Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
I didn’t go to SXSW last year. And I, literally, spent all of 2013 being sad about it. SXSW is like live music Disneyland. Sadly, complete with the lines and the getting frustrated about all of the people with Fast Passes cutting ahead of you. However, if you play your cards right, you can see an obscene amount of live music. In four days, I got to enjoy 34 bands. And I didn’t even try that hard this year.
Continue reading “Spinning Platters SXSW 2014 Report: 34 Instant Band Reviews”
Cody ChesnuTT is a mysterious figure. In 2002, he put out a record called The Headphone Masterpiece, which caught the attention of The Roots, prompting them to re-record the song “The Seed” as “The Seed 2.0,” creating The Roots first hit single on the rock charts. Then he disappeared for a decade, only to return last year with a whole new record of modern day soul music called Landing On A Hundred. He will be performing at The Independent on Saturday, September 7th. Tickets available here.
If you combined equal parts James Brown and Otis Redding, a splash of Hendrix and a dash of old time swagger, you might come close to figuring out just what Cody ChesnuTT is made of. In his own way, he’s found out how to blend hip-hop beats, soulful jazz stylings, silky smooth vocals and a sprinkling of Motown showmanship into a performance that feels almost… nostalgic. Cody’s pure love for the show and the art of the song truly comes from his heart, bursting at the seams with passion and care.
Continue reading “Show Review: Cody ChesnuTT with Siddhartha at The Independent, 1/29/2013”
Just go to a show. Any show. Please support live music. Here’s how!
Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts, 1/24/13-1/30/13”
I find it hard to believe that 2002 was 10 years ago. This was the last time that we heard from Cody ChesnuTT. He released a brilliant record called The Headphone Masterpiece. It was a two CD set, recorded at home, and was one of the most refreshing R&B records of it’s time. He managed to balance out the fine line between neo soul and indie rock in a truly inventive way. Both The Roots and Miranda July sang his praises, but it didn’t seem to be enough, and nearly as soon as he burst onto the scene, he was gone. I genuinely thought that this was going to be his sole artistic contribution to the world. Then, as I often do, I found myself scrolling through the listings of local venues, and found ChesnuTT playing a show. Of course, that meant that I was going to the show.
Continue reading “Show Review: Cody ChesnuTT at Yoshi’s — SF, 7/12/12”