Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
The first truly great summer movie has arrived today with the opening of The Way, Way Back, a delightful picture that adults and teenagers alike are sure to love. Co-writers Nat Faxon and Jim Rash, (who also penned The Descendants), in their directorial debut, have made a sweet, charming, funny film that is destined to become a coming-of-age genre classic.
“Hi-Ho, Silver! Away!”…meh. When Hans Zimmer’s rehashed Sherlock Holmes score kicks into “William Tell Overture” mode, Disney’s new re-imagining of The Lone Ranger is at its best. Unfortunately, this only happens twice. What could have been (and should have been) a fun adventure ends up being an odd concoction of conflicting tones and a bloated story. This “messiness” worked well in director Gore Verbinski’s last effort, Rango, but that film was about an eccentric chameleon in the midst of an identity crisis who ends up tangled in a Chinatown-esque conflict in a wild west animal town. So, it was obviously poised to extend the limits of the bizarre. The Lone Ranger, on the other hand, is about fun adventures. Bad guys vs. good guys. The film is 150 minutes long and easily could’ve been 90 minutes. The few action set pieces are fun and well choreographed, but they lose their effect when they are bookended by a plodding story involving genocide, power struggles, and weird spiritual visions.
Gru’s minions are so gosh darn adorable and hilarious! The production team behind Despicable Me 2 knows this, hence the endless amounts of advertising for the film featuring the little yellow round bundles of gibberish-speaking joy. Despicable Me 2 lacks the overall charm of the original, choosing instead to focus on minion mayhem, a tireless string of jokes, and adorable slapstick humor. This isn’t to say the film lacks a clever story. In fact, Despicable Me 2 impressively avoids trudging down expected paths. However, the story doesn’t feature the same emotional core as the original, nor does it stay as focused. Despicable Me 2 meanders a bit, but never loses sight of the task at hand — to entertain and have a really good time doing so. Plus…those minions!
Is it possible for The Heat to be anything other than what you expect? Sandra Bullock and Melissa McCarthy join together as the most lovable pair of odd couple style cops. Of course it’s going to be cheesy and predictable and, if everything goes as well as hoped, thoroughly entertaining. In the hands of director Paul Feig I don’t know how it could be bad. Continue reading “Film Review: The Heat”
We say a picture is worth a thousand words. If my math is correct, a two hour and seventeen minute movie, therefore, should be worth 197,280 words (at 24 frames per second). Why, then, when White House Down ended, did my friend turn to me and say, “There are no words…”, and begin conjuring up fantasies of what he could have been doing for the previous 2+ hours instead? The answer is that White House Down is a terrible movie that misses all of its marks. It is not the fun explosion-filled action spectacle we used to expect from director Roland Emmerich in the mid-late 90’s and early 00’s. It’s better than 2012 and worse than Anonymous, although comparing WHD to 2012 is like comparing dirt to mud. It’s a shame this movie falls so far short because it had all the right ingredients in place for it to be a loud summer escapist romp. Instead, White House Down belittles its own silly story by trading in ‘silliness’ for ‘stupidity’. It is chalk full of stale acting and uninspired thrills, complete with a genuinely shocking amount of unrealistic moments (yes, even for a film about the White House being hijacked).
Summer is a great time for some rock n roll. So this weel brings you some excellent Summertime rock options.
Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts, 6/27/13-7/3/13”
I was elated to hear that I would return to Warped Tour after 2 years of being unable to go. Warped Tour always has introduced me to amazing bands I have never heard of, eclectic bands that I was unsure of what to think of, and made me a diehard fan of those bands I have heard of but never have seen perform.
I left my house a solid hour and a half before the gates were set to open, even though I live a mere ten minute drive away. Note to any future newcomers to the Warped Tour experience: the traffic is mind numbingly bad. It took me around 45 minutes to get to the amphitheater. Once I got my press pass, grabbed a list of set times (which I had to buy for two bucks) , and went through the gates, I was ready to see as many bands as humanly possible in ten hours. Continue reading “Warped Tour 2013 Diary: Shoreline Amphitheater 6/22/2013”
The first CD that I ever bought with my own money was August and Everything After, Counting Crows’ debut album. I listened to it to death, and still love it. So, I was pretty giddy when I scored the opportunity to interview their frontman Adam Duritz ahead of their upcoming tour with The Wallflowers. The band is playing two shows in the Bay Area this summer: Wente Vineyards in Livermore on July 17th (Tix Here!) and America’s Cup Pavilion in San Francisco on July 18th (Tix Here!). Plus, if you buy tickets on line in advance, you get a free download of their latest live record, Echoes Of The Outlaw Roadshow!
SP: You used BitTorrent to help promote Underwater Sunshine. Why did you decide to pick such a controversial method to promote the record?
Continue reading “Spinning Platters Interview: Adam Duritz of Counting Crows”
From June 20-30, Frameline: The San Francisco International LGBT Film Festival is showing an eclectic lineup of films steeped in social, political, and sexual themes, pushing the boundaries and bringing audiences closer to the incredible stories of numerous individuals and communities, both fictional and real. Tickets for screenings are available at http://ticketing.frameline.org/festival/. Here is a glance at two of this year’s festival entries:
C.O.G. (USA, 2013)
Based on the unassuming essay by David Sedaris and under the steady direction of Kyle Patrick Alvarez, C.O.G. is the piercingly honest tale of a young man’s escape from his privileged Ivy-league world into the apple orchards and Christian community of a small town outside Portland, OR. The sold out audience at the Castro Theatre laughed, cheered, sat silent, and gasped, and left with a welcome sense of renewal, as if the film’s flawed characters had challenged each of us to examine ourselves in a way we hadn’t considered for some time.
C.O.G. screened on Saturday, June 22nd. For more info on the film, visit the film’s festival page or C.O.G.’s official website at http://www.cog-movie.com/
Continue reading “Frameline Spotlights: C.O.G. / In the Name Of”
There were more reasons to visit The Greek Theater last Saturday night than a mere love of ampersands. It was a rare night at The Greek where the weather was absolutely perfect- not too warm, not too cold. The early signs of the upcoming “Super Moon” were in the the sky. The crowd, a bit older than expected, and happily ironic mustache-free, arrived early enough to make sure they enjoyed every act on the bill.