Icon or victim? Exploring the depths of one woman’s story
Peter Sarsgaard’s Chuck works on convincing Amanda Seyfried’s Linda that his money making ideas are totally reasonable.
In 1972, Linda Boreman Marchiano, better known by her stage name, Linda Lovelace, spent a sum total of 17 days working on one notorious pornographic film, but the results of that work led her to a lifetime of fame – or, more accurately, infamy. Her story is vividly brought to life in Lovelace, the new film by directors Rob Epstein and Jeremy Friedman (The Times of Harvey Milk; Howl) and writer Andy Bellin. They have crafted not only a fascinating psychological drama, but also a brilliant evocation of a bygone era. Continue reading “Film Review: Lovelace”
It’s been a pretty amazing year so far for Phoenix. Their latest record, Bankrupt!, is receiving amazing reviews, and they are playing to the biggest crowds of their career! We had the opportunity to chat with their guitarist Laurent Brancowitz ahead of their upcoming set at Outside Lands. They are playing the Twin Peaks stage at 8:40 PM on Saturday night. Just a warning, we pretty much only talked about how much we like R Kelly.
More spotlights from the 33rd Annual San Francisco Jewish Film Festival, which runs until August 12th (still plenty of time to catch a few films). Full schedule, tickets, and more information at: http://sfjff.org
My Awkward Sexual Adventure (Canada 2012, 103 min)
Jonas Chernick is ready to learn something new in My Awkward Sexual Adventure
Canadian director Sean Garrity has made a charming, very funny picture that combines the sweetness and raunch of The40-Year-Old Virgin with the wisdom of Star Wars. Winnipeg accountant Jordan (Jonas Chernick) isn’t a virgin, but he’s so bad in bad that his girlfriend Rachel (Sarah Manninen) consistently falls asleep during their intimate interludes, and breaks off their relationship. Desperate to win her back, Jordan makes a deal with Julia (Emily Hampshire), a pretty, smart stripper with big dreams and messy finances. The two work out a quid pro quo agreement – financial lessons for sex tips, with Julia serving as a sensual Yoda to Jordan’s naïve Luke Skywalker. The ensuing results are awkward, yes, but always hilarious and honest. A side plot involving Jordan’s best friend Dandak (Vik Sahay) and an arranged marriage candidate also parallels the main story nicely.
And just a warning: this film does for cantaloupe what American Pie did for apple pie… you may want to opt for watermelon at your next picnic.
A Muni bus named 14-Mission: Blanche DuBois on South Van Ness
Jasmine (Cate Blanchett) ponders her future with the help of a little whiskey
I am willing to forgive Woody Allen the misstep that was last year’s disappointing and forgettable To Rome With Love, since perhaps he needed to get that rote entry out of his system in order to make one of his finest films in years, Blue Jasmine. Sure to become one of his best known pictures, on par with such perceptive and tightly constructed works as Interiors, Crimes and Misdemeanors, and Match Point, this terrific film will no doubt be a strong contender for Best Picture, Best Original Screenplay, and Best Actress at Oscar time. Continue reading “Film Review: Blue Jasmine”
Quote for the poster: This movie will blow away your expectations!
Denzel Washington and Mark Wahlberg steal a bit more money than they were expecting in 2 Guns.
There are two reviews I can write about the new Denzel Washington and Mark Wahlberg vehicle, 2 Guns. The first is for people who have not seen the trailer or read a synopsis. These people are going to be rewarded by a movie with some true surprises, well-hidden character twists, and an all-star cast doing good work. The second is for people who have seen the film’s marketing. For them, I expect the experience to be terrible, as they already know the answers to all the questions the film asks. For them, and this “them” unfortunately included me, it’ll create anger for a ruined experience. Continue reading “Film Review: 2 Guns”
On Saturday night, The Matrix, a 1999 sci-fi cult film absorbed by the generations raised on computers, was screened at Louise M. Davies Symphony Hall in downtown San Francisco. The man responsible for the movie’s original score, Don Davis, conducted The San Francisco Symphony in a riveting two-hour-long performance that brilliantly complemented the pivotal moments of the movie displayed directly above their station.
John Mayer channels Jimi Hendrix with a head scarf and a guitar
Ladies and gentlemen, the John Mayer of old is back. Unless you’ve been living under a rock for the past few years, you probably know why I say this. Either way, I’ll start (briefly) from the beginning anyway. Mr. Mayer & I go way back: I was first introduced to his music just before his breakthrough hit “No Such Thing” exploded (circa Inside Wants Out, 2001-ish), and was immediately hooked. His fame continued to grow over the years. I didn’t notice at first, but somehow the seemingly almost shy, sweet, clever lyricist with an unusual tone and stellar guitar skills had become unrecognizable. He seemed to have bought into his own celebrity, and even if I’d have wanted to, I couldn’t have defended friends who insisted he’d become the ultimate “douche.” It didn’t keep me from listening, but it made me sad nonetheless. And then, miraculously, in 2010, he was somehow alerted to this drastic change in himself. Abruptly quitting Twitter, John took a hiatus to get back to himself. Then he lost his voice, which threatened the future of his career, though in the end it finally healed. Last year finally brought us the delicious folk/country-rock Born and Raised, and Wednesday ended my unintentional John Mayer hiatus as I finally had the chance to see him live for the first time in the better part of a decade, at Wheatland’s Sleep Train Amphitheatre, with recent American Idol winner Phillip Phillips in support. Continue reading “Show Review: John Mayer with Phillip Phillips at Sleep Train Amphitheatre, 7/24/2013”
‘The Wolverine’ is 3/4 the thrilling character driven spinoff we wanted.
He’s angry, bub!
Rest assured, The Wolverine washes away most of the sour taste leftover from 2009’s X-Men Origins: Wolverine. The Wolverine is not an origin story, nor is it similar to the usual X-Men fare. Under the consistently solid, if not stellar, direction of James Mangold (Walk the Line, 3:10 to Yuma, Knight & Day), The Wolverine manages to resurrect the energy of a character who was losing appeal due to over exposure and silly effects-laden films. The first three quarters of The Wolverine make up one of the most entertaining comic book adaptations to date. Pardon the expression, but The Wolverine is almost ‘Nolan-esque’. In more ways than one, the story is also filled with parallels to Greek mythology (much of the X-Men universe is), all the while maintaining a strong loyalty to the fan favorite title character. Unfortunately, all comes tumbling down in the final act.
I have no idea what to make of Computer Chess. This is what’s good and bad about it.
The answer is off in the distance in Andrew Bujalski’s Computer Chess
Computer Chess is either a very smart movie that’s way over my head, or one of those movies that is trying to be very smart and missing the mark. It’s to its credit and detriment that I can’t tell. The film is shot by writer/director Andrew Bujalski in black and white, and is meant to look like an old VHS documentary. This effect fades in and out as needed, though, and like many mockumentaries, we start getting treated to standard camera angles and edits as the story calls for it. Continue reading “Film Review: Computer Chess”
