Film Feature: 68th SFFILM Festival Preview #1

The 68th San Francisco International Film Festival (SFFILM) will take place April 17-April 27 with screenings at various theaters around San Francisco and the East Bay.

For a full view of special awards, spotlights, and centerpiece films, check out the complete festival guide. Tickets can be purchased here. 

Below is a preview of the festival, featuring brief looks at six films:

1.) THE BOTANIST
(China, 2025. 96 min)

The soulful connection between humans and nature lies at the forefront of Jing Yi’s directorial debut, The Botanist, about a young boy, Arsin, in the remote northern province of Xinjiang during one summer. Arsin spends his time quietly in nature, pressing flowers, examining a faded family tree and contemplating the building blocks of life. The cast of non-actors are amazing, and the stunning real-world environment is beautifully captured in a manner that exhibits the environment as a critical character. When Arsin meets Meiyu, a young girl in the village, his perception of the relationship between nature and civilization becomes simultaneously complicated and ethereal, as the filmmakers employ subtle elements of magical realism to portray his evolving emotional and physical understanding of the world. Other world-building elements include a village radio continuously spouting news about oil taxes and burgeoning industry, Arsin’s aloof brother (“uncle”) calling his network of former lovers and friends in Shanghai, and high-angled shots of the village and surrounding landscape. All of these elements create a meditative and enchanting coming-of-age story about how a forgotten pastoral corner of the world still finds ways to embrace our kinship with the natural world.

Screenings (click here for tickets):
– Fri., April 18th, 6:00pm at the Presidio Theatre
– Sat., April 19th, 5:15pm at BAMPFA
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STERN GROVE LINEUP!!! DIANA ROSS!!! SLEATER-KINNEY!!! ORVILLE PECK!!! WOAH!!!!

Stern Grove just announced its 2025 season, and it’s, well, totally bonkers, as usual. Including your editor-in-chief’s all time favorite band, Sleater-Kinney, East Bay Legends The Pointer Sisters with fellow East Bay Legend, Lyrics Born, Queer Country icon Orville Peck, and many more. OH! And closing out the season is one of the last great rock pioneers, MS DIANA ROSS!!!! 

They are also changing things up a bit to help ensure a fair ticket distribution and discourage third party resellers from hogging up the servers. I think it’s smart and opens up to multiple opportunities for fans to score free tickets: Continue reading “STERN GROVE LINEUP!!! DIANA ROSS!!! SLEATER-KINNEY!!! ORVILLE PECK!!! WOAH!!!!”

Film Review: “Freaky Tales”

Oakland and Berkeley real stars of fantastical  ’80s period piece

A crowd of punk music fans prepares to defend Berkeley’s 924 Gilman.

I’m not sure how well Freaky Tales will play in middle America, but for those of us who live or grew up in the Oakland area–especially in the late 1980s–the movie is like our own personal valentine. Weird, wild, and more than a little crazy, the Oakland and Berkeley-set film is a rousing ode to Mayor Lionel Wilson’s Oakland, with its attendant complex mix of charm, edge, creativity, and simmering racism and misogyny. 
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Single of the Week: “Last Girls At The Party” by The Beaches

Howdy! It’s another week in hell in the United States, and I’m forever stuck on the story of the US citizen that was sent to a labor camp in El Salvador “accidentally,” and “Ooops! We can’t do anything about it!” and fuck. So, yeah, The Beaches from our friendly neighbors to the north have gifted us something purely fun. “Last Girls At The Party” is a bubbly little dance-rock number here to show us that Canada will probably win in all this nonsense. 

“Last Girls At The Party” is the first single off The Beaches upcoming record, No Hard Feelings. I can’t wait. But I’ll have to because it’s coming out August 29th! And if you presave, you can enjoy The Beaches on their DJ-set tour (Yup! I’m surprised too): 

April 16 – Los Angeles 

May 17 – London, UK

May 20 – Amsterdam

May 21 – Brussels

May 23 – Berlin

June 7 – NYC 

August 2 – Montréal 

Film Review: “The Friend”

A somber dramedy for writers and dog lovers

Iris (Naomi Watts) and Apollo go for a stroll.

