
starring: Amanda Seyfried, Shiloh Fernandez, Max Irons, Gary Oldman, Virginia Madsen, Julie Christie, Lukas Haas, Billy Burke
directed by: Catherine Hardwicke
MPAA: Rated PG-13 for violence and creature terror, and some sensuality.
Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds

starring: Amanda Seyfried, Shiloh Fernandez, Max Irons, Gary Oldman, Virginia Madsen, Julie Christie, Lukas Haas, Billy Burke
directed by: Catherine Hardwicke
MPAA: Rated PG-13 for violence and creature terror, and some sensuality.

One constant source of confusion at concerts is what one should be doing as an idle member of the audience. For certain shows, there exists a code of conduct exclusively based on the genre of music, with little room for deviation: headbanging in heavy metal mosh pits, dancing at hip-hop concerts, and standing awkwardly with arms crossed and a faint look of aloof interest, if one is attending an indie-rock show. Dance-rock shows are, therefore, perplexing to the crowd that cannot decide whether it should be dancing, rocking out, or somehow doing both. At a Datarock show, this confusion is overturned in the form of one simple rule: follow the band onstage, listen to what they say, and remain airborne for the duration of the performance.

SXSW is a great place for a band to go to generate buzz at the beginning of their career. It’s also a great place for a band that was once on the top of the universe, but isn’t anymore, and is looking for a career resurgence. Many of these bands at one point in time were “icons,” some may have even qualified as teen idols. This is a guide to some of my favorite former rock stars gracing the SXSW stages:
Continue reading “Spinning Platters Picks Six: Former Teen Idols Playing SXSW”

With the recent breakout success of Mumford & Sons, I finally feel validated that the sound I’ve enjoyed for years has finally crossed over to the category of “stuff my friends will actually listen to.” In past years, I’ve had to venture out amongst the throngs of music go-er’s at SXSW by myself in order to catch the bands that I wanted to see. Not the “on-the-verge-of-breaking-out-so-you-better-see-them-now” bands, but bands like Deer Tick, and A Hawk and A Hacksaw; folky, introspective music that doesn’t necessarily provide an earth shattering good time or story, but leaves you with a lingering ache in your stomach, like recalling an old memory, long after the show is over. Music that creates that physiological response is what ultimately attracts me as a listener. So hopefully these acts will provide that tingly sensation to my SXSW companions, and entice them to join me the next time their schedule opens up. Continue reading “Spinning Platters Picks Six: Bands To See at SXSW While Wearing Cowboy Boots”

So it’s the run up to our annual journey to SXSW in Austin, and frankly, I haven’t been paying too much attention to what’s playing here in the Bay Area this week. But if our SXSW previews are meaningless to you because you’re staying here (as I assume most of you are), it turns out there’s plenty of good music happening right here at home, as usual. So here’s some good spots to spend your hard earned dollar. Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts, 3/10/11 – 3/16/11”

I love Canada. There was time when I could sing “Oh, Canada.” In French. I still know it in English. After all, it’s the home of hockey, Rush, William Shatner, and Molson. These are not trivial things. For years, I’ve wanted to be Canadian, going so far as looking into emigrating. Alas, I’m still here, happy in the Bay Area, but when I really want to feel Canadian, I’ll listen to some great Canadian music. And at SXSW this year, there will be plenty of acts from the Great White North worth checking out. No, Rush won’t be there, but these fine musicians will be: Continue reading “Spinning Platters Picks Seven: Canadian Artists You Should See at SXSW”

I needed a picks six x’s 2 to settle the warring factions in my South By Southwest Brain this year, new vs old. Who do I concentrate on? The tried and true or the exciting and fresh? This year, more than any other for me, is bringing out the artists that I grew up with; the ones that have helped shape my musical taste. The fangirl in me is excited to follow these people around for five days to continue my personal worship. The music journalist in me is excited to see some new acts that will hopefully blow my mind. Whichever side ends up winning I am sure to have a wonderful time. Continue reading “Spinning Platters Picks Six (x2): Indie and Pop Acts to Watch at SXSW”

Suggesting bands to check out at SXSW can be really easy if you want it to be. There’s some definite winners in the “Been there done that” category this year: Friendly Fires, Matt & Kim, and Wallpaper come to mind. Then there’s the “buzz bands worthy of buzz” category, which this year includes Geographer, The Naked & Famous, and my personal faves The Joy Formidable. But that’s a bit boring; these bands will come to (or are from) San Francisco.
What’s fun for me is to find bands from outside North America that I’d never heard of before seeing them on the SXSW schedule. A few clicks and I hear a song, a few more and I’m hearing an album. Finally, I’m looking forward to seeing them live in a couple of weeks. Feel free to give me crap if I “should have heard of” one of these artists. I wish I had! Now, on with the list: Continue reading “Spinning Platters Picks Six: International Bands Worth Seeing at SXSW That I’d Never Heard Of Before”

Let’s get this out of the way at the beginning. No, Jeff Mangum did not show up. So if that’s the only reason you might care about a review of this show, you can go on your way. If, on the other hand, you like 3-hour shows full of lively music by talented musicians with great chemistry who write songs of varying degrees of excellence, then you might want to keep reading.
And yes, they did veer of the setlist and play a song from In the Aeroplane Over the Sea. If you could pick one, which one would it be? So was that the one? Continue reading “Show Review: Elephant 6 Holiday Surprise Tour at The New Parish, 3/6/2011”
Original Dillinger member Ben Weinman exhorts the crowd onward. Guitar above head in the middle of a song? Yes.
“Sometimes words just can’t express exactly how we feel. The deep complexity of our emotions is something I’ve always felt was better conveyed in song. Sometimes we are put into a situation that we don’t always know how to deal with quite right. Here’s my attempt at letting you know how I feel. All I can offer is my deepest thanks to everyone who sent a card, everyone who wrote about the situation in a zine, did a show, donated money at a show, or offered their sympathy to what amounts to be a stranger. You always put a smile on this cynical asshole’s face and helped me get through the hardest year of my life. I hope I’ll be seeing all of you soon.”
– From the liner notes of the Dillinger Escape Plan’s album Calculating Infinity by former bassist Adam Doll.
As Doll said, some emotions can’t be summed up neat and tidy through words. Sometimes what we feel can only be expressed through sound.
This is where the Dillinger Escape Plan excels. Continue reading “Show Review: The Dillinger Escape Plan in Yerba Buena Gardens at GDC, 3/2/2011”