Real talk everyone: I was only at the Brava Theater to see You’re Whole. While I’m a fan of storytelling in general, and while I’d heard of State alum Kevin Allison’s well regarded podcast, I wasn’t quite sure what to expect. Even though the big draw for the night was Michael Ian Black and Michael Showalter’s pitch-perfect late-night informercial parody, I was delighted by the raw looks into the real lives of some talented comedians.
The coincidently nautical showcase of BOAT and BriTANick(rhymes with Titanic) capsized before the show even started. Eureka Theater’s projector mutinied, died at a time most inopportune. It left behind a lobby drowned with humanity—a sold out show. Continue reading “SF Sketchfest Review: BriTANick on 1/29/2014”
A little corniness forgivable in Reitman’s affecting new drama
Josh Brolin’s Frank shows Kate Winslet’s Adele and Gattlin Griffith’s Henry how to make the world’s best peach pie in Labor Day.
Director Jason Reitman returns to the screen this weekend with Labor Day, the new film that he also co-wrote with Oakland writer Joyce Maynard, author of the book of the same name. The film has already received much advance buzz (and laughs) regarding its pie-baking scene (think not of the infamous American Pie apple pie sequence, but of the pottery scene in Ghost, and you’ll have an apt comparison), but the film deserves attention for more than just that brief snicker-inducing scene. Markedly different in tone from his previous breezy, often darkly comic pictures (Young Adult, Up in the Air, Juno), Labor Day is Reitman’s warmest, most straightforward, earnest film to date. The film is not perfect by any means – it is filled with plot points that strain credulity, and contains its fair share of corny dialogue – but if you can suspend some disbelief for two hours, you will be rewarded with an arresting, well-crafted story of almost unbearable tension. Continue reading “Film Review: Labor Day”
David Gborie is one of the funniest men in San Francisco today. Spinning Platters had a chance to chat with him ahead of his sets at Sketchfest, performing tonight at The California Academy of Sciences, and Friday, January 31st bringing his popular stand up showcase Get Yucked Up to Cinecave in the Mission. He’s also going to be live commentating on the Super Bowl this Sunday at The Roxie, as part of SF Indiefest’s 4th Annual Super Bowl: Men In Tights. He’s a pretty fascinating guy with a lot to say. In fact, too much to say, so I’ve uploaded audio of the entire interview, but after the jump, I’ll pass you a few highlights.
This is a child. His name is Fritz. Why is his name Fritz? Oh, because he’s the best is why. I had the pleasure of meeting this little prince just before his parents surprised him with the first concert of his life: Dolly Parton. As if it wasn’t enough that he’s growing up with the name Fritz, he will forever be able to say that his first concert was Dolly Parton. He’s guaranteed to be such an awesome adult, I didn’t even care that he pooped his pants during dinner. Continue reading “This Could Be the Year for the Real Thing: Dolly Parton at Reno Events Center 1/27/2014”
Who will speak for sketch? When it’s all over, when the theaters are empty, when the stand-ups scatter, the celebrities fly away and the improvisers jam out, who will speak for the hardest discipline to sustain in San Francisco? It was important to find a line-up of pure, uncut, Mario-Savio-meets-Frank-Chu Bay Area Grease, and, with a gun to my head, I chose Don’t Watch This Show LIVE! and Femikaze at the Eureka Theater. Both are two sterling paragons of regional ethos, although diametrically opposite: social ills vs. social thrills; subverting media vs. subverting medium; pounding pop culture vs. pounding Pop’s culture. One hits the nail on the head; the other hits it in the balls. How many analogies must I make to convey that these groups are as different as night and day? Wait, damn it! Continue reading “SF Sketchfest Review: Don’t Watch This Show Live! and Femikaze on 1/27/2014”
Every year, Thrilling Adventure Hour is one of the events I most look forward to at SF Sketchfest. While this year was no exception, I did hit a most unfortunate snag that nearly ruined the event for me: Bay Area traffic. The early performance of the show started promptly at 7:00pm Saturday night at Marines’ Memorial Theatre, and usually it runs for about ninety minutes. Sadly, while I left with plenty of time to spare, an accident on I-80 backed up traffic from Berkeley all the way across the Bay Bridge, so by the time I parked, schlepped to the theatre, got my ticket and found my seat, I was a whopping forty-five minutes late. The first note I made: “I missed half!” Even worse, I was wrong. This year, for whatever reason, the show was shorter than normal. Continue reading “SF Sketchfest Reviews: Thrilling Adventure Hour with the Workjuice Players and very special guests on 1/25/2014”
Well, four of these guys were there. I guess you only get the others in LA.
Shitty Jobs is a regular UCB show in LA with Sean Clements, Dominic Dierkes, DC Pierson and Charlie Sanders. It is another great example of the stuff people get in LA all the time, and we are thankful to get to watch during SF Sketchfest. This is an improv show where they interview the audience about their shittiest job then do an extended improv sketch about a particularly insane day at said job. This opens the show up for many brilliant possibilities and many awkwardly wonderful conversations with the audience. Continue reading “SF Sketchfest Review: Shitty Jobs on 1/25/2014”
I think, officially, we can all say that SF Sketchfest is more than just a comedy festival. It’s evolved into, more or less, a place where people that create can present their wares with as much or little levity as they so desire. The Watkins Family Hour performance was hardly a straight ahead comedy show. In fact, it was hardly even a straight variety show. Heck, it even lasted 90 minutes, so calling it an hour is, well, a bold faced lie! It was, however, pure entertainment from a crew of some of the most talented people on earth.
