I have only been familiar with the electronic jazz duo KNOWER for a couple of years. I stumbled upon the video for their May 2023 single “I’m the President” and, directly afterwards, listened to it on repeat for weeks before becoming obsessed with their entire catalog. Last year, when singer, KNOWER drummer, and multi-instrumentalist Louis Cole announced he would be playing a show at Seattle’s Neptune Theater with his band’s other vocalist & multi-instrumentalist, Genevieve Artadi, I bought two tickets without batting an eye. The chance that maybe I’d get to see them play a few KNOWER songs (which they did) was the primary purpose, despite the fact that in my quest to hear as much of them as possible, I also had spent lots of time with each member’s solo back catalogue. I’ve spent a lot of time proselytizing the scripture of KNOWER, and on Nov 11th, I finally got to attend my first sermon. Continue reading “Show Review: KNOWER with Sam Wilkes at The Neptune Theater, 11/11/25”
Film Review: “Jay Kelly”
Clooney, Sandler explore the cost of fame in Baumbach’s newest
Jay Kelly isn’t a documentary, but you’d be forgiven if you mistake it for one. The picture, directed by Noah Baumbach (Marriage Story) and co-written with the actress Emily Mortimer, is about an aging actor facing his mortality and reflecting on his personal and professional choices. That the titular fictional actor is played by George Clooney creates an odd melding of fact and fiction. As we watch Jay consider his past, present, and future, we can’t help but wonder how much of what we’re seeing on screen is really about Clooney himself. That dichotomy brings an added layer of curiosity to an already thoughtful and absorbing film.
Single of the Week: “The Perfect Girl” by Elise Trouw
Elise Trouw has proved her chops as a musician many times over. She can sing, and she plays every instrument under the sun. Her YouTube page is littered with fun and inventive videos, both original tracks and covers, where she loops herself. “The Perfect Girl” proves that Trouw is more than an abundance of technical skill- she is a brilliant songwriter. This track is a witty play on incel culture, and I bloody love it.
“The Perfect Girl” is the second single off her upcoming record, The Diary Of Elon Lust, which is coming out on February 13th. Presave here, with physical preorders coming soon from Buy Before You Stream. Her Spring tour went onsale today, and tickets are available here!
SF Sketchfest 2026 Initial Line Up HAS DROPPED!!!!!
Our dear friends at SF Sketchfest have, once again, given us reason to look forward to the January doldrums. They’ve put out a bonkers lineup that I’ve barely scratched the surface of. (As an esteemed member of the press, I did get this a day early, which might not have been enough time to digest this.)
As usual, you’ll get my full “Nerd’s Guide.” My early nerd view reveals a few amazing bits. Like, are you a fan of both The State and melodramatic singers from the 80’s? GOOD NEWS! You have your choice of Ken Marino & David Wain & Friends doing the music of Billy Joel, OR Thomas Lennon & Friends doing the music of Morrissey & The Smiths. Like your music legends more subversive? Devo legend Mark Mothersbaugh is taking us on a tour of his film score work with the excellent Red Room Orchestra.
A few other surprises include “The Women of SNL,” which, in addition to Sketchfest regular, Laraine Newman, we have rare appearances by Ellen Cleghorne (!), Julia Sweeney (!), Robin Duke (!), Cheri Oteri (!), Rachel Dratch (!), and Ana Gasteyer (!) sharing a stage which, really, is just warming my Gen-X, TV addicted heart. Panels with the creators of Doug and Futurama, as well as Smoke Show with Jodie Sweetin (A beauty pagent for comedians?), will do that, too.
Anyways… I can go on forever. However, I digress – take a few hours to review the schedule here. Tickets go on sale for EVERYTHING this Sunday, November 16th, at 10:00 a.m. PST.
