As we head into the 11th year of Outside Lands, it’s also important to commemorate the fact that this is the 5th year in a row that I’ve been encouraging you to show up early and check out the smaller stages. I am well aware of the fact that my first one of these, in 2013, managed to guide you to several amazing bands, but missed the fact that a little bass and drums duo on Fueled By Ramen called Twenty One Pilots was playing. This also proves my point that you should get there early, because you never know when you are gonna stumble across a band that’s gonna be selling out arenas in just a couple years. Other passed “bottom-halfers” included The Black Keys, Courtney Barnett, Portugal. The Man, Janelle Monae, Father John Misty, Foster The People, and others that moved on to be massive stars.
New York, NY – December 16, 2015 – Annie-B Parson, at her home in Cobble Hill, Brooklyn.
David Byrne’s American Utopia has been regarded as one the most ambitious stage shows in rock history; a performance that enables the entire band to move freely about the stage is rare. Spinning Platters recently had an opportunity to catch up with one of Byrne’s collaborators on this project, choreographer Annie-B Parsons, to discuss this show, her method, and music in general.
Left to right: Henry Cavill as August Walker, Tom Cruise as Ethan Hunt and Rebecca Ferguson as Ilsa Faust in MISSION: IMPOSSIBLE – FALLOUT, from Paramount Pictures and Skydance.
The sixth installment of the Mission: Impossible franchise finds Ethan Hunt and team missioning for our greater good all over the world. After six films, the franchise has worn some pretty deep grooves on the floor of the house of action adventure. To offer some new perspective, this reviewer decided to bring in a fresh voice, that of his wife.
Raissa Marchetti-Kozlov shines as Rose in coming of age Vietnam musical, Dogfight. Photo courtesy of Benjamin Canant/Wilderspace Photography, 2018.
On their last weekend in San Francisco before their deployment to Vietnam, three young soldiers play the cruel tradition of finding the “ugliest” girl in town. Rules are set, bets are made, and the search begins.
The 38th San Francisco Jewish Film Festival is going strong; it entered its second week today, and we’ve got five more spotlights for you (you can find our first round of coverage here). Below we profile four more feature films and one documentary. Complete programming and ticket information can be found here; now get out there and see some films before the Festival ends on August 5th!
Joaquin Phoenix as John Callahan and Jonah Hill as Donnie star in DON’T WORRY, HE WON’T GET FAR ON FOOT.
Over the years, the director Gus Van Sant has returned time and again to his favorite subject: our constant struggle with self-deception and our many, mostly failed attempts at self-discovery. Let’s start with some dreamy-eyed pharmacy thieves (Drugstore Cowboy), move to homeless hustlers (My Own Private Idaho), catch up to a hitchhiker with enormous thumbs (Even Cowgirls Get The Blues), watch an aspiring TV Newswoman (To Die For), and let’s not forget the genius mathematician janitor at M.I.T. with girl trouble and the world’s funniest psychologist (Good Will Hunting). Van Sant’s characters show what an illusion we can be to ourselves. Does he return to this ground in Don’t Worry, He Won’t Get Far On Foot? Absolutely. Is it worth it to follow him yet again on this journey? Mostly.
8th grader Kayla (Elsie Fisher) spends much of her free time on her smart phone.
Regular readers of Spinning Platters may have noticed that I’m partial to coming of age films; The Way, Way Back is a personal favorite, and I had both The Edge of Seventeen and Me and Earl and the Dying Girl on my Top 10 lists for their respective years. But all three of those have now been pushed aside in favor of a new genre champion: writer/director Bo Burnham’s feature debut Eighth Grade sets a new standard for all future coming of age pictures. Filmmakers may as well concede now, because no other film will ever come close to measuring up to this exquisite masterpiece.
Local boys make good in masterful look at their changing city
Longtime Oakland friends Collin (Daveed Diggs, l.) and Miles (Rafael Casal) assess their changing city.
Berkeley High grads and old friends Daveed Diggs (of Broadway’s Hamilton fame) and local slam poet and artist Rafael Casal join Ryan Coogler (Fruitvale Station; Black Panther) and Boots Riley (Sorry to Bother You) in bringing Oakland to the big screen, in a timely and powerful picture that should be required viewing not only for all Bay Area residents, but also for those who want to understand the ever shifting cultural and economic landscape of a Bay Area in flux. Diggs and Casal both wrote and star in Blindspotting, under the direction of their TV and short film director friend Carlos López Estrada, who makes his extraordinary feature film debut here, and was rewarded with a Sundance Grand Jury Prize nomination for his efforts.
Cross this off my bucket list: I’ve loved Peter Cetera for as long as I can remember.
Like many children of the 80s, I still harbor a strong sentimental attachment to some of the tunes that might make others groan. Before I was old enough to start developing musical tastes of my own, my mom raised me on a steady diet of light rock, less talk. (No, you just sang the KOIT jingle in your head!) I think my personal trifecta from those days is (in no particular order): Billy Joel, Lionel Richie (with The Commodores and solo), and Peter Cetera (with Chicago but especially solo). At least for me, there is something about the music I loved as a kid that can have the power to invoke a true sense of joy that can be hard to find anywhere else.
Last month, my mom won a pair of tickets to see REO Speedwagon and Chicago, and she asked me to go with her. I thought it would be a blast, but I admit I was disappointed at the prospect of seeing Chicago sans Cetera. Between sets, I decided I should look to see if he was touring on his own. Much to my delight, not only was he currently touring, but I found tickets that were a mere two weeks away, in San Jose. Before I could buy them, though, Chicago took the stage, and I put my phone away to enjoy what turned out to be a truly fantastic performance.
The next day, I returned to my ticketing site of choice to buy tickets, and discovered I’d overlooked a second date the night before: this one was a month away, rather than two weeks, and I’d have to schlep out to the Sacramento area in the dead of the summer, but instead of just being Cetera solo, it also boasted Richard Marx on the bill. Though this is an artist my mother enjoys as much as I do, he wasn’t an heirloom: Richard Marx is an artist I learned to love all on my own, from the late 80s on. I bought tickets in a matter of moments and then started counting down the days until I could get myself out to Thunder Valley Casino on Friday the 13th (of July). Continue reading “Show Review: Peter Cetera with Richard Marx at Thunder Valley Casino Amphitheatre, 7/13/18”
Amelia Meath & Nick Sanborn. All photos by Dakin Hardwick.
At first glance, the pairing of jazz experimentalist Kamasi Washington and electro-pop hitmakers Sylvan Esso seemed like a really odd mix. However, when Washington and his band took the stage, it didn’t take long for the audience to warm up to his impressive brand of hard, heavy, funk and hip hop infused jazz. Before the first song was over, a significant percentage of the audience was up and dancing. Hard. Continue reading “Show Review: Sylvan Esso, Kamasi Washington at The Greek Theater — UC Berkeley, 7/12/18”
As we head into the 11th year of Outside Lands, it’s also important to commemorate the fact that this is the 5th year in a row that I’ve been encouraging you to show up early and check out the smaller stages. I am well aware of the fact that my first one of these, in 2013, managed to guide you to several amazing bands, but missed the fact that a little bass and drums duo on Fueled By Ramen called Twenty One Pilots was playing. This also proves my point that you should get there early, because you never know when you are gonna stumble across a band that’s gonna be selling out arenas in just a couple years. Other passed “bottom-halfers” included The Black Keys, Courtney Barnett, Portugal. The Man, Janelle Monae, Father John Misty, Foster The People, and others that moved on to be massive stars.
