Spinning Platters – Page 197 – Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds

Spinning Platters Interview: James Ward Byrkit, Writer/Director, “Coherence”

coherence2 — Director James Ward Byrkit’s COHERENCE

After Coherence screened to a packed house at the 57th San Francisco International Film Festival, the film’s writer/director James Ward Byrkit (Rango, Pirates of the Caribbean trilogy), sat down with me to discuss the mind-bending thriller, its origins, its unique production, and more…

Where and when did you originally come up with the premise for Coherence?

Well, we came up with the premise in my living room, where the movie is shot. A couple years ago we were trying to think about what a good low budget, or no budget, movie would be. And, since we didn’t have any resources, I had to think of what we actually had. We had a camera. We had some actors who were pretty good, and we had a living room. So we had to find out how to make a living room feel like more than just a living room. And, that led to a whole Twilight Zone type story [laughs].

Coming off the work you’ve done — storyboarding for Pirates of the Caribbean and working on the story for Rango, how did this shift your way of thinking?

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Film Review: A Coffee in Berlin

You still got me: Benjamin Braddock as a German millennial

Tom Schilling’s Niko just wants a cup of coffee.

If you’re looking for a respite from X-Men, Spider-Man, Transformers and other big budget blockbuster men of all types, look no further than German writer/director Jan Ole Gerster’s subtle yet compelling A Coffee in Berlin, an indie about a flailing young man in modern-day Berlin who’s about as far removed from those purposeful heroic types as you can get. Geared toward the millennial set, the picture nevertheless has a universal appeal, and will resonate with those who have ever felt lost, confused, and unsure of their place in adult society. Continue reading “Film Review: A Coffee in Berlin”

Spinning Platters Weekly Guide to Bay Area Concerts, 6/19/14-6/25/14

Thursday, June 19th Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts, 6/19/14-6/25/14”

Show Review: tUnE-yArDs at the Fillmore, 6/6/14

“I’ve got something to say,” tUnE-yArDs’ Merrill Garbus sang at the start of her show last Friday at The Fillmore in San Francisco. And she does! She totally does.

A good tUnE-yArDs track is like a puzzle — layers and layers of sound, led by African-inspired percussion looped over and over itself with electric bass and Garbus’ sometimes-soaring, sometimes-chanting voice, which all come together to make a whole glorious pile of sound that rewards repeated listens with an increasing appreciation for the complexity and layering at work. tUnE-yArDs came to prominence with the release of 2011 album W H O K I L L, and now they’re back on the road with the May release of third album Nikki Nack, which is already garnering critical success.

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Film Review: 22 Jump Street

School in the summer has never been so awesome.

The unlikely success of 2012’s 21 Jump Street prompted the production and release of the sequel, 22 Jump Street, which ends up being funnier, more ridiculous, and more exciting than it’s predecessor. Phil Lord and Christopher Miller must be on cloud nine right now since the writing/directing duo has experienced unbelievable success with 21 and 22 Jump Street, the Cloudy with a Chance of Meatballs series (they wrote and directed the first and produced the sequel), and one of the top rated and grossing movies of the year, The Lego Movie. Lord and Miller find creative ways to inject a constant stream of humor into their films. In the case of 22 Jump Street, they once again exploit the infectious chemistry between Jonah Hill and Channing Tatum and deliver a script that has no shortage of joke types — including slapstick, sight gags, witty banter, and an abundance of self-referential and meta humor. With such a clever script and the chance for us to revisit the budding bromance at its core, 22 Jump Street is comedic gold and perfect summer fun.

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Film Review: How to Train Your Dragon 2

A worthy return to Berk, where the kids are all grown up now.

