I think Shakespeare might have been seeing into the future of BottleRock when he said “parting is such sweet sorrow.” True story: on the last day of the inaugural festival in 2013, I remember thinking that I was like a kid at summer camp; I wanted to just keep coming back, but I knew that if I showed up the next day, all my friends would be gone and it would just be a big, sad mess that would leave me emotionally scarred. Thankfully, though, after an amazing Day One and a lovely Day Two, I still had a whole final day to see, and this time, my bestie had come to join the fun. Continue reading “BottleRock Napa Valley 2015 Festival Journal, Day 3”
BottleRock Napa Valley 2015 Festival Journal, Day 2
After a smashingly successful day one, I couldn’t wait to see what BottleRock 2015 had in store for me on Day Two. I got a bit of a late start and arrived just in time for Scott Weiland and the Wildabouts. This is one of the things I love most about the typical BRNV lineup: excellent blasts from the past, and you get a chance to see them in a whole new way. (In BRNV years past I’ve been treated to Weezer, Heart, and the Spin Doctors, to name a few.) I overheard someone saying that they thought the Wildabouts were “very STP,” and I can’t say I entirely agree. Sure, it’s been quite a while since I heard much Stone Temple Pilots on the radio (much less even listened to the radio…), but I loved them, and so I remember enough. Weiland and his Wildabouts were fun to watch, sounded great, and Weiland definitely still has the chops, but I think the biggest similarity between the two groups is simply Scott Weiland himself (and perhaps that both fall into the genre of rock).
Continue reading “BottleRock Napa Valley 2015 Festival Journal, Day 2”
BottleRock Napa Valley 2015 Festival Journal, Day 1
Ahhhh, BottleRock. It’s hands-down my favorite time of year. What could be better than waking up to the sounds of fantastic headliners sound-checking from my open bedroom window? (This year, specifically, it happened twice: once with Imagine Dragons, and again with No Doubt. Not bad. Not bad at all.) Anyway, besides the excellent wake-up call, it’s all mild May weather in my gorgeous hometown of Napa, full of the best food, wine, and beer you can find with fantastic bands. I’ve never missed a day of this festival’s three years (and counting), and hope I never have to. Here’s what you missed this year: Continue reading “BottleRock Napa Valley 2015 Festival Journal, Day 1”
Film Review: Magic Mike XXL
These guys want you to share their long, hot… summer
That Magic Mike XXL is opening in the middle of a heat wave is appropriate, because, well, hot damn, do these boys look good, and man, do they have some scorchingly sexy moves. Bring your bottled water into the theater ladies (and men – this is a movie that knows – and courts – both its female and male audiences; stars Channing Tatum, Matt Bomer, and Adam Rodriguez thrilled fans recently at the Los Angeles gay pride parade), because you’re going to need some cooling down.
Top 10 60’s Bands From The Bay Area That Were More Influential Than The Grateful Dead
Unless you are living under a rock, you’ve heard that The Grateful Dead are playing a pair of “farewell shows” in Levi’s Stadium in Santa Clara. There is an obscene amount of hype over these shows, and they’ve sold about 8 trillion tickets for them. Not bad for a band that NOBODY knows any songs by unless you are a fan. The Dead were a huge cult band, but really didn’t do much to change popular music has a whole. The 60’s were a great time for music in the Bay Area, and there were a lot of bands that were way more important, in my own humble opinion. Feel free to get angry, but here’s a list of 10 undeniably talented bands from the Bay in the 60’s.
Spinning Platters Weekly Guide to Bay Area Concerts, 6/25/15-7/2/15
Thursday, June 25th Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts, 6/25/15-7/2/15”
Spinning Platters Interview: Félix de Givry and Sven Hansen-Løve, ‘EDEN’
During SFIFF58 a few months ago, I was able to catch Mia Hansen-Løve’s new musical drama, Eden. Despite not knowing much about French touch and the electronic music movement of the 90s in Paris, I lost myself in the euphoric and tragic journey of the film’s central DJ character. Eden is a movie that will etch its aura into your mind, and its 4 hr. soundtrack plays like a history of house music. I was fortunate enough to arrange an interview with writer Sven Hansen-Løve, on whose life the story is loosely based, and Félix de Givry, who plays Paul, the central character of the film. At The Social Study, I sat down with the two French gentlemen to discuss Eden:
Félix, how much did you know about French touch and the electronic music movement before signing onto this project?
Félix: I think I knew a little bit more than normal people know in France. Even more than Americans. But still I was not expert, especially of garage underground scene. I knew about French touch. ‘French touch’ the expression represents so much success that almost everybody knows about the people involved. The most interesting thing for me was to really dig into the scene and the beginning of the scene and the fact that there was so few people, say 200 or 300 people. It was kind of a black hole. It wasn’t documented by the big media at the time and there was not internet yet. Thanks to Sven, I learned a lot about it.
Sven: Yes, the fact that we had the chance to see each other many times. With my sister, too (the film’s director, Mia). It was a good thing for Félix because he could get direct documentation, in a way <<laughs>>.
Continue reading “Spinning Platters Interview: Félix de Givry and Sven Hansen-Løve, ‘EDEN’”
Show Review: An Evening with Steven Wilson at The Warfield, 6/14/2015
There’s never been any debate over the fact that English new-prog, Pink-Floyd-meets-metal band Porcupine Tree is Steven Wilson, in both part and in whole. While comprised of a core set of musicians that have contributed to the writing, recording, and touring of the many records forged over its career, Porcupine Tree started as a project for Wilson alone to craft music; in fact, at its very beginning, it was a made-up legendary rock band with its own fake history and discography that Wilson had penned with a colleague back in the late 1980s. Twenty years later, Wilson has put his primary project on a shelf (Porcupine Tree has been on hiatus since 2010) and shifted the attention to his own “solo work”. Lest the reader shy away from the often-wary prospect of a frontman deciding to carve out his own path, Wilson’s output has been nothing short of spectacular, now spanning the length of four albums which demonstrate a remarkable leap in creativity, songwriting, and production with each successive release. Hot off the heels of his recently-released Hand. Cannot. Erase., Wilson returned to the Bay Area on Sunday night for a live performance with his new touring band, and the result was a gorgeous, stunning display of musicianship and sonic texture that shook the walls of the Warfield for over two hours.
Continue reading “Show Review: An Evening with Steven Wilson at The Warfield, 6/14/2015”
Film Review: Live from New York!
A variety show on acid: Imperfect but fun documentary considers Saturday Night Live
In 1975, a new variety show premiered on NBC that was unlike anything that had come before it; it was, according to Laraine Newman, one of the show’s original cast members, a cross between 60 Minutes and Monty Python. Despite its ups and downs, after 40 years on the air, Saturday Night Live (or SNL, as it’s more commonly known in the pop culture lexicon), shows no sign of slowing down, and continues to both reflect and influence American culture. Director Bao Nguyen’s new film, Live from New York!, which takes its title from the show’s opening introduction, explores the history and impact of the storied comedy program in a documentary that is both highly entertaining and slightly frustrating.
