SFJFF37 Spotlights: The Boy Downstairs / Mr. Predictable / A Classy Broad / Bombshell

The 37th San Francisco Jewish Film Festival, showcasing over 60 films from more than a dozen countries, opened on July 20th, and runs until next Sunday, August 6th. This year, the Festival boasts over 15 West Coast premiers, and more than 40% of its films are directed by women, including both its opening and closing night films. 

With a full week left to go, there is still plenty of time to catch some great new films. Below we spotlight four Fest titles (two documentaries and two features) that you may want to check out. Complete schedule, tickets, and more information are available here. Continue reading “SFJFF37 Spotlights: The Boy Downstairs / Mr. Predictable / A Classy Broad / Bombshell“

Film Review: Atomic Blonde

Theron heats up a cold city

Lorraine Broughton (Charlize Theron) smokes, drinks, kicks, and kills with the best of them.

Take a world nearing collapse, a main character with oodles of bitchy beauty, add some cold-war cloak and dagger spycraft, throw in some “fluid sexuality,” lots of fight scenes, and just a pinch of back story. Good so far? Not so fast. Take away the script. Take away the music. Take away much of the acting. Not so great? Ok, so put one truly fantastic fight scene back in, and you’re served Atomic Blonde, the Charlize Theron vehicle opening wide today.

First time helmer David Leitch, a former stunt man with co-directing credits on John Wick has taken the graphic novel series The Coldest City and turned it into a mostly a muddled mish-mash that owes much of its existence to Luc Bresson’s La Femme Nikita and Leon: The Professional, as well founding father Doug Limon’s The Bourne Identity.
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Film Review: Detroit

Bigelow’s intense, harrowing film remains fiercely relevant

A city under siege: Detroit, July, 1967.

“It’s hard to believe this could happen in America,” a character says in Detroit, director Kathryn Bigelow’s grim but brilliantly effective new film about the 1967 Detroit riots and their aftermath. But for those of us watching exactly 50 years later, such believing is all too easy — and that’s perhaps the most disheartening take away from Bigelow’s gut-punch of a film.
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10 Years of Outside Lands: A Look Back

Photo by Tom Tomkinson

This year marks the 10th year of the Outside Lands Music Festival. It feels like the first one was just yesterday, and it also feels like it’s been happening since the beginning of time. It’s been a fantastic August tradition that I’ve been lucky enough to enjoy nearly every year. (I did miss the one that Kings Of Leon headlined. I’m sure other people wish they missed that one.) I think it’s time to look back on this recent San Francisco tradition. Continue reading “10 Years of Outside Lands: A Look Back”

Show Review: Ben Folds with the San Francisco Symphony Orchestra, June 21, 2017

“Rock this bitch!” Ben Folds had just finished his second song in the set after the intermission, when an audience member screamed out from the balcony, “Already?  We just started!” Ben Folds turned around to face his backing band for the evening, the venerable San Francisco Symphony Orchestra, and said, “I should probably explain this.” In Chicago, years ago, at a live show, a fan screamed this out and Ben Folds wrote a song on the spot. Now, “Rock This Bitch” is a Folds tradition. He plunked out a concept, muttering something about jazz to himself, and then gave each section of the orchestra a different assigned part. With about three minutes of preparation, Folds had a melody composed, and assigned parts to sections of the orchestra. The cellos, violas, violins, bassoons, and percussionists all had their own parts to play, over which Folds improvised a jazz melody and lyrics that were part pontifications about rocking this bitch, part lyrics to the Beverly Hillbillies theme song, all backed by a world class orchestra.

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Film Review: Dunkirk

Dunkirk: powerful and memorable

Soldiers await rescue.

In Christopher Nolan’s astonishing new film Dunkirk, we follow a major battle early in World War II through the struggles of a number of soldiers, sailors, and airmen as they attempt a massive retreat from France across the English channel in the face of constant German attacks. Though the events of that tragic summer week in 1940 are well known, what’s not known, and what is the basis of the film’s significant triumph, are the fates of the individuals who are just trying to survive long enough to get home.
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Film Review: Lady Macbeth

What’s done cannot be undone: And that’s the way she wants it

Katherine (Florence Pugh) is restless and bored as the much younger wife of a middle-aged man who shows no interest in her. 

If Lady Macbeth is remembered for anything after its initial release today, it will be for introducing the mostly unknown British actress Florence Pugh to the world. Just 19 years old when she made the film, Pugh, in the picture’s title role, is reminiscent of a young Kate Winslet, and, based on her work here, is bound to go on to an equally impressive and acclaimed career.
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Here Is A Safe Space: Burger Boogaloo 2017

Photo by Breanne Bowland

I used to go to a lot of shows. I spent most of my twenties in Chicago, which, oh man, the music scene. Ten bucks could get you a Huber Bock and what felt like constant access to [The] Gossip. Gingerman, Elbo Room, Delilah’s, the Metro, Empty Bottle, the Vic, and countless little dank bars.

I’m older and more tired now, but that isn’t why I almost never go to shows. On about a 1:1 ratio, for every show I attended in Chicago, there was one I called off at the last minute, one I spent huddled in a corner, one I missed most of because I “stepped out for air” and never went back in. A couple years ago, I stopped fighting the fact that I rarely, if ever, feel safe at shows. I had to start saying it in words when I started dating my husband, who goes to an average of two shows a week, and who can predict with almost 100% accuracy which bands I will like. I’d watch him bop easily around a room hugging friends, and realize we’d never have a relationship if I kept trying to go to shows and standing stiffly in the least crowded part of the space with my arms locked around my chest until enough time had passed that I felt justified shouting “I’M READY TO GO NOW” in his ear. Continue reading “Here Is A Safe Space: Burger Boogaloo 2017”

Show Review: Ghost, The Warfield, July 2, 2017

Photos and review by: Alan Ralph @ConcertGoingPro

Swedish band Ghost has returned to the US and is currently on a 7 week tour as the sole support act for the mighty Iron Maiden!  In addition to those 26 shows, Ghost booked 14 headliner theater shows, including The Warfield in San Francisco.

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Film Review: A Ghost Story

Should the spirit move you to see this movie, ignore it 

Casey Affleck plays a bed sheet clad ghost in A Ghost Story.

Boo! Sorry if I startled you, but such an opening seems appropriate for a review of A Ghost Story, writer/director David Lowery’s new film about, yes, a ghost – replete in Casper-esque white sheet with eyeholes and all. But this ghost isn’t exactly friendly; in fact, he’s sad. Bereft, even. And lost. He needs closure. And you will be yearning for it, too, if you choose to sit through this pretentious slog masquerading as a profound meditation on grief.
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