Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
Hello there, Bay Area live music lover. As we reach April, we know that the next 30 days will be quite busy. We haven’t even started with the Coachella bands coming to town, and, well, I’m already exhausted just looking at this thing!
Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts, 3/28/13-4/3/13”
Deep Sea Diver is the current project from Jessica Dobson, who was first introduced to me via Beck. She was the guitar player on the Modern Guilt Tour, which may have been the last time I felt Beck truly enjoyed playing music. She had some pretty huge shows to fill in that band, and she did filled them quite nicely. In the five years since I last saw her play with Beck, she joined The Shins and also had been recording songs that she wrote as this project. Earlier this year, she put out an excellent record called History Speaks, which as an amazing full length that was well worth the half a decade wait it took for it to come out. I was quite excited to see how she managed to pull it if live on the cold Tuesday night.
My editor in chief and I had an interesting conversation by text specifically about my musical tastes. I confessed that it seems that the older I get, the more I like louder, faster, more aggressive music, and this seems to be counter the normal musical evolution. He made note that loud, fast music isn’t really fashionable right now, and that the main reason I relate to it is because I feel the need to counter mainstream musical taste. There’s a chance that he’s right. There is a better chance that the rest of the world is simply missing the glory of a dynamic performance by a ferocious rock band. And, on a beautiful Summer’s night in Potrero Hill, we were treated to an amazing evening of all that is loud and fast.
Continue reading “Show Review: Ume with Kitten at Bottom Of The Hill, 6/13/12”
Sometimes when a band has a giant hit song, they cancel their long-ago-booked club gig to move into a bigger venue at a higher price. This has happened recently with Gotye, and it’s kind of a bummer for early adopters who were excited about seeing a beloved band in a small club. And other times, the band keeps those dates and plays a fantastic show to a small, ecstatic group of their biggest fans. This week, San Francisco won because the band with the current number one single in America, the ubiquitous “We Are Young,” played at both The Independent and Bottom of the Hill, and in doing so, proved that they are definitely not going to be one hit wonders. They’ll play the big rooms next time around. Continue reading “Show Review: fun. at Bottom of the Hill, 3/29/2012”
I have a live music bucket list. There are about a dozen or so musicians that I’d like to see before they call it quits. The number one band on that list is Melt-Banana. I first uncovered them working at the old Wherehouse Music on Geary in San Francisco. Somebody was selling back used CD’s, and there was a single loose disc left behind. It was Cell Scape by Melt-Banana. I put it on the overhead, and I was blown away. It was like nothing I’ve ever heard before. It was chaotic, weird, and beautiful. I instantly knew that I needed to see this band live. Sadly, it took almost 10 years before I was able to make that work.
Continue reading “Show Review: Melt-Banana, Retox, Peace Creep at Bottom Of The Hill, 11/29/11”
The Joy Formidable is a hard band to describe to people. I’ve seen them called “ecstatic dance rock,” “evolutionary shoegaze,” and last night, one extremely drunk fan called them “the best band in the world!” over and over again until the rest of the crowd finally told him to shut up. As an admitted obsessive fan, I’m not sure I have anything particularly wise or witty to add to the conversation, other than an excited “fuck yeah!” in response to the aforementioned drunk fan. That makes me both the right and wrong person to be reviewing the band, so here I go. Continue reading “Show Review: The Joy Formidable with The Lonely Forest at Bottom of the Hill, 4/14/2011”
Hunx and His Punx played a sold-out record release show for their debut LP, Too Young To Be In Love (Hardly Art), at Bottom of the Hill on Saturday night. Also on hand were Shannon and the Clams (featuring Punx VIP Shannon Shaw), who were celebrating the release of their sophomore album, Sleep Talk. And as if that wasn’t enough, we also got the dependably awesome Grass Widow (recently seen playing with Wild Flag) as the opener. Needless to say, a fun time was had by all.
One constant source of confusion at concerts is what one should be doing as an idle member of the audience. For certain shows, there exists a code of conduct exclusively based on the genre of music, with little room for deviation: headbanging in heavy metal mosh pits, dancing at hip-hop concerts, and standing awkwardly with arms crossed and a faint look of aloof interest, if one is attending an indie-rock show. Dance-rock shows are, therefore, perplexing to the crowd that cannot decide whether it should be dancing, rocking out, or somehow doing both. At a Datarock show, this confusion is overturned in the form of one simple rule: follow the band onstage, listen to what they say, and remain airborne for the duration of the performance.
Having traveled 3,000+ miles from San Francisco to Florida to see Jay Brannan in September, because I just couldn’t wait to see him again, you could say I’m a big fan. Suffice it to say the show Friday night was the highlight of my week.
Continue reading “Show Review: Jay Brannan, David Smallen, Jhameel at Bottom Of The Hill, 1/21/2011”
WOW.
Wild Flag, the much-buzzed new supergroup featuring Carrie Brownstein of Sleater-Kinney, Mary Timony of Helium, Janet Weiss of S-K and Quasi, and Rebecca Cole of The Minders, made their Bay Area debut last night. And what a debut it was.