Sketchfest Review: Drew Carey’s Improv-a-Ganza at Marines’ Memorial Theatre, 1/27/2012

Photo By Jakub Mosur

I confess, I didn’t know that Drew Carey’s Improv-a-Ganza was a television show. I never had a chance to even watch it. What I did know, however, was Whose Line is it Anyway?, the long-running hysterical show imported from the UK and beloved by improv fans like me. With so many fantastically funny people roaming our fair city during Sketchfest, sometimes choosing the shows you’ll attend can be hard. Not for me, at least not last night: I couldn’t wait to get myself to the Marines’ Memorial Theatre for the second weekend in a row for an Improv-a-Ganza with Drew Carey, Ryan Stiles, Greg Proops, Chip Esten and Jeff B. Davis.

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Sketchfest Review: Hill/Jones, Don’t We Boys, and Knuckles & Tits @ Dark Room Theater, 1/21/2012

Dark Room Theater, a charming, janky barge, landlocked in the heart of the Mission. People are packed to the hypothetical rafters, forced to face their obvious claustrophobia to catch a glimmer of comedy. Young professionals, holding burritos, are held in anticipation (and melancholy due to confiscated beer). Continue reading “Sketchfest Review: Hill/Jones, Don’t We Boys, and Knuckles & Tits @ Dark Room Theater, 1/21/2012”

Sketchfest Review: An Evening With Thomas Lennon, Robert Ben Garant, and Kerri Kenney-Silver at Cobb’s, 1/27/12

Photo By Jakub Mosur

There are three televisions series that I have every episode of committed to memory. Those are My So-Called Life, Police Squad, and The State. Of course, I made sure to follow the careers closely of all those involved. Yes, that meant weeding through a ton of Spy Hard’s, Stardust‘s, and VH-1’s I Love The Best Time Ever’s out of devotion, waiting for that genius to come about again. So, of course, it was a special treat to me when I found out that three of prime creative forces behind The State were going to have a discussion of their history in television. I was pretty stoked. (Excuse the slang)

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Sketchfest Review: An Evening With Ann Magnuson at Yoshi’s – Oakland, 1/24/12

Photo By John Bertram

Sketchfest brought made it’s way to Oakland for the first time. The performer that brought the fest across the incredibly long bridge was legendary performance artist Ann Magnuson, debuting her new show,  A Salon des Beaux Arts for the Fin du Monde 2012. SpinningPlatters were lucky to be able to enjoy this intimate show at Oakland’s legendary jazz club/Japanese restaurant Yoshi’s.

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Spinning Platters Interview: Glenn Close on “Albert Nobbs”

Glenn Close in ALBERT NOBBS

Glenn Close has long been perceived as an intimidating woman, which likely stems from a number of factors. Maybe it’s because of her unhinged work in the iconic role of Alex Forrest, the psychotically unstable mistress who will not be ignored, in the ’80s landmark Fatal Attraction. It could be due to her impossibly imperious turn as the scheming, vicious Marquise de Merteuil in Stephen Frears’ Dangerous Liaisons. The under-21 set likely grew up cowering from her scenery-chewing Cruella De Vil in the live-action 101 Dalmations. Not even the small screen has been safe from Close’s fire-breathing intensity, whether it be her hugely acclaimed work on The Shield, or her two-time Emmy-winning turn on Damages as Patty Hewes, the ferocious litigator who will stop at nothing — nothing — to win a case. So even though Close is currently promoting what is arguably the least threatening character she has ever played, this does not necessarily make her more comfortable to be around. At least not when she turns the tables during our interview and begins grilling me about my thoughts on her Oscar-nominated new film, Albert Nobbs.

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Spinning Platters Weekly Guide to Bay Area Concerts, 1/26/12-2/1/12

Tickets to see this guy go on sale Friday morning, but his pants are opening for Wilco all throughout the Bay Area this week.

The brain of Dakin Hardwick, our managing editor, looks like this right now: Sketchfest, Sketchfest, Sketchfest. So when he sat down to write our weekly guide to Bay Area Concerts, he just wrote “Sketchfest” next to everything.  Now, I’m going to deny that you should be going to lots of Sketchfest events (and then reading about them here on Spinning Platters), but there are a few concerts worth mentioning this week. And if I mention a Sketchfest event, too, well …

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Sketchfest Review: Charles, Stupid Time Machine & Justin Scrimshaw @ Dark Room Theater, 1/21/2012

Dark Room Theater
by Larry Rivera

People teemed into the Dark Room Theater, a black box in one of the City’s most colorful neighborhoods (i.e. a paradoxical place of real and fictitious danger). The lobby was littered with nonsensical paraphernalia (manikins, fake chickens, etc.). A one-eyed French Bulldog, Maggie, basked in the attention from adoring strangers. Sketchfest in the Mission, the largest focus of the festival’s freshest talent, was set to begin.

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Sketchfest Review: Moshe Kasher/Jessi Klein, 1/20/2012

Moshe Kasher and Jessi Klein

“The Price is Right Theme” played over the PA and the lights dimmed. It was 10:15 p.m. and the second half of the Sketchfest Dozen double feature was about to begin, this time featuring Moshe Kasher and Jessi Klein.

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Sketchfest Review: Ron Funches/Nick Thune, 1/20/2012

The SF Sketchfest Dozen is a noble and novel concept. Twelve vetted new headliners from across the country perform over three weeks at the Punch Line, one of the most revered comedy clubs in the country. Continue reading “Sketchfest Review: Ron Funches/Nick Thune, 1/20/2012”

Sketchfest Review: Superego Podcast at Eureka Theater, 1/21/12

During Sketchfest, it’s interesting how one could make show decisions. There are the headliners, and there are the special guests. No matter what, you will find something new. I stumbled across Superego because of the advertised guests. Paul F Thomkins is a genius, and I really enjoyed Erinn Hayes in Parenthood. So, I stumbled out of bed at 11:30 in order to go see comedy on a Saturday early afternoon. Which really isn’t a time that comedy should happen.

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