Film Review: “The Thing With Feathers”

Cheap jump scares punctuate this grief-stricken slog

Dad (Benedict Cumberbatch) feeling very crow-y in “The Thing With Feathers.”

Sometimes you swing and miss, but at least you swung. The Thing With Feathers is a big swing and a miss. Aiming to entice horror fans with its phantasmagoric plot and cheap jump scares, The Thing With Feathers fails to offer anything more than a singular message about grief being tough to overcome. Despite Benedict Cumberbatch’s (The Roses) efforts to compensate for a shallow script and one-dimensional character, The Thing With Feathers remains a frustrating viewing experience. Continue reading “Film Review: “The Thing With Feathers””

Show Review: Cavalera, Fear Factory, Prong, Genocide Pact, and Thrown Into Exile at The House of Blues Anaheim, 10-07-2025

CHAOS A.D.

This was another trek from work directly to the venue, House of Blues Anaheim, where I had gone the previous year to see Hanabie on their co-headline tour with Kim Dracula. While I was incredibly excited for the evening, I was also a bit anxious because the sound mix of the aforementioned concert had left a lot to be desired. Fortunately, the FOH mixers of this evening would prove that anxiety baseless. Let’s get on with it, shall we?

Continue reading “Show Review: Cavalera, Fear Factory, Prong, Genocide Pact, and Thrown Into Exile at The House of Blues Anaheim, 10-07-2025”

Film Review: “Rental Family”

Fraser delivers sensitive performance in affecting heartfelt drama 

Phillip (Brendan Fraser) is hired to be a groom in a fake wedding.

Rental Family is the second new film in a week with an actor as its protagonist. But Phillip, a struggling, unknown American actor in Japan, couldn’t be more different than the uber-successful, movie star Jay of Jay Kelly. Despite the differences in their lead characters, however, both films deftly touch on universal themes of loneliness, connection, and empathy. 

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Single of the Week: “MOLLY” by Ecca Vandal

The best thing about the current nu-metal resurgence seems to be that, unlike the first time around, ownership isn’t focused on white men. Some of the best stuff coming out these days that sounds like that era is coming from women of color- I adore The Warning, Pinkshift, and Rico Nasty. But the one act that’s consistently the BEST at combining metal, punk, hip-hop, pop, funk, and whatever else she pleases? Ecca Vandal. And, hot off her heavily talked about set at Dia De Los Deftones and as a warm-up for her performance at Camp Flog Gnaw this weekend, she’s presented us with her strongest track yet. “MOLLY” is a brilliant single that works equally well in the mosh pit and the club. 

You can enjoy “MOLLY” in all the usual places, and I’m hoping for a full-length next year. She’s touring Mexico and South America with Limp Bizkit in December, and I’m hoping we finally get a full stateside tour when she makes her Coachella debut next April. 

Film Review: “Wake Up Dead Man: A Knives Out Mystery”

O’Connor shines as Knives Out goes to church

Father Jud (Josh O’Connor) and Benoit Blanc (Daniel Craig) inspect the mystery in ‘Wake Up Dead Man.’

They should release a new Knives Out movie every two years…in perpetuity. The casts, the characters, the Agatha Christie whodunnit plots, and Daniel Craig’s disarmingly charming and wise detective, Benoit Blanc, are all batting .1000 across three films and I just can’t get enough. Even Glass Onion, the second Knives Out film and widely considered the weaker of the first two films (now the weakest of the three), is still a hilarious and engaging mystery. The Knives Out film series is written and directed by Rian Johnson (Looper; Star Wars: The Last Jedi), who has an incredible knack for creating an interacting web of distinct characters, twisted murders, and sharp dialogue. Wake Up Dead Man, the latest in the series, continues with all the beloved characteristics that made the original a hit, while adding previously unexplored depth. Featuring a standout performance by Josh O’Connor (Challengers), Wake Up Dead Man is the most dramatic Knives Out story yet and a thrillingly fun watch. Continue reading “Film Review: “Wake Up Dead Man: A Knives Out Mystery””

