Single of the Week: “Like A Dog” by Jordana

Fun fact: my family had a 1-month old foster puppy earlier this week. It was lovely and insanely stressful. I highly recommend it if you have the time and space, no matter how much poop you are cleaning up. Either way, that might be why I have “Like A Dog” by Jordana on repeat. Or it might be because my shoulders bob uncontrollably to the bright and cheerful rhythms combined with some of the most vivid metaphors in lyrics that I’ve heard in a minute. Either way, I like the song. I hope you do, too. 

“Like A Dog” is off Jordana’s upcoming release, Lively Premonition, due October 18th. Also, it’s Bandcamp Friday today, so if you preorder here, all the money you spend goes to Jordana! (There’s even a Bandcamp exclusive variant!)

 

How Did Noga Erez Get Here?

Noga Erez is a brilliant MC who, after years generating buzz in the underground, is putting out her major label debut, The Vandalist on September 20th. We had a great discussion about influences, working with Missy Elliott, her epic KIDS livestream, and even managed to discuss the complexities of promoting a record while living in a politically volatile country.

Bush with Jerry Cantrell, Candlebox: The ’90s nostalgia remains at Cadence Bank Amphitheater, 9/1/24

Photo by Ellen Eldridge

I brag more often than I should that I saw Bush the second time they played in New York City, in 1995 at Roseland Ballroom. My concert companion and I weren’t even old enough to drive.

Around the time of the American Tiger King binge during our nation’s “two weeks to slow the spread,” Bush released The Kingdom.

Whenever I noticed, I bounced along to “Flowers on a Grave,” thinking, ‘They’ve still got it.’ Continue reading “Bush with Jerry Cantrell, Candlebox: The ’90s nostalgia remains at Cadence Bank Amphitheater, 9/1/24”

Mosswood Meltdown 2024 Gallery

As Summer winds itself down brings us to “way too hot Fall,” we figured it was a good day to look back at Mosswood Meltdown 2024. Our dear friend Ben Zero took some lovely black & white shots of Go Sailor!, Wifey, John Waters, Redd Kross, Hot Laundry, Hunx & His Punx, Trap Girl, and Pansy Division for you to enjoy! 

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Single of the Week: “Late to The Party” by Orla Gartland ft Declan McKenna

I am often SHOCKED when I catch an artist selling out an entire US tour without me knowing much about them. I feel like I’m “Late to The Party,” if you will. My day job is in event ticketing, and it seems that every club I work with was shocked by how quickly these Orla Gartland shows sold out, and I finally see why. This song rips? Gartland pulls from the classic 90’s Britpop in both warmth and humor and is also pretty ferocious. For those eagerly awaiting the second Wet Leg record, at minimum, Gartland can help tide you over until then. 

“Late To The Party” is the latest single off Orla Gartland’s sophomore record, Everybody Needs A Hero, in stores and streaming on October 5th. You may prepare for this record’s arrival however you please here. And sorry if you were hoping to see her this Fall, as all 13 North American shows are SOLD OUT. 

Show Review: Chaka Khan with Steel Pulse at Stern Grove, 8/25/24

Stern Grove is one of my favorite places, but I have never make it out there enough. It’s a sunny oasis in the middle of the foggiest reaches of San Francisco’s Sunset District, and every year, they commit to a Summer’s worth of amazing free shows. (Donate here to help keep these shows coming) I often feel intimidated by the commute, traveling from Oakland to the city’s furthest reaches across the bay. However, whenever I get here, I remember how magical this place is. And it doesn’t hurt that our show this afternoon features one of my bucket list artists, recently Rock & Roll Hall Of Fame Inductee Chaka Khan. 

Continue reading “Show Review: Chaka Khan with Steel Pulse at Stern Grove, 8/25/24”

Film Review: “Between the Temples”

Schwartzman and Kane are a winning combo in thoughtful, appealing film

Cantor Ben (Jason Schwartzman) and bat mitzvah student Carla (Carol Kane) form an unlikely friendship.

The San Francisco Jewish Film Festival concluded a few weeks ago, but lucky for you its Centerpiece Narrative film opens widely today. While Between the Temples is without a doubt thematically very Jewish, it’s also very universal. Audiences of all stripes will find moments of humor, grace, and wisdom in this charming film.

Continue reading “Film Review: “Between the Temples””

Single of the Week: “Taste” by Sabrina Carpenter

I did not have “Becoming a Sabrina Carpenter Superfan” on my bingo card for 2024. Mostly because I didn’t know anything about her in 2023 and didn’t initially like “Espresso.” Then “Please Please Please” happened. Then Outside Lands happened. And now I’m smitten with her snarky blend of disco and country that feels so utterly timeless. “Taste” is, at its heart, a brilliant send-up of the “woman done wrong” country song. It would be “Jolene” if Jolene didn’t decide she was the victim. And the video is brilliant, too. 

“Taste” is the latest single from Sabrina’s 5th (Yes. 5th) record, Short n’ Sweet, in stores and streaming TODAY. You can experience the magic I felt at Outside Lands this fall on tour: Continue reading “Single of the Week: “Taste” by Sabrina Carpenter”

Show Review: Bikini Kill with Frightwig at The Warfield, 8/19/24

We were there for the first Bikini Kill reunion shows in 2019.  They were a profound and moving experience. We didn’t know what COVID was yet, which upended this tour and, well, still upends everything. I’m grateful that they managed to find a way to get back on the road. Everything feels really hard and continues to feel hard, and this band has always been the thing that gives me the strength to persevere and find reasons to be hopeful in the face of hopelessness. Continue reading “Show Review: Bikini Kill with Frightwig at The Warfield, 8/19/24”

Film Review: “Blink Twice”

Kravitz’s directorial debut is a messy but impressive comic thriller

Let’s get this out of the way – Zoë Kravitz’s directorial debut, Blink Twice, very closely recalls a similar directorial debut from 2017, Jordan Peele’s Get Out. “It’s Get Out, but for women,” would be an apt headline. This comparison should be considered a compliment, even if it oversaturates the public discourse about the film. All of this shouldn’t take away from Kravitz’s stylish, thrilling, sometimes messy, but thoroughly entertaining thriller. Blink Twice is an imperfect concoction of thrills, laughs, and sinister themes.  Continue reading “Film Review: “Blink Twice””