Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
SF Sketchfest is one of my favorite things about San Francisco. So when I saw that they were doing a Summer Social, and that it involved two of my favorite things: Muppets and Doug Benson, I jumped at the chance to attend. Continue reading “SF Sketchfest Review: The Muppet Movie on 8/16/2014 at Castro Theater”
Ending a festival is always a little bittersweet. Because you had fun, but you are also tired. So tired that you will end up seeing fewer acts, but it’s OK. Quality over quantity, eh? And these were probably the best sets of the weekend.
The good people of Sketchfest have decided to grace our Summer with another weekend of epic programming at The Castro Theater. Thus proving that you can, indeed, laugh in the Summer as well as the Winter. These four events at The Castro Theater are all going to be wonderful, joyful affairs. (Note: All events are at The Castro Theatre) Continue reading “Sketchfest Summer Social Preview”
Today was the cold day. Which was fine, because there were more than enough excuses to dance! Special thanks to Carl Pocket, Emily Anderson, and Paige Parsons for additional pics!
Thus begins my daunting task of compressing the highlights of 35 hours worth of music, comedy, and food into a mere three posts. It’s not easy, as this was definitely one of my favorite Outside Lands experiences ever, with the most even distribution of wonderful things to do that I’ve ever enjoyed from this shindig. Here’s how it all started:
Into the Storm is one of those movies in which you can easily tell how most of, if not all, the budget was spent. The tornado sequences look great. There’s a lot of debris flying around, making a mess. I’m sure that if I were to compare the destructive tornadoes in 1996’s Twister to those in Into the Storm, the latter would make the former look silly and cartoonish. But taken in its entirety, Into the Storm makes Twister look like a masterpiece (my apologies to those who were of this opinion of Twister already). Into the Storm, aside from a few intense in-the-thick-of-it moments, completely misses the mark. A weak story, awkward acting, and makeshift dialogue derail Into the Storm, and even the tornadoes are welcome interruptions from the sloppy storyline, rather than harbingers of impending doom.
Pay close attention to the title. The word is ‘calvary’, not ‘cavalry’. If you go into watching Calvary expecting to see a charging army on horseback, you’ll be sorely disappointed. Calvary, titled after the name of the hill outside Jerusalem where Christ was crucified and also a term used to describe great suffering, is a very dark yet beautiful and at times humorously allegorical tale. The film is also a pointed study on the rocky relationship between Ireland and the Catholic church. It’s a very tightly bound film without much fluff — with no air to breathe, Calvary can sometimes come across as contrived or forced. This winds up benefitting the film, since moments of contrivance are superseded by how these moments challenge our morality and judgmental nature. Calvary expects us to listen closely to what the characters have to say, but also to open ourselves up to heavy discussions on the nature of sin, faith, life and death. It’s a tall order, indeed, but one that the film handles intelligently.
The Guardians of the Galaxy, the superhero team, was an odd choice for a Marvel movie. They’re not famous, which should make them a hard sell to the mainstream audiences that these movies are expected to attract. It could have gone really wrong, but because they’re oddballs operating out in space where they can’t interact with our earthbound heroes, the movie Guardians of the Galaxy is a delightful throwback romp. Continue reading “Film Review: Guardians of the Galaxy”
Director Tate Taylor, who most recently brought Kathryn Stockett’s best selling novel The Help to the big screen, tries his hand at true life material in Get on Up, a biopic of the Godfather of Soul himself, the legendary James Brown. The results are mixed; tonally, the picture is a bit uneven, but some fine performances elevate the proceedings, and the soundtrack alone is almost worth the price of admission. Continue reading “Film Review: Get on Up”
Some people enjoy movies because they provide an escape from the hardships of real life. To them, the more out-of-this-world, the better. Other people enjoy realistic movies the most – the movies that capture the intricacies of real human behavior, real emotions, and stories grounded in reality. Happy Christmas will definitely please the latter group of movie watchers, but has a rather good shot at pleasing the former group, too. Director Joe Swanberg (Drinking Buddies) is a rising talent getting known for his acute handling of complex onscreen relationships. Happy Christmas is Swanberg’s most mature film to date, capturing a segment in the life of a few in a way that doesn’t rely on overly dramatic instances to drive the plot. In doing so, the film is actually a pleasant invitation into another family’s life, one in which the characters ring true.