Film Review: “No Hard Feelings”

Limp sex comedy offers few laughs

Percy (Andrew Barth Feldman) and Maddie (Jennifer Lawrence) share a moment together.

Actress and producer Jennifer Lawrence’s new film No Hard Feelings is being promoted as a sex comedy. The big problem, though, is that the picture features almost no sex and even less comedy. The film was directed by Gene Stupnitsky (Dirty Grandpa; Good Boys), who co-wrote the screenplay with fellow comedy writer John Phillips. They both were nominated for a Worst Screenplay Razzie in 2017 for their Dirty Grandpa script, and I wouldn’t be surprised if they receive similar honors for this lackluster comedic attempt.

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Single of the Week: “Shy Boy” by Carly Rae Jepsen

Carly Rae Jepsen, according to several sources, made and scrapped a disco record called Disco Sweat. This record is on my long list of unreleased records that I would do ANYTHING to hear. Although it looks highly unlikely that Disco Sweat will ever see the light of day, this week, Ms Jepsen gifted us with the track “Shy Boy,” and I’m pretty sure this is close to the original vision of that record. It’s a bright, peppy disco number, complete with an actual “jam” at the end. It’s the Summer disco jam we always knew Carly had in her. 

I can’t wait to hear what else Carly Rae Jepsen has in store for us this year. Until then, you can enjoy “Shy Boy” in all the usual places. 

Film Review: “Asteroid City”

Wes Anderson’s latest is a multi-layered delight

I’d like to kick off this review with a question: what makes a Wes Anderson film the “most” Wes Anderson? Perhaps, objectively speaking, any Wes Anderson film, upon its release, is the “most” Wes Anderson, since that’s the project he’s put his latest ideas, artistry, and effort into. The unfairly subjective angle of this ranking, however, would require prioritizing Wes Anderson’s trademarks: the color palette, the quirkiness, the unique characters, and the cast size. Asteroid City, Anderson’s eleventh feature film as director, is, without a doubt, the “most”…. nah, I’m just kidding. Asteroid City represents a maturation in many respects, utilizing a multi-layered framing device to tell an oddball story about artistry, but with an emotional underbelly.

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OUTSIDE LANDS 2023 NIGHT SHOWS ANNOUNCED!

As we dig deeper into Summer, it’s time for Outside Lands to start trickling out their “bonus content.” First off- the night shows! (Still to come- the Gastromagic Stage and Grass Lands lineups, and then we start our petition to bring back The Barbary!) Highlights (for me at least) include No Vacation (with Sour Widows) at the California Academy Of Sciences (!) on August 10th, L’Impératrice at Bimbo’s on August 11th, and an epic double bill of Soccer Mommy and SASAMI at The Independent on August 12th. So, yeah, it might be worth leaving Foo Fighters a hair early to ensure you get to The Indy by 10 pm, because you REALLY don’t want to miss SASAMI. 

Eager Beaver & Golden Gate Club ticket holders have the first opportunity to grab tickets with those presales running Wednesday, 6/21, from 10 am PT to Thursday, 6/22, at 11:59 pm PT. The festival ticket holder presale is Thursday, 6/22, from 10 am PT to 11:59 pm PT. Any remaining tickets still available for Night Shows will go on sale to the public on Friday, 6/23, at 10 am PT. Promo codes will be emailed to ticketholders shortly. Ticket links can be found here! A complete list is below: Continue reading “OUTSIDE LANDS 2023 NIGHT SHOWS ANNOUNCED!”

