Film Review: “Stay Awake”

A tender portrait of a troubling issue

Ethan (Wyatt Oleff, r.) and Derek (Fin Argus, l.) unwillingly play the waiting game.

Unfortunately there has been a recent wave of films and TV shows about the U.S. prescription drug and opioid epidemic. Not unfortunate in the sense of artistic merit achieved (I’m NOT looking at you, Hillbilly Elegy), but unfortunate that there exists a crisis of this magnitude in the first place. Millions of people are affected by drug addiction each day, and the opioid crisis has already taken countless lives. The new indie film Stay Awake shines its own match light on the disease with great care and an intimate focus. In this film we don’t have villains (well, maybe the enabling doctor and drug co.), cringeworthy child abuse, or the stereotypical yet often truthful standards set forward by the depiction of drug addicts in Hollywood. Rather, Stay Awake shows that sometimes addiction and family issues lay just beneath the surface of small town normalcy and kind, functional people, and that caretakers deserve some of the spotlight.

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Single of the Week: “Good Day” by Seratones

The most effective form of protest is experiencing joy in the face of darkness. I honestly can’t wait for a Single of the Week post to proclaim an expression of pure joy and relief… Until then we have statements like “Good Day” by Seratones. It’s a funky, soulful number really does fire up production of the brain chemical that is the band’s punsake. 

“Good Day” is out there on all the DSPs. Like something physical? Love & Algorhythms, the upcoming full-length that contains “Good Day,” is available for preorder here to be in your hands on April 29th. 

Album Review: Spoon, “Lucifer on the Sofa”

If you don’t know Spoon, you’ve probably still heard a handful of Spoon songs and, unknowingly, are a fan. The rock band from Texas has produced a steady flow of albums since 1993, including a handful of radio singles and major contributions to the Stranger than Fiction soundtrack, culminating (but hopefully not finishing) with their tenth studio album, Lucifer on the Sofa. I would’ve guessed Lucifer on the Sofa as a more likely Cake album title than a Spoon one, but considering the album was mostly conceived and recorded in and around COVID lockdowns, the title is apt in describing the set of ten songs’ lyrical and instrumental battle against one’s own domestic demons. With a stripped-down rock n’ roll sensibility, Spoon has delivered a live-esque studio album that plays like a group artistically re-coalescing together for a spontaneous living room concert, and we’re lucky enough to have a front-row sofa seat.

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Single of the Week: “Growing Up” by The Linda Lindas

The last year or so have been a whirlwind for The Linda Lindas, the LA band of high schoolers that have been together since they were middle schoolers. They landed on our radar back in 2019, when they managed to open for one of the epic Bikini Kill reunion shows. The band has literally grown up in that time and their songwriting and playing chops keep getting better. Last year’s Racist Sexist Boy was the anthem of the Summer. The single of the week for this week, “Growing Up,” is a power-pop confection that is just the key to dancing your way through the doldrums of post-Christmas winter. 

“Growing Up,” the song, can be enjoyed at your local DSP. The Linda Lindas debut album also called Growing Up, is out April 8th. You can reserve your copy here!

Show Review: Shinedown, The Warfield, 01/26/2022

Photos and review by: Alan Ralph @ConcertGoingPro

Live hard rock music seems difficult to come by within the city limits of San Francisco.  Music fans here seem to mainly gravitate to EDM, thrash metal, or anything that resembles the types of artists that play at Outside Lands (indie / alternative) or Hardly Strictly Bluegrass.  Therefore, it is not impossible to believe that a hard rock band who has sold 10 million albums worldwide (and were recently named #1 on Billboard’s Greatest of All Time Mainstream Rock Artists Chart) has not performed in San Francisco city proper in 10 years (since March 2012).  On January 26, 2022, multi-platinum rock band Shinedown decided to finally visit us once again, this time with the very first show of their 2022 tour cycle at The Warfield in support of their upcoming new album, Planet Zero

Single of the Week: “Ceci n’est pas un cliché” by Charlotte Adigéry & Bolis Pupul

I love dance music. But I need my dance music to feel like it’s made by humans. This track by Charlotte Adigéry & Bolis Pupul has a tight, solid groove and an infectious bassline that all sounds and feels like it was made with human hands. They call to mind 00’s legends New Young Pony Club, The Rapture, and yes, even a little LCD Soundsystem at times. (But without all the things that make LCD Soundsystem an absolute bore. Yeah. I said it.) “Ceci N’Est Pas Un Cliche'” is a great song for when you need a great sweat. 

