Show Review: Death To All 6/27 and 6/28/2024 @ The Regent (Downtown Los Angeles)

I often hesitate before I type certain statements. Of course, what writer doesn’t, but more often than not, I find myself questioning how much truth I’m putting down. No self-respecting writer wants to publish hyperbole; it is the enemy of serious writing. With that, I think it is safe to say that heavy metal music has been experiencing a renaissance. With festivals like Sick New World, Mayhem, Metal Injection’s inaugural Summer Slaughter (upcoming), and massive world tours with sonically packed lineups like Chaos and Carnage, it’s a hell of a time to be a metal fan.

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Outside Lands 2024: Top 10 From The Bottom Half Of The Poster

The craziest thing about this year’s Outside Lands poster is that, when it was first printed, Shaboozey was on the 4th line from the bottom. Obviously, having a worldwide #1 hit means that he’s doing just fine; here are 10 MORE acts from the bottom half of the poster for you to watch out for.

The full lineup is here, the schedule is here so you can start plotting your weekend, and limited tickets are still available: Continue reading “Outside Lands 2024: Top 10 From The Bottom Half Of The Poster”

How Did I Get Here? with Victoria Bigelow

I didn’t know what to expect when I got on a call with Victoria Bigelow. All I knew about her was that I’d kinda fallen in love with her head-swimmy brand of reverb-drenched country and shoegaze. We ended up talking a LOT about music in general, the struggles with being a DIY artist in this modern era, and getting the seal of approval from Willie Nelson.

Her latest release, Songs For No One, Vol 2, is out now on Immortal Records, which was, in fact, Korn’s first record label. Her latest video, “Forever Now And Then,” is a stunning piece of filmmaking.

Enjoy!

Film Review: “Twisters”

Powell’s charm almost saves lackluster Twister follow up 

Kate (Daisy Edgar-Jones), Tyler (Glen Powell, middle) and Javi (Anthony Ramos) survey the weather.

Director Lee Isaac Chung, who garnered well deserved attention and a Best Director Oscar nomination for his affecting indie family drama Minari back in 2020, tries his hand at a big summer blockbuster with Twisters, a sequel of sorts to Twister, the box-office success that opened way back in 1996. Lee should stick to indie fare. Twisters is at best a serviceable piece of entertainment, and, at worst, an uninspired and unimaginative virtual reboot of the original.

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Single of the Week: “All In My Head” by the Linda Lindas

The other night, I was in a late-night Lyft coming home from the train station after *finally* seeing The Rolling Stones. (It was great. Nope, I’m not writing a full review.) I have a young child, and the driver has an adolescent child. We talked at length about how tough the transition from kid to adolescent is for parents. The next morning I opened up my email to find “All In My Head” by the Linda Lindas and it perfectly encapsulates the anxiety and stress of life when everything inside you and outside of you is changing. Coincidentally, they debuted this song opening for The Stones in LA a few days before! 

“All In My Head” comes from The Linda Lindas’ upcoming album, No Obligation, on Epitaph Records, out October 11th. They are spending the Summer on tour with Green Day and Rancid and snuck in a gig at 924 Gilman that sold out in 30 seconds flat, so if anyone has an in for tickets, please let me know. 

Vinyl Reissue Spotlight: Bratmobile’s Lookout Records Era

Remember the 00’s? It was such a hopeful time. The activism community was really fired up against Bush and his so-called “war on terror.” It felt like we were making real headway as progressives, and it felt like there was a real unified front. Sadly, at the same time, the Tea Party managed to devolve into the frighteningly authoritarian MAGA movement, and, to be frank, I’m feeling a little hopeless right now. BUT! I opened my inbox to find two records that really motivated me during that era and are coming back into circulation: Bratmobile’s Ladies, Women, and Girls and Girls Get Busy. These two records mean the world to me, and without Bratmobile playing shows again (including an appearance at Pitchfork Music Festival THIS WEEKEND!)

Colored Vinyl and CDs are coming to you on October 25th (two days before my birthday!). You can preorder here, including a really cool-looking shirt with the classic logo. 

And you can stream these two classic records right now for a nice hit of ambition for your day: 

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Single of the Week: “Joyride” by Kesha

 

Kesha’s new single, “Joyride,” is a pure celebration, a dance party anthem that takes us back to the early 2010s with a little extra modern edge. With what Kesha has been through with her lawsuit against former producer Dr Luke and then his defamation countersuit, it has felt like Kesha’s music career has had to take a backseat to the drama. But if you have been paying attention, you know she has been writing songs and experimenting with her music, awaiting the day she would be free from her 6 album deal with Dr Luke’s Kemosabe Records (part of RCA), and that time is now! 

Released on July 4th on her own new label, Kesha Records, this is more than a song; it is a joyful scream of independence and freedom. It is a party song for those who give no fucks. Clearly, Kesha has been honing her songwriting craft and saving the best for herself. I can’t wait to see what is coming next.

Interview with Bay Area Theatre Legend Andrea Gordon

Interview by Sahar Yousefi
Written by Edward Mulryne and Sahar Yousefi
 
Andrea Gordon takes the helm as Director of Play Reading and Production at the Magic Theatre in San Francisco. Photo by Jessamyn Picton, 2024.
Acclaimed theatre writer, director and producer Andrea Gordon is presenting a six-part series of monthly play readings with her company Rainbow Zebra Productions at the Magic Theatre in San Francisco. Titled the ‘Reading Series Extravaganza’, every performance will feature a piece of new writing and local actors, with casting by Liam Vincent.
 
Curious to know more about this ambitious and community-minded project, Spinning Platters recently sat down with Andrea Gordon for an interview.

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Film Review: “Touch”

Wistful love story deftly captures the ephemeral nature of time

Miko (Kôki)) and Kristófer (Palmi Kormákur) fall in love after meeting at her father’s restaurant.

Icelandic director Baltasar Kormákur, known for his edge-of-your seat survival adventure pictures like Everest and Adrift, might not be the first name you’d think of to adapt a romantic mystery for the big screen. But with Touch, his adaptation of fellow Icelander Olaf Olasson’s 2022 novel of the same name, Kormákur proves he’s just as skilled at plumbing the depths of the human heart as he is the drive of the human spirit.

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Film Review: “MaXXXine”

Ti West completes his horror trilogy in devilishly fun ’80s fashion

First came X. Shortly after came the prequel, Pearl. And now, MaXXXine, writer/director Ti West’s end cap on a remarkably gory, provocative, homage-filled horror trilogy. Mia Goth is at the center of all three films, an actor who has transcended “scream queen” status to become a bona fide megastar of the genre. She deserved an Oscar nomination for her performance in Pearl, and arguably an earlier nomination for her dual roles in X. In MaXXXine, the creative pairing of West and Goth complete their trilogy in entertaining, if not spectacular, fashion. MaXXXine is an overt homage to the wide-ranging horror genre birthed from Hollywood between the ’60s, ’70s, and ’80s, from the prestigious to the grimy. Continue reading “Film Review: “MaXXXine””