BottleRock Napa Valley 2022 Preview

In the 2+ years since the world changed forever, I’ve missed live music more than most things. Fortunately, I’ve finally been able to start attending live shows again, and I can’t believe how much good it does for my well-being! I always knew music played a huge role in my life (hell, even my last name is musical!)… but it wasn’t until I had to live without it that I came to realize just how much my mental health needs music, especially when experienced live.

It feels like it’s been eons since I was able to bask in the glory of a perfect-weather weekend right here in Napa with loads of amazing food, drinks, and live music. Thankfully, the wait is almost over – this year’s BottleRock Napa Valley starts two weeks from today!

This year’s lineup includes two artists I’ve been hoping I would eventually play this festival: P!nk and Twenty One Pilots. Additionally, Metallica rounds out the list of the biggest names this year, and I for one can’t wait to see each of them! I’m also really looking forward to seeing (in no particular order!) Chvrches, Spoon, Royal & the Serpent, Atlas Genius, The Black Crowes (who I still remember enjoying at the very first BRNV back in 2013), Silversun Pickups, Bleachers, Vance Joy, Amos Lee, The Happy Fits, Blu DeTiger, Mister Wives, The Alive (who have yet to let me down at this festival), Grandson, and Eliza & the Delusionals. I hope these next 14 days absolutely fly by so I can get down to the Expo to soak up all this good music and sunshine! Who are you most excited to see?

As I do each year, I made a new preview playlist to get hyped as I count down the days. Listen, share, enjoy, and I’ll see you in Napa in a few weeks!

Don’t have your tickets yet? Get them here!

Without a Phone in Las Vegas: A Silk Sonic Diary

 

When I left the Silk Sonic show at the Dolby Theater at Park MGM on Tuesday night, I made my way over to the official afterparty. There was a very short line to get in which they immediately steered us away from. All of us concertgoers were “guest list” which was a slow-moving, Disneyland-style mess of velvet ropes that I immediately noped out on. Why did I care about an official afterparty anyway? So I headed to the exit, only to run into the same Bay Area friend I had seen before the show. He introduced me to a friend of his who had come down from Portland for the event. He asked me what I was going to write about the show and I explained that I wasn’t going to write about it all, but then I spent the night not at the afterparty but thinking about what I should write about it. Continue reading “Without a Phone in Las Vegas: A Silk Sonic Diary”

Single Of The Week: “Dreamt I Talk To Horses” by Katie Alice Greer

On my first listen to “Dreamt I Talk To Horses,” my initial impression was “this song is uncomfortable.” Upon further listens, the vocals- both intensly human and clearly manipulated by digital sources, move from uncomfortable to deeply warm and inviting. This is clearly a pop song, but coming from someone that knows her way around the Throbbing Gristle catalog. This song is the kinda track that forces relistens because there are so many layers and sounds sneaking up on you that you can’t take it in all at once. 

“Dreamt I Talk To Horses” is the second single from Barbarism, due out into the world digitally on June 24th and physically on October 1st. Preorders on her Bandcamp are ongoing! 

Show Review: Thao with Black Belt Eagle Scout and Quinn Christopherson at The Fillmore, 5/7/22

QUINN CHRISTOPHERSON

“Welcome to the Fillmore,” the top-hatted greeter with gentle eyes said as their generous gloved hand-stretched an apple towards me. “Thank You.” Continue reading “Show Review: Thao with Black Belt Eagle Scout and Quinn Christopherson at The Fillmore, 5/7/22”

Album Review: The Black Keys, “Dropout Boogie”

From the twanging riffs and thumping percussion that open the album on the single, “Wild Child”, we know we’re in for a head-bopping, foot-stomping, groovy record.  Dropout Boogie is The Black Keys’ eleventh studio album (!) and a conscious return to stripped down hard-nosed bluesy rock ‘n’ roll they first earned a passionate fanbase and later numerous accolades. For the first time in their studio album discography, the Akron, Ohio duo of Dan Auerbach and Patrick Carney solicited collaborations from other artists and the result is a river flow of laid back jaunts, comfortable grooves, and a few raw first take recordings. All hail the majesty and imperfections of the blues-rock guitar!

Continue reading “Album Review: The Black Keys, “Dropout Boogie””

Single of the Week: “All Comes Crashing” by Metric

There are few songwriters that really understand how to convey the feelings of anxiety, desperation, and fear quite like Emily Haines. I’ve been waiting eagerly for the first pandemic-era release from Metric, because I was pretty sure we would get a track that would clearly validate the feelings of being stuck in a madness that’s out of our control. and they delivered tenfold. “All Comes Crashing” in a lot ways is classic Metric- pure, emotive vocals, post-punk guitars appearing out of nowhere beneath warm synths, and danceable beats to help ease the burden of the anxiety and provide just a little bit of optimism. 

“All Comes Crashing” is the first single off their upcoming release, Formentera, which is due to be in your hands and ears July 8th. Preorder details coming soon. Also, there are few nights more cathartic than a Metric concert, and their 2022 North American Tour goes on sale TODAY at 10am local time. Check tour dates out here! 

Thee Stork Club Hath Returned

One night, maybe about a decade ago, I found myself bar hopping with a group of friends and, somehow, my high school girlfriend. It was already a weird night, and we landed on The Stork Club. I had heard about this place for years, but, somehow never entered it’s hallowed halls. There was a real drunken haze to the night already, but I am pretty sure there was a burlesque show happening when we arrived at like 11pm. Then at midnight it turned into an 80’s goth dance party. Then at 1am, I’m pretty sure a jam band started setting up. It was a very weird night. But it brought me much joy, too… So I was gutted when they ended up shutting in 2020. 

Fast forward to 2022, and the folks behind Mosswood Meltdown, Eli’s Mile High Club, and Hemlock Tavern have gotten together to reopen the place. Only with an extra “e”, so it’s now Thee Stork Club! And there will be a retro cocktail bar, a live performance space, and what is especially vital in this day and age- THEY ARE OPENING UP IT’S BACK YARD!!! So you might actually be able to enjoy a drink with a limited threat of COVID! 

Opening night is July 1st, and it will be a special show with John Waters, Shannon Shaw, and Budget Rock’s DJ Chris Owen. Sadly tickets are sold out, but there will be plenty more fun where that came from!

Sing It Hasselhoff: Chris Jericho’s Band Fozzy

So, we haven’t posted a “Sing It Hasselhoff” in like a decade on this site. However, I’ve finally forced myself to sample legendary wrestler Chris Jericho’s band, Fozzy. Their latest record, Boombox, is out tomorrow, and it’s filled with giant, anthemic metal suitable for, well, kicking off a wrestling match? Check it out for yourself! And on Sunday Night they are bringing the “Save The World” Tour to Great American Music Hall, and, by golly, we really need it right now. Seriously, Mr. Jericho, please save us!