“Ceci N’Est Pas Un Cliche'” is out now in all the usual places. Their upcoming full length record, Topical Dancer, is coming to stores, DSP’s, and your mailbox on March 4th and can be prewhatevered here. Oh, and as regular readers of this site have gotten drilled into their skulls- get yourselves vaxxed and boosted and keep your N95 sealed to your face so you can catch them live this Spring, including a gig at our beloved Popscene on May 18th! 

Single of the Week: “Looking Backward” by Melody’s Echo Chamber

It’s been far too long since we’ve heard from Melody’s Echo Chamber. Her delightful psychedelic pop is kind of a warm, sonic hug. “Looking Backward” features her soulful soprano over layers of harp, funk bass, guitars, strings and electronic elements that manage to send you into space, the mall, and home on the couch with a hot chocolate that may have a microdose of LSD, or might just be made with whole milk. Either way, it’s a pleasant experience. 

“Looking Backward” can be enjoyed right now in all the usual places. It’s the lead single off Emotional Eternal, her full-length album coming to DSPs and your turntable on April 29th. Reserve your copy / prep your playlists here! 

SF Sketchfest Moved to 2023

I hate making these posts. But, at this point, I think I’d hate NOT making these posts more… The hypertransmissibility of the Omnicron variant has forced SF Sketchfest to move the whole shebang to next year. The good news? They’ve managed to rebook nearly every single show to January 20th – February 5th, 2023. This means that you still get to see Viva Variety!, David Alan Grier, and freaking Perfect Strangers reunion, and even see me faint at the sight of the great D’Arcy Carden doing an improvised musical

An updated schedule can be found here. Hold onto your tickets, because they will be good for the new date. If you can’t make it, the individual ticketing companies will be reaching out to handle refunds shortly. (Just please give them some time, as everyone is drowning right now)… Until then, why don’t you listen to my interview with 2023 SF Sketchfest performer Jean Grae while waiting in line for your booster. Also, GET YOUR BOOSTER!! GET YOURSELF SOME N95s. CAN’T FIND THEM? DOUBLE UP YOUR MASKS AND MAKE SURE THEY ARE ON TIGHT. 

Single of the Week: “Against Face” by Cy Dune

When the world lost Akron / Family’s Miles Seaton last year, we lost one of the greatest noise experimentalists of the modern era. Now, 11 months later, we are getting new music from another member of the Akron / Family, er, family- Seth Olinsky’s new project Cy Dune. The first release from Cy Dune is “Against Face,” a song that has flavors of the experimental layers of his former band, with a garage punk grit and groove that makes you want to both scream and dance. So, please, play it LOUD. LOUDER!!!

Against Face” is the first single off Cy Dune’s upcoming full-length of the same name, out March 3rd. Preorder & presave details coming soon. Keep an eye out here for more info when it comes! 

Film Feature: Chad’s Top 10 (Double Feature) Films of 2021

2021 was a good year for movies, and not much else. The box office, and inevitably the upcoming Oscars ceremony, won’t be evident of such, but the quality of filmmaking and storytelling this year was noteworthy. As I began constructing my Top 10 Films of the Year, I realized that not only was it challenging to narrow it down, but there were a handful of appropriate film pairings — equal in stature, themes, and style. While I admit this list is somewhat a cop out, here’s my Top 10 Double Features of 2021 (all released after the 2021 Oscar ceremony on April 26th). I do believe they represent the best films that I’ve seen released this year:

  1. In the Heights / West Side Story

This ‘New York song and dance’ double feature is an obvious duet. On the positive side, both films surprised audiences (and critics) with an abundance of colorful energy, and on the flip side, both films feature male leads with some troubling choices in their personal lives. In any other year, or perhaps ten years ago, these two films would be atop the box office and Oscar predictions, especially the one where Steven Spielberg directs his first musical that is an adaptation of another movie that won Best Picture.  This year they’ll both have to settle for being two overflowing-with-life musicals that will become more and more appreciated over time.

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