Thao Nguyen is a hometown hero. She’s continuously pushing the boundaries of folk music, and making the acoustic guitar an instrument you can dance to. Her 2013 record We The Common is a beautiful and thought provoking piece of work. She’s headlining the 20th St Block Party this weekend alongside Nick Waterhouse, Dominant Legs and many more. This is a totally free event, so there is no excuse not to come.
Go take a hike: Redford, Nolte lead us on pleasant enough Walk
Bill (Robert Redford, left) and Stephen (Nick Nolte) wonder what they’ve gotten themselves into.
A Walk in the Woods, based on Bill Bryson’s popular 1998 memoir of attempting to hike the Appalachian Trail, is inevitably going to be compared to Wild, last year’s film of Cheryl Strayed’s memoir about hiking the Pacific Crest Trail, on the opposite side of the country. Aside from similar plots, though, the two films have little in common; Wild is the better picture by far, but A Walk in the Woods holds its own as a sort of lightweight, droll counterpart. What Wild did for solo women hikers on the PCT, A Walk in the Woods might do for the grandfather set on the AT.
Clarkson and Kingsley reason to see slight but likable picture
Darwan (Ben Kingsley) and Wendy (Patricia Clarkson) get to know each other during a break from her driving lesson.
Spanish director Isabel Coixet (Paris, je t’aime; My Life Without Me) must have enjoyed working with Patricia Clarkson and Ben Kingsley in her well-received 2008 film Elegy, since she’s collaborating with them again here in Learning to Drive. While this vehicle (no pun intended) is more lightweight than Coixet’s earlier picture, its characters are equally compelling, and it makes for a pleasant enough end-of-summer movie outing.
Tomlin’s feminist Grandma takes to the road in sharp black comedy
Sage (Julia Garner, left), and her grandmother Elle (Lily Tomlin) are unhappy participants in an impromptu road trip.
At 75, Lily Tomlin has had such a long, varied acting career that few may not realize she hasn’t actually had a leading role in a film since the 1988 comedy Big Business. Thanks to writer/director Paul Weitz, though, who directed Tomlin as Tina Fey’s mother in 2013’s Admission, Tomlin returns to brilliantly helm a picture in Weitz’s smart and engaging Grandma, which opens widely today after rightfully garnering much praise at the Sundance Film Festival in January.
Every year Outside Lands gets bigger and better. This year was a great year for a lot of reasons – it was an excellent, diverse and well-paced line up. They also switched up the set-up of the grounds this year, opening up walkways, adding more bathrooms and in general, making a much more comfortable festival experience. The weather was amazing, as well. None of the usual ice cold and overcast OSL, this year was all about having fun in the sun. I also got to see a slew of excellent sets of music & comedy!
Fantastic Four is short and to the point, but pointless.
Four horsemen of the apocalypse, without the horses, and with one woman.
If you were clamoring for a reboot of the Fantastic Four movie franchise ever since 2007’s Fantastic 4: Rise of the Silver Surfer, you can probably assume that you’re in a small minority. I can safely say that not many people were interested in a new Fantastic Four movie, nevermind watching an attempt to relaunch the franchise in a more dark, gritty, and “character driven” storyline, a la X-Men: First Class and just about every superhero movie these days.Not all super hero movies need to follow the same exact formula again and again and again. It’s getting tiresome. The new Fantastic Four is no different. Even considering its weak editing and laughable story structure, it still manages to fall victim to comic book adaptation formula. I will concede one small victory to it—a reasonably short running time of 1 hour 45 minutes. It was nice to see a comic book film stay under 2 hours, though it was quite apparent that the F4 editors had no idea how to keep the pace and plotline efficient within that timeframe. In the end, Fantastic Four is not strong enough to stand on its own few merits, nor is it able to push a disappointing franchise forward.
Jen Kirkman is one of the funniest people out there right now. She’s also incredibly hard working… Her first book, I Can Barely Take Care Of Myself is a work of epic genius, and she seems to be the MVP of Comedy Central’s @midnight. She just premiered a special on Netflix called I’m Going To Die Alone (And I Feel Fine), which you can view the trailer to here.
Or, if you prefer to view people without a screen, she’s performing a stand up set at Outside Lands on Friday, as well as participating in Friday’s Uptown Showdown and Saturday’s ASSSCAT. (Click here for her Outside Lands schedule) If you aren’t coming out to the park, you can catch her on the road, as well. Those dates can be found here.
Rogue Nation keeps the pedal to the metal to deliver exhilarating action, while losing some of its franchise identity.
Basically a much better version of Mission:Impossible 2.
‘Ready or not, here I come.’ No, I’m not just quoting the classic song by The Fugees remixed for the M:I5 trailer. I’m saying this because its how the near 20 year old franchise is approaching audiences today, July 31st 2015. With so many action films coming out these days (many of which are quite sub-par), it’s hard to get super excited for another one, nevermind a fifth entry in a franchise. But here’s the thing—the folks behind Mission:Impossible-Rogue Nation know they’re delivering something better than the rest (or most of the rest). After the first ten minutes of Rogue Nation, you’ll realize how much the marketing of the movie has duped you, but in the best way possible. Director Christopher McQuarrie has created a smart action flick so loud and ridiculous that it’s hard to catch your breath. But although Rogue Nation delivers the smarts and the thrills, it doesn’t stick to the formula that has separated (and benefited) the Mission:Impossible franchise from the rest of the spy pack. While no one was saying that the Mission:Impossible franchise was dead, especially after a $209 mil domestic box office take with 2011’s Ghost Protocol, each new installment is met with speculation whether this will be the final outing or not. Rogue Nation all but directly acknowledges this speculation when Jeremy Renner’s William Brandt says, “This may very well be our last mission. Let’s make it count…” Ha! We all know you’ll be back! I’ll put all the speculation to rest—it’s not the final outing. Rogue Nation is as energetic and exhilarating as the franchise has ever been while at the top of its game.
