Cheap jump scares punctuate this grief-stricken slog
Dad (Benedict Cumberbatch) feeling very crow-y in “The Thing With Feathers.”
Sometimes you swing and miss, but at least you swung. The Thing With Feathers is a big swing and a miss. Aiming to entice horror fans with its phantasmagoric plot and cheap jump scares, The Thing With Feathers fails to offer anything more than a singular message about grief being tough to overcome. Despite Benedict Cumberbatch’s (The Roses) efforts to compensate for a shallow script and one-dimensional character, The Thing With Feathers remains a frustrating viewing experience.Continue reading “Film Review: “The Thing With Feathers””
Theo (Benedict Cumberbatch) and Ivy (Olivia Colman) share a happy moment in ‘The Roses’
Comedies are making a noisy return to theaters this year! With One of Them Days, The Naked Gun, and Freakier Friday successfully attracting audiences, and Spinal Tap II and Good Fortune waiting in the wings, 2025 could be a turning point for the comedy genre’s decade-long theatrical absence. The Roses aims to continue the trend. The Roses comes from director Jay Roach (Austin Powers; Meet the Parents) and is based on the novel The War of the Roses by Warren Adler and the subsequent 1989 film adaptation starring Michael Douglas and Kathleen Turner. In a plea for wider audience approval, The Roses has declawed the source material in favor of a softer, mostly harmless black comedy. If not for the winning duo at its center, The Roses would wilt under the strains of its vignette-styled antics, but fortunately has the chemistry and enough laughs to withstand its structural shortcomings.Continue reading “Film Review: “The Roses””
After having to watch the bulk of our films from our living rooms in 2020, the slow but sure return to cinemas in 2021 was more than welcome. And the year rewarded us with many Top 10 list worthy contenders. I’ve narrowed mine down to the list below. You can also check out fellow film writer Chris Piper’s list here, as well as my 2020 list here. Now stop reading lists, and go seek these out!
2021 in American cinema was remarkable in how it seemed so… normal. Whatever the numbers say, my feeling was that the year started a little slowly, then found its footing around March, then kicked into something like a normal gear over the summer. As fall approached, and it seemed to me more theaters reopened, a slate of films pretty much like those in 2019 awaited. Winter seemed to bring somewhat larger than normal crop of smaller-budget films, and here we are, at the end of the year with a number of solid films released, awards season in full swing, and waiting for Oscar noms in just over a month.
Knockin’ me out with those American lights: AC/DC conflict energizes, despite few flaws
Rivals George Westinghouse (Michael Shannon, l.) and Thomas Edison (Benedict Cumberbatch) run into each other at the Chicago World’s Fair.
I don’t blame you if you’re confused by the phrase “Director’s Cut” above. A director’s cut of a film usually implies that an earlier, theatrically released version preceded it. But, in the case of The Current War, no, you didn’t miss a first release of this picture. It was, however, shown at the 2017 Toronto Film Festival, and picked up for distribution by Harvey Weinstein’s infamous Weinstein Company. When the company folded because of Weinstein’s sexual harassment allegations, many projects were tabled and sold off. When 101 Studios eventually took hold of this title, director Alfonso Gomez-Rejon was granted permission by Martin Scorsese, the film’s executive producer, to make some changes before the film’s theatrical release. So what is opening today is a revised version of what Toronto fans saw two years ago. This version is, thankfully, shorter than the Fest original (why are films this season so long!?), and contains some reshoots. With such a complicated history behind the picture’s theatrical release, the question of course becomes: after all that, is the film worth seeing? My answer is: well, sure, although a few minor flaws keep that “sure” from being a resounding, exclamatory “Yes!!”
It takes an amazing cast to make goofy material work, and this movie has both.
