I have to confess, I was completely in the dark about Wax Trax! Records, which seems criminal to me now considering my music tastes. So, what better way to learn the whole story than a documentary screening followed by a concert?
Show Review: Bikini Kill, The Linda Lindas at The Hollywood Palladium, 4/26/19
When I was 16, I was heavily invested in the world of punk rock. But it was the commercial version of it that was found on the local alternative radio station Live 105, 120 Minutes on MTV, and PBS documentaries of a bygone era.
Then I got a job at a telemarketing company, and a coworker began introducing me to the lovely world of riot grrrl. I was given tapes of music by Team Dresch, Sleater-Kinney, and Bikini Kill. The pure ferocity of it all spoke to me. It opened so many sonic doors for me, and helped me realize that I preferred listening to female voices—and found that women writers were easier for me to relate to than men.
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Film Feature: SFFILM 2019 Spotlights #2
Wrap up: 62nd annual San Francisco International Film Festival
The San Francisco Film Festival wrapped up last week, concluding with the announcement of its Golden Gate Awards and its two Audience Awards. Olivia Wilde’s directorial debut comedy feature Booksmart earned the Audience Award for Best Narrative Feature. Show Me the Picture: The Story of Jim Marshall, Alfred George Bailey’s study of Bay Area photographer Jim Marshall, took the Audience Award for Best Documentary Feature. If you didn’t get a chance to catch as many films as you would have liked, never fear: many of the Fest’s offerings will be widely released in the months to come. Below we take a look at four films that you’ll be able to see very soon at a theater near you (and you can also check out our previous Fest spotlights post here).
Film and Show Review: Murder in the Front Row -and- Metal Allegiance on 4-20
Photos and review by: Alan Ralph @ARPhotoSF
April 20 in San Francisco is celebrated annually like a national holiday. Commonly known simply as 420, the day consists of 15-20,000 people basically sitting on a hill in Golden Gate Park smoking pot all day. Coincidentally, the 2019 version actually was a national holiday, as Good Friday preceded, Passover started, and Easter Sunday was the next day. This year’s 420 also had one more reason for San Franciscans to celebrate, and that was the world premiere screening of the documentary Murder in the Front Row: The San Francisco Bay Area Thrash Metal Story.
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Theater Review: Last Weekend to Catch Irma Vep at the Danville Village Theatre
The Mysteries of Irma Vep is a classic gothic tale filled with ghosts, vampires, werewolves, and suspicious family members. The show centers around Lord Edgar Hillcrest and his new wife, Lady Enid Hillcrest, who has arrived at the estate and struggles to fit in. The ominous presence of Edgar’s late wife Irma Vep hovers over them, in more ways than one. Late night shenanigans lead to the exposure of supernatural elements, and lead both characters on a journey to discover who, what, when, and how.
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Single Of The Week: Mission by The Midnight Hour
The end of A Tribe Called Quest still hits me really hard. The fact that they never ended up playing a Bay Area show after their twice cancelled Outside Lands set still makes me feel a little bitter. And then I stumbled across Tribe’s beatmaker, Ali Shaheed Muhammad’s new band, The Midnight Hour. They do classic jazz, but retain that specific flavor that is Tribe. They dropped a live record today, complete with a solid single, “Mission.” It’s the perfect Friday song… It is mellow enough to take the edge off the work week, and energetic enough to motivate you to get through it.
Their record, Live At Linear Labs, is out today and available in all the usual places, including Spotify and Bandcamp!
Spinning Platters Interview: Randy Randall of No Age
No Age are one of LA’s finest experimental punk bands, and have been making a great noise for almost 15 years. Guitarist Randy Randall has taken that noise to the next level with his recently released Sound Field Vol 1, a series of sonic experiments inspired by the I-10 freeway. Randall is playing a handful of shows to promote this release, and is dropping by Cafe du Nord in San Francisco for 4/20. Tickets are available here
Spinning Platters recently had a chance to chat with Randy. Here’s what we talked about!
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Show Review: Dennis Lloyd with Ryan Caraveo at Great American Music Hall, 4/11/19
The first time I heard Dennis Lloyd’s single, “Nevermind,” I was intrigued. I started hearing the song a lot on satellite radio, and on the music channel I turn my TV to when I’m in the kitchen. A month or so ago, Lloyd’s name came up on my radar: he was coming through the Bay on tour. I requested to cover the show and quickly forgot about it. I didn’t find out that I had a ticket until the day before the show. The next day, I realized I only knew that one song, so I spent several hours listening to Spotify’s This is Dennis Lloyd playlist. Unfortunately, I wasn’t into it. I’m a girl of my word, though, so I headed to Great American Music Hall on Thursday in hopes that Lloyd live would change my mind.
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Single Of The Week: Shitty Ballet by Bleached
The last time we heard from Bleached was back in early 2017, when they released their brilliant EP and companion zine, Can You Deal?. Two years isn’t a long time in normal situations, but these last two years have felt like twenty. So, this has been on repeat on my headphones all day, and it will be in going with you, too.
Bleached are on tour right now with The Hives and Refused, but, sadly, do not have any Bay Area dates yet. Tour dates can be found here!
Show Review: Dermot Kennedy with Luca Fogale at Fox Theatre Oakland, 4/10/19
You know how sometimes all it takes is the first listen to a great new song by an artist you’ve never heard before, and you’re in? That’s how it was for me the first time I heard Dermot Kennedy’s “Power Over Me.” Not long ago, I was in my kitchen cooking dinner, with a music station playing on my TV. Before the lyrics of the song could even register in my brain, Kennedy’s haunting voice had drawn me in. I remember literally stopping what I was doing and turning around to gape at the screen so I could make a note of the artist. And then the lyrics hit me: “you’ve got that power over me… my, my… everything I hold dear resides in those eyes… you’ve got that power over me…” I’ve been obsessed with the song ever since. As soon as I could, I took a deep dive through Kennedy’s music, and accordingly made a note to catch him live as soon as possible. Last night, my chance came as Kennedy graced the stage at Fox Theatre in Oakland for the very first time. To say it was mildly earth-shattering is: an oxymoron, a little hyperbole, and also still somehow true.
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