Show Review: KNOWER with Sam Wilkes at The Neptune Theater, 11/11/25

I have only been familiar with the electronic jazz duo KNOWER for a couple of years. I stumbled upon the video for their May 2023 single “I’m the President” and, directly afterwards, listened to it on repeat for weeks before becoming obsessed with their entire catalog. Last year, when singer, KNOWER drummer, and multi-instrumentalist Louis Cole announced he would be playing a show at Seattle’s Neptune Theater with his band’s other vocalist & multi-instrumentalist, Genevieve Artadi, I bought two tickets without batting an eye. The chance that maybe I’d get to see them play a few KNOWER songs (which they did) was the primary purpose, despite the fact that in my quest to hear as much of them as possible, I also had spent lots of time with each member’s solo back catalogue. I’ve spent a lot of time proselytizing the scripture of KNOWER, and on Nov 11th, I finally got to attend my first sermon. Continue reading “Show Review: KNOWER with Sam Wilkes at The Neptune Theater, 11/11/25”

Film Review: “Jay Kelly”

Clooney, Sandler explore the cost of fame in Baumbach’s newest

Actor Jay Kelly (George Clooney) prepares to attend a tribute in his honor.

Jay Kelly isn’t a documentary, but you’d be forgiven if you mistake it for one. The picture, directed by Noah Baumbach (Marriage Story) and co-written with the actress Emily Mortimer, is about an aging actor facing his mortality and reflecting on his personal and professional choices. That the titular fictional actor is played by George Clooney creates an odd melding of fact and fiction. As we watch Jay consider his past, present, and future, we can’t help but wonder how much of what we’re seeing on screen is really about Clooney himself. That dichotomy brings an added layer of curiosity to an already thoughtful and absorbing film.

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Single of the Week: “The Perfect Girl” by Elise Trouw

Elise Trouw has proved her chops as a musician many times over. She can sing, and she plays every instrument under the sun. Her YouTube page is littered with fun and inventive videos, both original tracks and covers, where she loops herself. “The Perfect Girl” proves that Trouw is more than an abundance of technical skill- she is a brilliant songwriter. This track is a witty play on incel culture, and I bloody love it.  

“The Perfect Girl” is the second single off her upcoming record, The Diary Of Elon Lust, which is coming out on February 13th. Presave here, with physical preorders coming soon from Buy Before You Stream. Her Spring tour went onsale today, and tickets are available here!

SF Sketchfest 2026 Initial Line Up HAS DROPPED!!!!!

Our dear friends at SF Sketchfest have, once again, given us reason to look forward to the January doldrums. They’ve put out a bonkers lineup that I’ve barely scratched the surface of. (As an esteemed member of the press, I did get this a day early, which might not have been enough time to digest this.) 

As usual, you’ll get my full “Nerd’s Guide.” My early nerd view reveals a few amazing bits. Like, are you a fan of both The State and melodramatic singers from the 80’s? GOOD NEWS! You have your choice of Ken Marino & David Wain & Friends doing the music of Billy Joel, OR Thomas Lennon & Friends doing the music of Morrissey & The Smiths. Like your music legends more subversive? Devo legend Mark Mothersbaugh is taking us on a tour of his film score work with the excellent Red Room Orchestra. 

A few other surprises include “The Women of SNL,” which, in addition to Sketchfest regular, Laraine Newman, we have rare appearances by Ellen Cleghorne (!), Julia Sweeney (!), Robin Duke (!), Cheri Oteri (!), Rachel Dratch (!), and Ana Gasteyer (!) sharing a stage which, really, is just warming my Gen-X, TV addicted heart. Panels with the creators of Doug and Futurama, as well as Smoke Show with Jodie Sweetin (A beauty pagent for comedians?), will do that, too. 

Anyways… I can go on forever. However, I digress – take a few hours to review the schedule here. Tickets go on sale for EVERYTHING this Sunday, November 16th, at 10:00 a.m. PST. 

Film Review: “The Running Man”

Wright’s stylized remake limps to the finish line 

Ben Richards (Glen Powell) is escorted to set in ‘The Running Man.’

The fifth and final Stephen King adaptation of 2025 is about to hit theaters. After The Monkey in April, The Life of Chuck in June, The Long Walk in September, and the HBO series IT: Welcome to Derry, the list comes to an explosive close with a new adaptation of King’s 1982 thriller The Running Man (originally published under King’s pseudonym, Richard Bachman). The 1987 version of The Running Man starring Arnold Schwarzenegger has become a cult classic, commended for its critical depiction of a dystopian American pop culture-obsessed society, as well as for its campy villains and one-liners. The new film is co-written and directed by Edgar Wright (Baby Driver; Hot Fuzz), and sticks much closer to King’s source material than the 1987 film. The new film has many parts that work, and many parts that don’t. The Running Man’s ultimate success lies in some slick action and standout performances, but an indecipherable tone and confounding editing keep the film from achieving blockbuster greatness. Continue reading “Film Review: “The Running Man””