I recall as a wee 15-year-old, listening to the radio. Live 105, which, as a teenager in the Bay Area, was your source for a rock n roll education. This was shortly before I discovered KZSU and KALX, as well as similar stations, which really opened my ears. Anyway, I heard a song. It was the most deliciously naughty song I’ve ever heard at the time. It was a song called “Underwear.” I was OBSESSED. I found out that an older friend had a CD called Different Class. He dubbed it for me, and I listened to it nonstop. It was my opening to the genre known as “Britpop.” Later, of course, I’d delve into Blur, Elastica, Supergrass, and Kenickie. Eventually, this led me to spend my young college days at an 18+ nightclub called “Popscene.” Continue reading “Pulp announce 30th Anniversary Edition of Different Class”
How Did Ghostwoman Get Here?
Today’s episode of “How Did I Get Here?” features the amazing psych duo Ghostwoman. We talked at length about music, being in a band, and what to do when you find an excellent musical partner that happens to live on an entirely different continent!
Ghostwoman’s latest record, Welcome To The Civilized World, is out TODAY (September 5th!) on Full Time Hobby. You can either stream or order it delivered to your home FROM THIS VERY LINK!
Show Review: Béla Fleck and the Flecktones: Arlene Schnitzer Concert Hall, Portland, OR 8/29/25
I’ve been listening to Béla Fleck and the Flecktones since 1995 and hadn’t seen them play live until this show. For whatever reason, over the years, the stars have never aligned just right for me to see them. A few months ago, on their website, a show opening for Dave Matthews Band at their annual Gorge Amphitheater Labor Day weekend run was announced. For a while, it looked like I was going to be heading to The Gorge to see a 45-minute set from a band that I did not want to miss out on for another year. When this show in Portland was announced, along with the rest of the tour, I knew I was going to go and finally get to see one of my most listened to bands of the last 30 years. I was not going to miss out on them again after countless missteps and near misses. What I got to experience was about as close to a perfect show as I possibly could’ve asked for. Continue reading “Show Review: Béla Fleck and the Flecktones: Arlene Schnitzer Concert Hall, Portland, OR 8/29/25”
Show Review: 15 years of The Sword’s Warp Riders at GAMH
Photos and review by: Alan Ralph @ConcertGoingPro
In October 2022, the singer of The Sword announced the band was splitting up after 19 years. 21 months later… they’re back! It’s hard to say whether announcements like this helps or hurts a band, but the Great American Music Hall was sold out for weeks after the tickets went on sale for the 15th anniversary tour for their concept album Warp Riders. Spinning Platter’s enjoyed a pre-show meal at the legendary Tommy’s Joynt with guitarist Kyle Shutt and a few from the other bands and crew and was informed that a great many other shows on this tour have also been sold out well in advance. The moral of the story perhaps is to break up and get back together… it may help ticket sales!
Continue reading “Show Review: 15 years of The Sword’s Warp Riders at GAMH”
Single of the Week: “México Suite” by Oruã
Today is a pretty bonkers new release day, with new records from Sabrina Carpenter, The Beaches, and The Hives that were all queued up for my eardrums. And then I landed on something completely different- this deliciously dark, prog-psych-free jazz brain swim of a track from Brazil’s Oruã. The song is “México Suite.” I love it.
“México Suite” is off Oruã’s upcoming release, Slacker, coming out October 24th on the legendary K Records.
Film Review: “The Roses”
This Roses has jokes, but no thorns.
Comedies are making a noisy return to theaters this year! With One of Them Days, The Naked Gun, and Freakier Friday successfully attracting audiences, and Spinal Tap II and Good Fortune waiting in the wings, 2025 could be a turning point for the comedy genre’s decade-long theatrical absence. The Roses aims to continue the trend. The Roses comes from director Jay Roach (Austin Powers; Meet the Parents) and is based on the novel The War of the Roses by Warren Adler and the subsequent 1989 film adaptation starring Michael Douglas and Kathleen Turner. In a plea for wider audience approval, The Roses has declawed the source material in favor of a softer, mostly harmless black comedy. If not for the winning duo at its center, The Roses would wilt under the strains of its vignette-styled antics, but fortunately has the chemistry and enough laughs to withstand its structural shortcomings. Continue reading “Film Review: “The Roses””
Project Pabst 2025 Journal
Project Pabst in Portland, Oregon, has a long and nuanced history that most music festivals don’t share. Launched as a Fall festival in 2014, Pabst Brewing Company hoped for it to be a “love letter to Portland”. In 2015, the time of year was moved to July and has remained a Summer festival ever since. In 2016, they changed locations from Zidell Yards, just a short jaunt down the road from their current home at Tom McCall Waterfront Park. Throughout the years, they have experimented with putting on evening shows at different clubs and bars around town and have reinvented themselves after a chosen hiatus and some forced years off. In 2017, they had their last show until an attempted comeback in 2020 that was halted by COVID, only to return last year finally. Continue reading “Project Pabst 2025 Journal”
Film Review: “Relay”
Ahmed best reason to see predictable corporate thriller
In a brief scene in the new film Relay, its star, Riz Ahmed, gets a chance to use the sign language skills he picked up in his 2020 Oscar-nominated performance in Sound of Metal. That’s a cool throwback for Ahmed fans, and, given his exceptional talent (see also Encounter, Nightcrawler, and HBO’s series The Night Of), he no doubt has many. But his fans may be disappointed in Relay, a serviceable corporate espionage thriller in which Ahmed’s performance is the only bright spot. Continue reading “Film Review: “Relay””
Single of the Week: “Fort Knox” by Sigrid
SIGRID IS BACK! Norway’s finest import has returned with a funky, infectious single, and it’s the thing that’s keeping me moving today. And that vocal fry?!?! “Fort Knox” is the second single from Sigrid’s third full-length record, There’s Always More That I Can Say, coming your way on October 3rd. Preorders and such here!
Show Review: Carly Rae Jepsen: Emotion 10th Anniversary Show at Troubadour, 8/19/25
Photos by Gordon Elgart
E*MO*TION by Carly Rae Jepsen is an extremely rare record. It’s simply perfect. It landed at #2 on our list of greatest records of the 2010s, and if we re-evaluated that list, it likely would be #1 five years removed from the last decade. When Jepsen announced that she was going to do one show in 2025, and it would be playing that seminal record in full, I decided it was best to make sure I was there.