For those of you that have been following Spinning Platters since it’s inception (Hi, Mom!), you may recognize one of the two names sharing authorship of the book Bay Area Stand Up Comedy: A Humorous History. Yup! Our one-time comedy editor, OJ Patterson, has graduated from the world of volunteer blogging to become an actual published author! I’m so very proud!!! (I’m actually weeping a little. Don’t mind me!) I’m also very sad that, within his bio within the book, there is no mention of our little pocket of the internet. I won’t hold that against him, however. Because he, along with fellow Bay Area stand-up comic Nina G, has gifted the world with something that we’ve desperately needed: a written history of the highly influential Bay Area stand-up comedy scene.
Tag: Charlie Chaplin
SFIFF Review: Thao & The Get Down Stay Down at The Castro Theater, 4/29/14
The San Francisco International Film Festival has some people on staff with some impeccable taste in music. Since 2000, with their first pairing of Television’s Tom Verlaine with a series of short films from the 1920’s, they’ve chosen some pretty amazing pairings of rock musicians and silent films. At tonight’s event, we got to experience local folk rock heroine Thao Nguyen, accompanied by her long time back up band The Get Down Stay Down and a slew of classic and contemporary films for what amounted to a multimedia variety show that was unlike anything else I’ve seen.
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Show Review: ‘City Lights’ Film with Orchestra
On Saturday night, the San Francisco Symphony continued their fantastic film series with City Lights (1931), Charlie Chaplin’s timeless romantic comedy. Conducted by Richard Kaufman, the orchestra performed the entire film score in perfect sync with the film playing overhead. The music, written by Chaplin, is a wonderful mix of joyous and romantic motifs that fit well with the variety of urban locales on screen. The score can at times recall Gershwin’s “Rhapsody in Blue,” written just eight years before City Lights was first released. The audience at Davies Symphony Hall ate the whole evening up, cheering as often for the orchestra as they did for The Tramp himself.
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