Marvel movies have been around so long, they’ve transitioned from feeling like momentous events to being like episodes of a very expensively made television series. We see the same characters interacting with each other in different ways, with plot threads being left open for the next film to pick up on. The newest movie from the series, Doctor Strange, breaks this pattern and creates an entirely new set of characters set in both the universe we’ve seen and ones we haven’t yet seen. Continue reading “Film Review: Doctor Strange”
Film critics Carrie and Chad on who will – and who should – win the 87th Academy Awards
The 87th Academy Awards air this Sunday, February 22nd on ABC at 5:00pm PST (red carpet coverage begins at 4:00, if you want to dish on fashion highs and lows). There are some tight races this year – Best Picture and Best Actor are especially hard to call. Here are Carrie and Chad’s predictions – and hopes – for the major categories: Continue reading “Film Feature: Carrie and Chad Pick the Oscars”
The 37th Mill Valley Film Festival wrapped up last night. The Festival screened some of this fall’s most hotly anticipated pictures: Dan Gilroy’s Nightcrawler and Damien Chazelle’s Whiplash, and many more. We gave you a look at some of the festival’s lesser known independent films, now here’s a quick look at a few of the hot titles (and Oscar bait) coming out this fall. For full festival photos and information, visit: http://mvff.com.
The Imitation Game (US/UK 2014, 113 min; English)
Cumberbatch cracks the code.
The Imitation Game is a return to the traditional period bio-dramas of yesteryear (you know, like A Beautiful Mind). It tells the story of Alan Turing, the British mathematician who cracked the German Enigma c0de during World War II, thus introducing the world to computer science while having a large impact on helping the Allied forces win the war, and who was also subsequently arrested after the war for being a homosexual. Everything about the film is rock solid, from the stalwart acting, led by a fantastic Benedict Cumberbatch as Turing, to the film’s music and set design. While many movies, dramas in particular, flounder under the weight of forced contrivances, The Imitation Game embraces and utilizes them to an entertaining degree. We’re right there cracking the code alongside Turing in this old-fashioned period drama.
The 37th Mill Valley Film Festival opens tonight, October 2nd, and runs until October 12th. The Festival is screening some of this fall’s most hotly anticipated pictures: Bennett Miller’s Foxcatcher (starring Steve Carrell) and Morten Tyldum’s Imitation Game (starring Benedict Cumberbatch), and so many more. But here at Spinning Platters, we thought we’d spotlight some of the lower profile films that risk being overshadowed by the bigger movies. Full schedule, tickets, and more information are available at: http://mvff.com, and be sure to check back here for more updates during the Fest.
What We Do in the Shadows (US/New Zealand 2014, 86 min; English)
The whole crew in ‘What We Do in the Shadows’
What We Do in the Shadows resembles the result of a casual joke/idea, delivered with enough informality and humor to make it more entertaining than it could’ve been — it’s one of the funniest movies of the year. The witty writing, from the comedy team behind Eagle vs Shark and The Flight of the Conchords, enables the film to break free from potential one-joke captivity, whereby the story expands the simple premise (vampire housemates) to wonderful subplots and hilarious surprises. It’s definitely a movie best experienced with an energetic crowd!
Screenings:
– Tuesday, October 7, 7:45pm, Rafael Film Center, San Rafael
– Thursday, October 9, 4:00pm, Rafael Film Center, San Rafael
When The Fellowship of the Ring was released in 2001, it blew everyone away. Audiences had never before seen a fantasy epic of that calibur, never mind one with such genuine emotional weight. The success of the first film set up eager anticipation for the 2002 middle chapter, The Two Towers. Aided by pitch perfect trailers and, crucially, a strong-enough middle part story arc, The Two Towers was a great success. Who can forget the incredible battle at Helm’s Deep!? Ten years later, The Hobbit: An Unexpected Journey was released to wide anticipation but ended up disappointing audiences. There are many reasons why this happened — some reasons fall on the filmmakers’ shoulders and poor editing choices, while other reasons involve misunderstanding (or ignorance of) the differences between the original LOTR and Hobbit source materials. Nevertheless, the sub-par (but in my personal opinion, still quite fun) first Hobbit movie ensured that we all just wanted one primary thing in the follow-up — to be a better movie. The Hobbit: The Desolation of Smaug meets, if not exceeds, our lackluster expectations. It remains flawed, lacking the character depth and story arcs we’ve come to expect from director Peter Jackson’s numerous cinematic journeys into Middle Earth. However, it doesn’t lag like the first film. It begins at a brisk pace and ends at an even faster pace, teasing us for the third and final chapter. And in between, we’re treated to a limited but welcome small dose of romance and emotional depth, as well as a handful of incredible action sequences. Even if it’s a minimal reward, we can finally start to care about these characters!
