Spinning Platters Interview: Alex Pettyfer on “I Am Number Four”

Alex Pettyfer in I AM NUMBER FOUR

Alex Pettyfer is looking at a flyer with his name and picture on it. “ALEX PETTYFER!” he bellows in a mock-announcer voice. “And also, BAY AREA NATIVE DIANNA AGRON!” he reads, referring to the Glee actress and Burlingame native, also his I Am Number Four costar and rumored girlfriend. The flyer is advertising a promotional appearance Pettyfer and Agron will be making at a store in San Bruno the next day. “This is very impressive,” he says. “Just… wow.”

Like the rest of America, the 20-year-old Pettyfer isn’t quite used to seeing himself in the spotlight yet. As of this moment, the British native is still able to walk the streets largely unrecognized. Other than roles in such little-seen films as Alex Rider: Operation Stormbreaker and the Emma Roberts vehicle Wild Child (and his work as a Burberry model), there’s really no reason you should know him. But that all changes this Friday, with the release of the massively promoted, Michael Bay-produced I Am Number Four.

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Show Review: Meat Beat Manifesto with Not Breathing at The Mezzanine, 2/11/2011

Jack Danger and Mark Pistel of Meat Beat Manifesto
Jack Danger and Ben Stokes of Meat Beat Manifesto

Today’s electronic music scene seems to be filled with performers that emphasize minimalism to the point of frustration. These days, an electronic performance can consist of a single person with little more than a laptop, a mixer (maybe), and some sort of interface to allow quick manipulation of the instruments on the fly — despite the fact that said person could simply just hit “go” and then bob their head to their beat-laden wall of sound. Therefore, excitement comes in the form of performances involving tables worth of analog gear thrown pell-mell across a stage, with wild projections and snarling, harsh noises created from both. This was the case on Friday evening, when the Mezzanine welcomed Swindon’s electronic veterans Meat Beat Manifesto for a night of furious bass, hyperactive beats, and brilliantly-crafted visual effects.

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Spinning Platters Weekly Guide to Bay Area Concerts, 2/10/11 – 2/16/11

Image by Buzz Bishop

What does the Bay Area concert scene have in store for Valentine’s Day weekend? Look after the jump to find out.

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Show Review: Tony Lucca with Joey Ryan at Cafe Du Nord, 2/8/2011

His name is Lucca. No idea if he lives on the second floor.

Of all of the LA-based singer-songwriters I enjoy seeing live, Tony Lucca is perhaps my favorite.  While his peers seem content to bask in the sun, studio, or local LA venues, Tony faithfully treks up to the Bay to play for his “neighbors” on a regular basis.  Furthermore, his show is sure to be a crowd pleaser, as he’s literally got something for everyone.  Face-melting vocals?  Check.  Sincere, relatable, clever lyrics? Check. Rockin’ guitar skills?  Check.  Wit and charm to spare?  Check.  Former-Mousketeer good looks?  Check.
Wait.  What?  Yes, you read that right, so let’s get it out of the way now: as a teenager, Tony was part of the Disney Channel’s MMC cast, alongside the other smiling faces of Keri Russell, Ryan Gosling, and Justin Timberlake.  As an adult, however, he’s been steadily working as a solo artist since 1997.  Since 2006’s Canyon Songs, he has toured steadily, sharing the stage with other talents like Tyrone Wells, Keaton Simons, Curtis Peoples, and most recently, Matt Duke and Jay Nash (with whom he released the excellent TFDI EP).

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Sketchfest Review: An Evening with Cloris Leachman at the Castro Theatre, 2/5/11

Cloris Leachman greets her adoring fans while hostess Peaches Christ braces herself.

“80. Fuckin’ 80.”

These were the first words that the legendary Cloris Leachman, who will actually be turning 85 in two months, said into her microphone at Idol Worship: An Evening with Cloris Leachman on Saturday, the main attraction of the 10th annual SF Sketchfest’s closing night, co-presented with Midnight Mass and hosted by “the very, very nervous” Peaches Christ. And Peaches had every right to be nervous: Ms. Leachman was as delightfully batty and unpredictable as the audience could have dared to hope.

