In the spirit of having a joke-free April Fool’s Day.
April Fool’s Day is a hellscape filled with brands attempting to be funny. Don’t encourage them.
No fooling here, it’s preview time. This week in the Bay Area, we have local punk rock, queercore, nerdcore, a flautist, a man who built his career upon eels, and a benefit about benefits.
Roy (Michael Shannon, l.) will do anything to protect his very special son Alton (Jaeden Lieberher).
Writer/director Jeff Nichols (Mud, Take Shelter, Shotgun Stories) continues his collaboration with the terrific actor Michael Shannon to great effect in his utterly engaging new science fiction film Midnight Special. Unlike another film by a well known writer/director that opened today, Nichols’s film grips you from its opening minute and keeps you enraptured for its nearly two hour run time. A film that pays homage to others of its genre while still managing to be totally unique, Midnight Special is well worth your box office dollars. Continue reading “Film Review: Midnight Special”
Nobody will want any of Linklater’s tedious newest
Hangin’ out. So. Much. Hangin’ out.
Remember that time in college when you sat around your buddy’s room, listening to records, smoking pot and talking about Carl Sagan and old Twilight Zone episodes? Or that time you went to a super freaky party thrown by theater majors? Or that time your housemate got totally bent because you beat him at ping pong? You don’t? Well, writer/director Richard Linklater sure does, and he’s going to make you relive all those experiences and more in his meandering, occasionally funny, but mostly dull new picture Everybody Wants Some!! When you need not one, but two exclamation points to take the place of genuine excitement in your film, you know you’re in trouble. Continue reading “Film Review: Everybody Wants Some!!”
Face to face. Brooder v brooder. Mano y mano (with guns and gadgets)
“Hey everyone, Batman is fighting Superman!” <<everyone rushes to the schoolyard>> “Aw, is it over?” “Yeah, it didn’t last long and it wasn’t too exciting, but they promised to fight someone else together next time.” There you have it — that’s a pretty good summary of the disappointing DC tent event, Batman v Superman: Dawn of Justice. What ends up functioning as a 2 hr 40 min movie trailer for an pending Justice League movie is enjoyable at times but mostly a mess of style over substance. Anyone familiar, and probably critical, of director Zack Snyder’s work won’t be surprised by this. There was so much (tentative) hype for BvS that it would’ve been nearly impossible for it to live up to the expectations, but hey, The Force Awakens pulled it off so BvS has no excuse. BvS is disappointing on so many levels, save a surprisingly stellar Ben Affleck as Batman, because its favors more over less, background over foreground, and a serious tone over a fun one.
I haven’t seen E.T. in twenty years, but by the time the credits rolled I had teary eyes and the theme song wonderfully repeating itself in my head. My girlfriend sitting next to me exclaimed, “my track record of crying every time I see E.T. is still intact”. That’s the power of Steven Spielberg’s 1982 classic E.T. the Extra Terrestrial, and there really was no better way to watch the film than with live orchestral accompaniment at the San Francisco Symphony.
Canadian queen of Celtic melodies returns to San Francisco for an austere and intimate performance
Loreena McKennitt
“Surreal” is probably the most appropriate word to describe how the evening felt this past Saturday night, when Loreena McKennitt returned to the Bay Area for the first time in nearly 10 years and treated a sold-out crowd at The Masonic to a gorgeous performance that stretched on for nearly three hours. There were no opening acts to speak of; there was only one encore (albeit with two songs), one intermission, and three musicians onstage for most of the concert. At the center of it all was a fantastic performer who, now in her 31st year of performing, sounds just as powerful and mystifying as she did on her albums from decades gone by, both in voice and in instrumentation. It was quite the sight to behold, made more intense by the unwavering concentration and respect of the audience; aside from when the musicians bowed at the end of the show, not a single conversation was to be heard, nor a phone held aloft to document the moment — an extreme rarity in today’s live music scene.
May-December romance story is a terrific showcase for Field
Longtime BFFs Roz (Tyne Daly, l.) and Doris (Sally Field) attend a self-help seminar given by Willy Williams (Peter Gallagher).
The problem with a film like Hello, My Name is Doris, which features an eccentric character in a broadly comic situation, is that if not handled well, it runs the risk of making fun of both its central character and the situation in which it places her. Fortunately, writer/director Michael Showalter (Wet Hot American Summer, The Baxter) avoids this trap by bringing sensitivity and graceful humor to the story of an older woman falling for a younger man, and, by doing so, provides Sally Field, as the titular Doris, with her best role in years. Continue reading “Film Review: Hello, My Name is Doris”
Hiatus. hi·a·tus. noun. A pause or gap in a sequence, series, or process.
Staind, The Gaslight Anthem, The Academy Is…, A Static Lullaby, Armor For Sleep, Yeah Yeah Yeahs, System of a Down, Underoath… just a few examples of bands that are on a hiatus, have taken one, or broke up and then reformed (kind of the same thing as a hiatus). After a 4-year hiatus, in which all 4 of its members worked on other musical projects, Disturbed is back.
Appearing Monday, March 21 at The Metro in OaklandSt. Patrick’s Day. Irishness! Excellent.
To go with this week in the Bay Area we also have metal, self-described “country-fed punkabilly,” and the Melvins. Also! Bilingual punk rock with horns as well as bilingual Rickenbacker-wielding one-woman guitar rock. And Conan. Conan!
The album Broken Hearts/Broken Bones was a nominee for Spinning Platters album of the year in 2015. Its combination of classic girl group harmonies, soaring melodies and dance driven beats truly defies description; even the band themselves know this to be true. The band is hitting the road this month with veteran rocker Electric Six, and they’re stopping in San Francisco on Sunday, March 20th at The Independent. Lily Cato got on the phone with me as the tour was just beginning to discuss her band, their videos, and which podcast is the best to pass the time on a cross country van trip. Continue reading “Spinning Platters Interview: Lily Cato of Parlour Tricks”