjavik playing a show, and the opener was some girl playing guitar and singing, and he was thinking “whatever” but then he started really listening and fell in love with the music, as did his drummer and constant on-stage partner, Tommy Larkins. So when they found out Olof Arnalds was looking to play some shows in San Francisco, they set up these gigs. Thanks to everyone involved for getting them together because it’s always a total treat to see Mr. Richman in action. Continue reading “Show Review: Jonathan Richman with Olof Arnalds at Swedish American Hall, 7/21/10”
Show Review: Barenaked Ladies at Wente Vineyards, 7/20/10
The Barenaked Ladies are playing just about everywhere they can in the Bay Area this week. On Monday night, they were at the Mountain Winery and tonight they play at The Regency Center (with discount tickets available on Goldstar), but last night they were at the Wente Vineyards in Livermore. With a ticket price hovering in the $200 range, the audience mainly seated at tables for their catered dinner, and a charity auction before the show bringing $3000 for a single autographed bottle of wine, I had concerns that the show might feel an awful lot like dinner theater. And when they played “If I Had a Million Dollars,” and asked folks to sing along, my friend leaned in close to me and said, “I think a lot of people here HAVE a million dollars.” Continue reading “Show Review: Barenaked Ladies at Wente Vineyards, 7/20/10”
Show Review: An Evening with Primus at the Great American Music Hall, 7/18/2010
In today’s concerting world, most shows are focused more firmly on spectacle than on musicianship. We expect the bands to be at the top of their game, of course, but in case they aren’t, we’ve got pretty lights, soaring lasers, mystifying fog, and, sometimes, hurricanes of confetti to wow us and give us something to rave to our friends about. While the spectacle can be rather fantastic from time to time, it’s always refreshing to see the band pack up their light show, deflate the floating spacemen, and dismantle the fog machines, in favor of a rock-solid performance that focuses on what a concert is, truly, about: the music. The bands that are able to take all of these steps, cast off the grandeur, pack themselves — and several hundred feral fans — into a club, and rock the foundations as hard as they would in an arena, are truly wonderful to behold, and tonight’s performance by Bay Area native titans Primus was certainly no exception.
Continue reading “Show Review: An Evening with Primus at the Great American Music Hall, 7/18/2010”
Show Review: Wakey!Wakey! with Wave Array and Doom Bird at Hotel Utah, 7/14/2010
My favorite Billboard chat was always the Heatseekers Chart. Defined generally as the best selling new artists, it was always the place to go if you wanted to hear someone before everyone else heard them. Blogs such as this one have pretty much destroyed the value of this chart, as now to hear someone first, you need to be the first person to Tweet about them. Well, I still enjoy this chart, and tonight, it led me to Wakey!Wakey!, a Brooklyn band that recently held down the #1 slot with their album, Almost Everything I Wish I’d Said the Last Time I Saw You …, as they played their first ever show in San Francisco. Continue reading “Show Review: Wakey!Wakey! with Wave Array and Doom Bird at Hotel Utah, 7/14/2010”
Show Review: Tool with Jello Biafra And The Guantanamo School Of Medicine at Bill Graham Civic Auditorium, 7/12/2010
I will preface this review by stating a fact which, while well known to my friends and colleagues, is not widely expressed within my concert reviews, given their number and the scale of the bands that I go to see. This fact is a simple one: I loathe arena shows. I’m more specifically referring to any venue that seats over 10,000 people, although 7,000 — the capacity of the Bill Graham Civic Auditorium — is pushing my limit to a mild degree. The fact of the matter is, however, that there will always be certain bands that are far, far too big to play in small clubs, large theaters, or even modest amphitheaters, and these bands will be reason enough for me to go, no matter the size of the venue. These bands will be the driving force behind the show that they put on; this is no festival with twenty acts, nor a set of competing giants wrestling for the title of “biggest rock god ever”. This is a band that has been around for nigh-on twenty years; in fact, the singer was heard tonight saying, “Pop quiz: how many of you are under 21? Really? Well, you weren’t even alive when this song was written.”
Who would this be? Tool, of course.