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Sketchfest Review: True Stories 25th Anniversary w/David Byrne Q&A

Giant standing David, regular sized seated David

The closing night of the 10th San Francisco Sketchfest kicked off with a screening of the David Byrne directed True Stories, now celebrating its 25th year of existence. Because the founders of Sketchfest met at a screening of the Talking Heads concert film Stop Making Sense, also at the Castro Theater in 1998, this event was special to the Sketchfest crew. Along for the ride was author Paul Myers, who took on the moderator duties, and the director himself. Much like the movie itself, the Q&A afterward was a minor failure, with interesting bits. Continue reading “Sketchfest Review: True Stories 25th Anniversary w/David Byrne Q&A”

Spinning Platters Weekly Guide to Bay Area Concerts, 2/3/11-2/9/11

Cat Power!

You know what’s awesome about February? It’s one step closer to Noise Pop, Fauxchella, and SXSW. It may be a little slow, but there are plenty of reasons not to go to bed early this week.

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Sketchfest Review: The SF Sketchfest Comedy Writing Award – James L. Brooks in conversation with Danny DeVito at the Castro Theatre, 2/1/2011

James L. Brooks snaps a photo of Danny DeVito doing an impression of him knocking on Debra Winger's locked door during the turbulent filming of "Terms of Endearment."

While past recipients of the SF Sketchfest Comedy Writing Award have included Robert Smigel and John Hodgman, the Sketchfest crew that introduced this years’s winner freely admitted to outdoing themselves this time: the legendary James L. Brooks, a towering institution in the worlds of film and television writing, the man who won three Oscars – Picture (as a producer), Director, and Adapted Screenplay – for his very first directorial effort, the immortal weepie Terms of Endearment.

And not only did they snag Brooks, but they also got the inimitable Danny DeVito, who has known Brooks since their Taxi days, to serve as a moderator for what was intended to be a discussion of Brooks’ life and career. I say “intended” because the evening was ultimately less about Brooks’ personal career reflections than DeVito’s broad comic interpretation of their years working together. But since he had everyone (including Brooks) red-faced and panting from laughter, everyone still walked away satisfied. Well, everyone except poor Debra Winger.

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Sketchfest Review: Viva Variety! at Eureka Theater, 1/29/11

At The Eureka Theater last Saturday night, there was a definite air of nostalgia. I often consider Viva Variety! to be the forgotten middle child. It wasn’t nearly as popular as it’s predecessor, The State, nor did it have the longevity of Reno 911. It was a fun program, the fictitious variety show from Europe featuring Thomas Lennon as Mr Meredith Laupin, Kerri Kenney (Silver) as The Former Mrs. Agatha Laupin, and Michael Ian Black as Johnny Blue Jeans, their announcer. But, it never comes up. When you search for the program on YouTube, you will find all of about 4 clips. Where you can find almost anything ever on the internet, the 13 episodes of this show are merely a fading memory.

I don’t think anybody ever expected this reunion. It may be because of the success Sketchfest had with The State in 2009 and Reno 911 in 2010, but the masses snatched up tickets to this show faster than any other gig this year, including Murphy Brown and Saturday Night Live reunions that were far more popular in it’s day, and have lasted in syndication.

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Sketchfest Review: Music Night at Cobb’s Comedy Club, 1/29/11

The real stars of Music Night: Garfunkel & Oates

I chose Music Night as my finale to a wonderful Sketchfest mostly because of my long-term fangirl love for Chris Hardwick (I even watched Shipmates back in the day, Shipmates!).  So, just like the night before for the Nerdist Podcast, I got to Cobb’s early hoping to be right up front.  I was rewarded with a front row seat for one of the best and funniest nights I’ve ever seen.  With so much talent on stage: Mike Phirman, Eli Braden, Zach Selwyn, Garfunkel & Oates, David Koechner doing 10-20 minute sets each and Chris Hardwick MC-ing, it was bound to be non-stop entertainment. Continue reading “Sketchfest Review: Music Night at Cobb’s Comedy Club, 1/29/11”