“Ice Cream Piano” begins with a healthy dose of guitar feedback and pronounced strumming, and then the first few lines of the album soothingly unfold, “‘Fuck the world’ / You said it quiet / No one could hear you / No one but me / Cynical, you can’t deny it.” It’s a surprising, but no less strong, sequence of phrases on which to launch Vampire Weekend’s fifth studio album, Only God Was Above Us. The album explores the status quo, including international conflicts, generational attitudes, and society’s unrelenting grip on historical traumas. And yet, Only God Was Above Us, named after a headline quote in the Daily News from a real-life Aloha Airlines flight incident in 1988, is not overtly political. Rather, it’s a musical commentary about fatalism and disillusionment, punctuated by an ultimate yearning for hope and progress. It’s the most cohesively inspired Vampire Weekend album yet, with the band diving head-first into a (mostly) New York City urban soundscape of grunge and grit (see the album cover image above) while not abandoning their gleeful chamber pop origins. Continue reading “Album Review: Vampire Weekend, “Only God Was Above Us””
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