Film Review: “The Running Man”
Wright’s stylized remake limps to the finish line
The fifth and final Stephen King adaptation of 2025 is about to hit theaters. After The Monkey in April, The Life of Chuck in June, The Long Walk in September, and the HBO series IT: Welcome to Derry, the list comes to an explosive close with a new adaptation of King’s 1982 thriller The Running Man (originally published under King’s pseudonym, Richard Bachman). The 1987 version of The Running Man starring Arnold Schwarzenegger has become a cult classic, commended for its critical depiction of a dystopian American pop culture-obsessed society, as well as for its campy villains and one-liners. The new film is co-written and directed by Edgar Wright (Baby Driver; Hot Fuzz), and sticks much closer to King’s source material than the 1987 film. The new film has many parts that work, and many parts that don’t. The Running Man’s ultimate success lies in some slick action and standout performances, but an indecipherable tone and confounding editing keep the film from achieving blockbuster greatness. Continue reading “Film Review: “The Running Man””
Film Review: “Christy”
Sweeney, Foster deliver knockout performances in affecting boxing biopic
If you’re not a boxing fan, you may not have heard of Christy Martin, a super welterweight champion of women’s professional boxing. Netflix covered her personal and professional life story in its excellent sports documentary series Untold back in 2021’s “Deal with the Devil” episode, and Hollywood obviously found the material worthy of dramatic spin. Hence the release of Christy today, with actress Sydney Sweeney portraying the resilient boxing champ in an absorbing and well-acted biopic. Continue reading “Film Review: “Christy””
Single of the Week: “Leftovers” by Mato Wayuhi & Black Belt Eagle Scout
We love Black Belt Eagle Scout here at Spinning Platters. She’s released 3 albums that balance between the gentle and the loud in ways that would do Neil Young very proud. She’s unafraid to push boundaries as an artist, but “Leftovers” was probably the last thing I was expecting. It’s a bright and sunny song that borders on reggae. It’s a hopeful, joyful piece. Her collaborator on this song, Mato Wayuhi, and effortless singing/rapping interplay work nicely with BBES’ delicate tones.
Black Belt Eagle Scout is hitting the road, doing a short run of West Coast shows alongside the legendary Julie Doiron, before heading East with Wayuhi. Tickets and the schedule can be found here.
Show Review: Alex G at The Fox Theater – Oakland, 9/23 & 24
I was planning on taking my 15-year-old daughter to see Alex G. She’s the reason I got into him six years ago. She discovered him on YouTube, and over time she grew increasingly irritated by the hordes on TikTok who butchered his lyrics and turned his shows into screaming matches over mis heard refrains. Continue reading “Show Review: Alex G at The Fox Theater — Oakland, 9/23 & 24”
Film Review: “Predator: Badlands”
The Predator franchise hunts for a wild team-up adventure, and finds it
Sometimes, the deeper a film franchise explores its lore, the more the lack of mystery renders new entries as overwritten, overexplained, and uninteresting (see Maleficent, Star Wars, Halloween, Alien, etc.). Every bit of old and new intellectual property is vulnerable to this type of universe-building, since there’s a lot of money to be made in juicing a franchise for all its worth. Not all of lore-exploring is bad, however. There are many exceptions, and after 2018’s disappointing Shane Black vehicle, The Predator, the Predator franchise has been successfully growing its cinematic universe since 2022 under the helm of writer/director Dan Trachtenberg (10 Cloverfield Lane, Prey, Predator: Killer of Killers). Predator: Badlands is the most adventurous and (intentionally) funny entry in the series, and it’s also the most distinct departure from the adult-oriented, extremely violent nature of its predecessors. Badlands stretches the tonal scope of what a Predator movie can include and feel like. With 2022’s Prey maintaining the franchise’s grittiness and simple setups (albeit taking place on the Great Plains in the early 1700s), and this year’s animated Predator: Killer of Killers expanding the Predator narrative pallet in inventive and ultra-gory ways, Badlands is an additional and promising franchise track: a character-oriented Star Wars-esque adventure. Continue reading “Film Review: “Predator: Badlands””
Show Review: Cannibal Corpse at The Majestic Ventura Theater, 10-03-2025
RESPECT THE NECK
I’ve never been to a concert in Ventura, CA. I’ve also never seen Cannibal Corpse live. So, when given the opportunity to head out to The Majestic Ventura Theatre, a theatre that has seen countless bands over its lifetime, to see one of the progenitors of goregrind death metal, I simply had to take it. Mind you, this was a 50-mile trek for me, but it was a Friday, so I hit that fuck it button, cranked the throttle on my motorcycle, and zoomed off straight from work.
Continue reading “Show Review: Cannibal Corpse at The Majestic Ventura Theater, 10-03-2025”