Aspiring novelists and dog lovers, I have the perfect film for you! The Friend is a dramedy adapted from Sigrid Nunez’s National Book Award-winning novel. Though the book takes a unique approach by not giving the characters names except for the dog, Apollo, the film utilizes a traditional style and narrative structure. Despite its handful of plot contrivances, The Friend is a somber yet inspiring reminder of the power of strong friendships, where deep conversations come easily and unique personal connections are irreplaceable.

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WET LEG ARE BACK!!! “catch these fists” out now! New Album Out July 11th!!

YES YES YES YES YES YES YES.

It feels like we’ve been waiting forever for new Wet Leg. It’s only been three years since their epic debut album became, well, MY most listened to record of 2022 AND 2023. But we finally have a new single, “catch these fists,” and you can find it here. The new album, moisturizer, is out July 11th and can be preordered here!  We’ve also got a Tonight Show with Jimmy Fallon appearance on April 2nd, and so many EU tour dates that I’m worried they won’t have time to visit us in the ‘ol USA. (Please, please, please pay us a visit?)

 

Show Review: Bit Brigade at Nectar Lounge, 3/23/25

“Virtuoso Musicianship via 80’s Nintendo Game Delivery System”

Long before I saw any live music or before I even owned an album on CD or cassette I listened to countless hours of Japanese composers that I didn’t know the names of as I fettered my preteen hours away playing video games on my Nintendo. To say that these songs had an impact on me would be an understatement. Experiencing Bit Brigade play two of the games I played the most often last Sunday night tapped into something more important to me and my development as a music listener than I can quite put into words. 

Show Review: Franz Ferdinand with Telescreens at The Warfield, 3/28/25

The last time I saw Franz Ferdinand live was in 2013, and they played a last-minute gig to raise money for a fan who lost everything in a fire. It was in the basement of the clothing store Vacation in the Tenderloin and admission was “Five Lotto Scratchers.” It was pretty damn magical. Like, in my top 10 show experiences ever. The problem with seeing a “peak magic” show is that it’s hard to go back.
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Film Review: “Bob Trevino Likes It”

Bob Trevino Likes It, and so will you 

Bob Trevino (John Leguizamo) and Lily Trevino (Barbie Ferreira) get to know each other after meeting on Facebook.

Bob Trevino Likes It is the first movie I’ve seen this year to make my 2025 Top 10 Films contender list, and no matter what else comes out this year, I’m going to reserve a spot for this exceptional picture. After garnering a slew of film festival nominations and awards, including winning both the Grand Jury prize and the Audience Award for Best Narrative Feature at last year’s SXSW Festival, Bob Trevino Likes It is now showing in theaters. You shouldn’t miss it. 
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Film Review: “Death of a Unicorn”

Death of a Unicorn gallops around without a point

Everyone stares at the dead unicorn.

Undoubtedly, a lot of time and effort went into making Death of a Unicorn. There’s also little doubt that the filmmakers knew that with their film’s plot, and especially its title, their futile goal was to launch their film into immediate “cult classic” status. Everyone knows that cult films earn their “cult” status naturally and gradually. And so, unfortunately, Death of a Unicorn takes a unique premise and surrounds it with an abundance of half-baked ideas and incomplete characters. Death of a Unicorn is neither demented enough for a niche horror audience, nor entertaining enough for a mainstream audience. Perhaps the filmmakers got lost in the sauce, for what could’ve been a simple creature feature is, instead, a sloppily assembled, undisguised commentary on wealth, with a heavy-handed father-daughter subplot sprinkled in, because, why not? Continue reading “Film Review: “Death of a Unicorn””