Concert Review – Page 9 – Spinning Platters

Show Review: The Gaslight Anthem with New Politics Play at San Jose’s Music in the Park, 7/22/10

I was first exposed to The Gaslight Anthem via a concert at San Jose State with the Alkaline Trio, Rise Against, and Thrice about a year ago. They were the openers and I almost chose taking a trip to the merch booth over listening to their set. Luckily, I didn’t take that trip and now I am a fan of their music. So when I heard that they were playing a free show in San Jose, I was anxious to go. I was geared up and ready to hear their new album played live and possibly some old songs off The ’59 Sound. I got there two hours ahead of time to stake out my spot and didn’t intend on moving. Let’s just say it was well worth the lack of food for six hours.

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Show Review: Ani DiFranco at Ex’pression College For Digital Arts, 6/24/2010

Ani DiFranco played a set of new unreleased songs before a tiny audience of mostly students at Ex’pression College Of Digital Arts in Emeryville.

Opening with an atonal labor song from the 1930s that she’d written new verses for, DiFranco invited the crowd to sing along. Continue reading “Show Review: Ani DiFranco at Ex’pression College For Digital Arts, 6/24/2010”

Show Review: Ex’pression Session: OK Go and Amanda Palmer @ Ex’pression College for Digital Arts

While a great number of artists have passed through the doors of Ex’pression College to perform at the school’s Meyer Performance Hall, in intimate shows offered to a handful of lucky radio winners and passionate students, never before has one of these performances — dubbed “Ex’pression Sessions” — included more than one band at a time. It’s also not terribly easy to predict exactly who will be coming through the doors, since all manner of musicians, performers and artists have taken the stage over the last several years. With these considerations in mind, Monday’s performance was a never-before-attempted feat, as it involved two artists of a fairly well-known stature: Amanda Palmer, expert pianist and purveyor of all things art, and OK Go, arguably the Most Famous Band Thanks To The Internet. Continue reading “Show Review: Ex’pression Session: OK Go and Amanda Palmer @ Ex’pression College for Digital Arts”

Show Review: Heartless Bastards with Hacienda and Amy Cook at The Independent, 5/4/10

Last night was yet another opportunity for San Francisco’s considerable population of Ohioan expatriates to cluster around and listen to one of our homeland’s finest musical exports. Dayton and Cincinnati were enthusiastically represented by the barreling, moody Midwestern rock of Heartless Bastards, while Akron was represented in absentia by The Black Keys’ Dan Auerbach, whose influence is largely responsible for the recording careers of both the Bastards and opener Hacienda.

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Show Review: Jennifer Knapp at Red Devil Lounge, 4/25/10

Jennifer Knapp performing at Club Café in Pittsburgh last month. Photo by Marcia Furman.

After a seven-year hiatus, bestselling Christian singer/songwriter Jennifer Knapp —who always stood apart from her contemporaries in terms of her musical grit and unadorned emotional ferocity; who created some of the most iconic songs of her genre and generation, such as “Undo Me” and “A Little More,” — came back with two big announcements: (1) she’s returning to music; and (2) she’s a lesbian. Predictably, the latter has eclipsed the former. But Knapp is first and foremost a musician, as she demonstrated last night at Red Devil Lounge (I can only imagine what her horrified conservative fans think about their disgraced idol playing at a San Francisco bar named after Satan, which: bonus!).

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Show Review: Hot Chip with The xx at The Fox Oakland, 4/16/2010

Anyone passing through the lobby of the Fox Theater last night would have guessed, by the WHOMM WHOMM WHOMM of thudding bass and the polychromatic splashes of color across the glass entrance doors, that the normally-rock-band-friendly theater had been taken over by a massive rave. While there were, indeed, sparkling electronics, trumpeting synthesizers and a solid sense of rhythm, a live band was to be found onstage, with five total members contributing to intricate layers of percussion, electronics, and even vocal duties. The quintet, however, was not a group of tribal-clad or neon-covered techno gods; they were, well, five fellows who love music just as much as the next guy. Collectively, they are known as Hot Chip.

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Show Review: Spoon with Deerhunter and Micachu & The Shapes at The Fox Oakland, 4/13/2010

The bands of the Fox Theater have, as of late, been jumping back and forth across a gamut of incredibly popular to somewhat-smaller-but-still-with-a-chance-of-selling-the-place-out. This has caused the audience to span from regular concertgoers to I-came-tonight-because-I-loved-that-band-on-the-radio; as a result, most of the shows have brought a large, but someone random, selection of their fanbase. The crowd for tonight’s Spoon show, however, was solid in their intention and dedication. Gone was the stunned disbelief of seeing a band onstage for the first time; absent were the jaded showgoers who had “seen this band a thousand times.” The fans for tonight’s show were much like the band’s performance: steadfast, tightly-knit, and full of rock-and-roll energy.

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Show Review: Owl City with Lights and Paper Route at The Fillmore, 4/5/2010

In July of 2009, I saw Owl City’s San Francisco debut in a tiny club at 330 Ritch, the home of Popscene, the city’s center stage for brand new acts. Adam Young, the main brain behind Owl City, and Matthew Decker, who added live drums to the wall of synthesizer sound, performed seven songs for a crowd of less than 200 people. Now, see the speed at which fame moves you: less than nine months after that show, Adam and Matthew — along with a new plethora of performers — have returned to San Francisco for two — two! — sold-out performances. I think I should also point out the fact that both shows were completely sold out MONTHS ago — not an hour or to before the show, as was the case for their Popscene debut. Needless to say, I was bewildered — but excited — when I found myself returning to the Fillmore for the first of these two concerts. Continue reading “Show Review: Owl City with Lights and Paper Route at The Fillmore, 4/5/2010”

Show Review: Air with AM at The Fox Oakland, 3/26/2010

Electronic acts far and wide have begun to embrace the digital world as a new means of performance, production, and musical composition. Despite the ease and shimmer that is brought to songs of digital birth, there is really nothing quite like the humming, warm drones of analog circuits, whether they be in new-school oscillators or old-school synthesizers — or possibly both. Tonight’s performance at the Fox Theater welcomed two acts — Air from France, and AM from Los Angeles — who brought the gentle charm of analog and the sweeping beauty of ambient electronics to a theater which often plays host to some of the loudest and most bombastic rock acts of today. Continue reading “Show Review: Air with AM at The Fox Oakland, 3/26/2010”

Show Review: Ex’pression Session: Metric @ Ex’pression College for Digital Arts

One of the main benefits of being a student at a digital arts college — besides the access to thousands of dollars worth of professional audio and video equipment and studios — is the fact that my school has a performance hall. This is normally used for teaching a class on live sound, but thanks to our school’s industry connections, we are fortunate enough to play host to any number of music megastars. Tonight, the stars in question were Toronto indie rockers Metric, who dropped in for a short, acoustic set on their way to tomorrow night’s performance at the Fox Theater. Continue reading “Show Review: Ex’pression Session: Metric @ Ex’pression College for Digital Arts”