'Night fury in the sky, I can fly twice as high' — ‘Night fury in the sky, I can fly twice as high’

In 2010, How to Train Your Dragon surprised audiences with its incredible cinematography and emotionally resonant central relationship between a young nerdy Viking, Hiccup, and Toothless, the elusive and dangerous Night Fury dragon. Nearly 4.5 years later we are treated to the follow-up, How to Train Your Dragon 2 (the second installment of an intended trilogy), which thankfully has Dean DeBlois (Lilo & Stitch, How to Train Your Dragon) returning as director. DeBlois successfully incorporates the same sense of discovery, wonder, and emotional gravitas into the sequel that were so prevalent in the first film. How to Train Your Dragon 2 gets just about everything right — it expands the story’s universe without overreaching, lets the characters mature without forcing the issue, and keeps the focus on the powerful central storyline in a way that remains fun and engaging.

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Spinning Platters Weekly Guide to Bay Area Concerts, 6/12/14-6/18/14

Something you will not be seeing at Hemlock this Friday... — Something you will not be seeing at Hemlock this Friday…

Thursday, June 12th Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts, 6/12/14-6/18/14”

Film Review: Edge of Tomorrow

More like… ‘Edge of your seat’.

Saving Private Ryan meets Aliens — Groundhog D-Day

With films like The Bourne Identity and Mr. and Mrs. Smith under his belt (as well as Swingers and Go), director Doug Liman is no stranger to directing top notch action sequences that simultaneously contribute to clever storytelling. Edge of Tomorrow has some of the most gripping battle scenes in quite some time, but also clever humor, solid action, and a surprisingly engaging yet quasi-familiar plot. All the pieces work together. Tom Cruise, one of the last remaining movie stars (in the traditional sense of the term), is terrific as usual, but he doesn’t carry the film. Neither does a strong co-lead in Emily Blunt. Nor do the insanely gripping action sequences and phenomenal effects. No, Edge of Tomorrow is carried proudly on the shoulders of everyone involved. It’s a fast-paced A-grade blockbuster through and through, one that provides the intense action, clever plot twists, and smart sense of fun that most blockbusters fail to deliver.

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BottleRock Napa Valley 2014 Festival Journal, Day 3

Noah Gunderson. (Photo by Bob McClenahan)

After full days Friday and Saturday, you might think I’d have been a little worn out by Day three of BottleRock Napa Valley. Not me: I was ready with bells on, and perched directly in front of the Sprint stage early in the day for Noah Gundersen to kick it all off. His set began with Noah on acoustic guitar, a woman playing the violin, and a drummer. The three sang wonderful harmony, and before long were joined by the electrics: initially a bass and a guitar, but there were some keys mixed in for good measure, too. To top it all off, Gundersen played a bit of the harmonica in places as well. “We’re really trying to kick your Sunday off with a bang,” he said, adding that there were “usually a lot more people in the drinking section.” I noted that this was the first band whose entire discography I wanted to download as soon as I got home. (I haven’t yet, but still intend to.) I don’t know how else to describe their sound but “electric folk,” which is to say that it was like nothing I’d ever heard, and I loved it. Continue reading “BottleRock Napa Valley 2014 Festival Journal, Day 3”

BottleRock Napa Valley 2014 Festival Journal, Day 2

Local reggae band Pion 2 Zion jams just inside the gate.

Day 2 of BottleRock Napa Valley 2014 got off on the right foot for me with Napa Point Brewing‘s BottleRock IPA and a special, very acoustic treat: local reggae band Pion 2 Zion were playing with absolutely no electricity (unless you count a battery-powered megaphone that died partway through). I’ve known members of this band for years: I was first introduced to them by their former drummer, a then-coworker of mine. In the years since, there have been a few lineup changes, but the current drummer, Gary Paddock, is another former coworker of mine. Moreover, I’ve known the current lead vocalist and saxophonist, Chad Schuler, since elementary school. It’s a small town, it’s bound to happen, right? Anyway, as I said yesterday, I’m admittedly not big into reggae, but these guys have always been an exception. They’re a really great band, they have local fans who truly love them, and I’ve never seen someone not enjoy hearing the band play live. Continue reading “BottleRock Napa Valley 2014 Festival Journal, Day 2”