Show Review: Garbage, Noel Gallagher and the High Flying Birds, and Metric at Concord Pavilion, 6/6/23

This concert was an extremely rare event. Possibly described as a single-night festival hosting only the headliners.  Despite the unique opportunity, the majority of the crowd was late to arrive.   Unfortunately, this is typical for a mid-week show with a start time of 7 pm at a venue as remote as the Concord Pavilion.  Garbage executed an aggressive grunge-punk vibe; Noel Gallagher and High Flying Birds flowing chill melodies.  Metric was the perfect dynamic intro, as their versatile style lent a glimpse of what was yet to come. Continue reading “Show Review: Garbage, Noel Gallagher and the High Flying Birds, and Metric at Concord Pavilion, 6/6/23”

Show Review: KMFDM and Chant at the Belasco 05/17/2023

“KMFDM/Better Than the Best/Megalomaniacal and Harder Than the Rest…”

As is typical of working in the entertainment industry in Los Angeles, my live concert experiences are constantly in flux with my day job. So it was after a seven-week run of live theater work that I finally had my evenings back to cram in some concerts, with KMFDM and Chant at the Belasco to kick off what would become a whirlwind two weeks of live music before jumping right back into more theater work and officially losing my social life for the next six or seven weeks. Self-pitying aside, it was a great night to head into Downtown LA with a friend to finally see the truly legendary and outstandingly prolific KMFDM for the first time!

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Film Review: “Indiana Jones and the Dial of Destiny”

A bounding thrill ride caps off the iconic hero’s adventures in pure escapist fashion

Let’s first recall that Indiana Jones films were inspired by campy serials and pulp novels of the 1930s and 1940s, thus an unperturbed sense of adventure and eagerness for escapism has always been key to enjoying each film. Regarding suspension of belief, every viewer’s tolerance may vary, perhaps hitting a ceiling somewhere between powerful holy relics and extraterrestrials. That being said, the enjoyment of any given Indy film is not all on the viewer’s shoulders. An Indiana Jones film needs to be filled with adventure, introduce us to exotic locales and archeological lore, and look good while doing so. Of course, it also needs the willing participation of Harrison Ford. The first three films, Raiders of the Lost Ark, Indiana Jones and the Temple of Doom, and Indiana Jones and the Last Crusade have all these ingredients and are universally considered iconic examples of the action-adventure genre (even if Doom remains polarizing). The fourth film, Indiana Jones and the Kingdom of the Crystal Skull, featured a sixty-five-year old Ford, underdeveloped side characters, and a plot that aggressively pushed the boundary between escapism and ridiculousness, with mostly cringeworthy results. But even Crystal Skull has its defenders. Not here. Not today. With a great sigh of relief, then, I’m happy to report that Indiana Jones and the Dial of Destiny, the fifth and final Indiana Jones film, manages to deliver a thrilling adventure and an emotional send off, even as it doubles down on its own outlandishness. 

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Single of the Week: “Questions” by Maeta

This groove is infectious. I almost didn’t listen to this one, and I even had a single of the week ready to go! And then I found myself with this track on repeat for an entire day and then some. This Kaytranada-produced track (a producer that I don’t normally even like) is a late entry in the “Song of the Summer” race, but you really shouldn’t sleep on this one. And the video? Possibly the sexiest beach video this side of “Wicked Game.” 

“Questions” is the latest single off Maeta’s most recent EP, When I Hear Your Name, which is out everywhere you can stream music! 

Film Review: “The Flash”

The Flash crumbles under the weight of its own tonal multiverse

Disclaimer: The arrests, allegations, and controversies surrounding Ezra Miller can’t be ignored. Many other actors, especially women and POC, have been punished for much less, their completed and upcoming work stripped away. My one sentence regarding Miller in The Flash is this: Their shtick is irritating in large quantities, having previously served in the DC Universe (DCU) as a quippy supporting character, and the film would be more successful (for many reasons) with a better leading actor. The rest of my review will ignore Miller, focusing instead on the merits and demerits of the film as a whole.

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Film Review: “Flamin’ Hot”

Longoria’s feature film debut tells warmhearted tale of popular snack’s origin

Richard (Jesse Garcia, l.) and Clarence (Dennis Haysbert) celebrate the production of Flamin’ Hot Cheetos.

Actress Eva Longoria of Desperate Housewives fame made her directorial debut last year with La Guerra Civil, a thoughtful and well-told documentary about Mexican-American boxer Oscar de la Hoya. She’s now helming her first feature film, and the results are more mixed. With Flamin’ Hot, Longoria tells an inspiring rags-to-riches story that, while a bit cliched, features enough strong performances and heart to recommend it.

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