Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
“It’s hard to believe this could happen in America,” a character says in Detroit, director Kathryn Bigelow’s grim but brilliantly effective new film about the 1967 Detroit riots and their aftermath. But for those of us watching exactly 50 years later, such believing is all too easy — and that’s perhaps the most disheartening take away from Bigelow’s gut-punch of a film.
Continue reading “Film Review: Detroit“
This year marks the 10th year of the Outside Lands Music Festival. It feels like the first one was just yesterday, and it also feels like it’s been happening since the beginning of time. It’s been a fantastic August tradition that I’ve been lucky enough to enjoy nearly every year. (I did miss the one that Kings Of Leon headlined. I’m sure other people wish they missed that one.) I think it’s time to look back on this recent San Francisco tradition. Continue reading “10 Years of Outside Lands: A Look Back”
“Rock this bitch!” Ben Folds had just finished his second song in the set after the intermission, when an audience member screamed out from the balcony, “Already? We just started!” Ben Folds turned around to face his backing band for the evening, the venerable San Francisco Symphony Orchestra, and said, “I should probably explain this.” In Chicago, years ago, at a live show, a fan screamed this out and Ben Folds wrote a song on the spot. Now, “Rock This Bitch” is a Folds tradition. He plunked out a concept, muttering something about jazz to himself, and then gave each section of the orchestra a different assigned part. With about three minutes of preparation, Folds had a melody composed, and assigned parts to sections of the orchestra. The cellos, violas, violins, bassoons, and percussionists all had their own parts to play, over which Folds improvised a jazz melody and lyrics that were part pontifications about rocking this bitch, part lyrics to the Beverly Hillbillies theme song, all backed by a world class orchestra.
Continue reading “Show Review: Ben Folds with the San Francisco Symphony Orchestra, June 21, 2017”
In Christopher Nolan’s astonishing new film Dunkirk, we follow a major battle early in World War II through the struggles of a number of soldiers, sailors, and airmen as they attempt a massive retreat from France across the English channel in the face of constant German attacks. Though the events of that tragic summer week in 1940 are well known, what’s not known, and what is the basis of the film’s significant triumph, are the fates of the individuals who are just trying to survive long enough to get home.
Continue reading “Film Review: Dunkirk“
If Lady Macbeth is remembered for anything after its initial release today, it will be for introducing the mostly unknown British actress Florence Pugh to the world. Just 19 years old when she made the film, Pugh, in the picture’s title role, is reminiscent of a young Kate Winslet, and, based on her work here, is bound to go on to an equally impressive and acclaimed career.
Continue reading “Film Review: Lady Macbeth“
I used to go to a lot of shows. I spent most of my twenties in Chicago, which, oh man, the music scene. Ten bucks could get you a Huber Bock and what felt like constant access to [The] Gossip. Gingerman, Elbo Room, Delilah’s, the Metro, Empty Bottle, the Vic, and countless little dank bars.
I’m older and more tired now, but that isn’t why I almost never go to shows. On about a 1:1 ratio, for every show I attended in Chicago, there was one I called off at the last minute, one I spent huddled in a corner, one I missed most of because I “stepped out for air” and never went back in. A couple years ago, I stopped fighting the fact that I rarely, if ever, feel safe at shows. I had to start saying it in words when I started dating my husband, who goes to an average of two shows a week, and who can predict with almost 100% accuracy which bands I will like. I’d watch him bop easily around a room hugging friends, and realize we’d never have a relationship if I kept trying to go to shows and standing stiffly in the least crowded part of the space with my arms locked around my chest until enough time had passed that I felt justified shouting “I’M READY TO GO NOW” in his ear. Continue reading “Here Is A Safe Space: Burger Boogaloo 2017”
Photos and review by: Alan Ralph @ConcertGoingPro
Swedish band Ghost has returned to the US and is currently on a 7 week tour as the sole support act for the mighty Iron Maiden! In addition to those 26 shows, Ghost booked 14 headliner theater shows, including The Warfield in San Francisco.
Continue reading “Show Review: Ghost, The Warfield, July 2, 2017”
Boo! Sorry if I startled you, but such an opening seems appropriate for a review of A Ghost Story, writer/director David Lowery’s new film about, yes, a ghost – replete in Casper-esque white sheet with eyeholes and all. But this ghost isn’t exactly friendly; in fact, he’s sad. Bereft, even. And lost. He needs closure. And you will be yearning for it, too, if you choose to sit through this pretentious slog masquerading as a profound meditation on grief.
Continue reading “Film Review: A Ghost Story“
Do you know what today is? You do. It’s July 12. That means that over in North Carolina, it’s Mac McCaughan’s birthday. Who? Yes. Mac McCaughan of the long-running pogo-producing indie-rocker band Superchunk, as well as his own semi-solo project Portastatic, as well as one of the founders of the stalwart Merge Records. Cheers to Mac.
Speaking of pogo-inducing rock and roll, let’s talk about this week’s concerts. Here’s what we’ve got coming up this week in the Bay Area: things with animals, things from the past, and things near to college.
So, let’s get this preview started. Previewing now. Pre. View. Preview is starting and let’s go preview now.
Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts: 2017-07-12 – 2017-07-16”
Sometimes a movie has a story to tell, and sometimes it doesn’t. This movie doesn’t. It has a purpose, for sure. It has a goal in mind and it competently makes every effort to get there, and objectively, it does. Unfortunately, the goal was not to make a meaningful movie; it was simply to check all the boxes on what makes an “entertaining” one. This is a bland, corporate product that goes down easy, but is forgettable from beginning to end.
