Film Review: “Young Woman and the Sea”

Young Woman and the Sea joins the pantheon of Disney’s finest live-action sports dramas

In the 1990s and early 2000s, Disney’s live-action sports dramas used to be a much bigger deal at the box office and in audience’s appreciation. If you’re of a certain age, movies like Cool Runnings (1993) and Iron Will (1994) carry special meaning, and if you’re slightly younger, movies like Remember the Titans (2000), The Rookie (2002), and Miracle (2004) may carry similar weight. These movies share specific characteristics: based on true stories, the protagonists are underdogs, more than a few training montages, and surface-level commentary on socio-political topics. Disney’s latest, Young Woman and the Sea, contains all the above facets and confidently carries the torch forward for the sub-genre. Director Joachim Rønning (Maleficent: Mistress of Evil) knows how and when to deploy the emotional and feminist beats of the story, so the film never feels overly stuffed or preachy. Like the great Disney live-action sports dramas that have come before it, Young Woman and the Sea is a spirited and emotional tale that is perfect for viewers of all ages. Continue reading “Film Review: “Young Woman and the Sea””

OUTSIDE LANDS SINGLE DAY LINEUPS!!!

FINALLY! Single-day breakdowns are up for you all to get anxious about conflicts. Like, am I really going to have to pick between Tyler, The Creator and The Postal Service? This whole thing looks amazing, once again, and it’s really a nice, even spread of acts all three days. On top of this, they’ve also added a Latin music stage called CASA BACARDI, featuring B-Side Brujas, Chulita Vinyl Club, and MUCH MORE! 

Single Day Tickets go on sale Thursday, May 30th (TOMORROW!) at 10 am! Full text of each day’s lineups below: Continue reading “OUTSIDE LANDS SINGLE DAY LINEUPS!!!”

BottleRock Napa Valley 2024 Festival Journal, Day 3

(You’re reading Day 3. Be sure to check out Day 1 and Day 2!)

The last day of BottleRock Napa Valley 2024 started out warm and clear. Despite arriving at the Napa Valley Expo a bit later than the two days preceding, I had a full day planned. First up was The Beaches at the JaM Cellars stage. I almost missed this set because the band name didn’t ring a bell. Fortunately, another photographer mentioned that they were an all-girl band, which caused me to take a minute to look them up. As soon as I did, I realized that this was a band I’d been hearing recently (“Blame Brett”), so I tagged along to check them out. They’re a fairly high-energy pop-rock band serving plenty of attitude, and their set was a good time. The ladies of the band were cracking me up as they first took the stage, talking about wine hangovers and being “so ready to crush some grapes later!” They were trying to function after one hour of sleep, guitarist Leandra Earl explained, due to having played Red Rocks the previous night. “Who’s ready to be hungover again tomorrow?” lead vocalist Jordan Miller asked as they began “Grow Up Tomorrow.” BRNV is pretty good at putting the right bands at the right times, and this was no exception. You can find their entire setlist here. Continue reading “BottleRock Napa Valley 2024 Festival Journal, Day 3”

BottleRock Napa Valley 2024 Festival Journal, Day 2

(You’re reading Day 2. Be sure to check out Day 1!)

Saturday in Napa dawned bright and sunny for another day of festival fun! My first stop was the Verizon stage, where I caught Holly Humberstone. The girl’s voice is absolutely angelic, and while I only know a few of her songs so far, I enjoyed her performance. She was a treat to start a lovely day, and I was happy to hear both “The Walls Are Way Too Thin” and “Falling Asleep at the Wheel.” You can find the entire setlist here (Verizon; BRNV photos) Continue reading “BottleRock Napa Valley 2024 Festival Journal, Day 2”

BottleRock Napa Valley 2024 Festival Journal, Day 1

Even if I weren’t eagerly awaiting this year’s BottleRock Napa Valley, as I do every year, I would have known it was coming: Napa weather has been absolutely perfect lately. Highs in the mid-70s, clouds are few and far between, and there’s often a lovely breeze if you get a little hot in direct sunlight. Seriously, it’s been wonderful. It’s perfect festival weather! Continue reading “BottleRock Napa Valley 2024 Festival Journal, Day 1”

How Did I Get Here? with Miki Berenyi

This episode features Miki Berenyi, famous for fronting the legendary 4AD act Lush. We talked about her career, the nature of the UK music press, radio, the economics of touring, and accidentally putting together a band! Berenyi recently released a memoir called ?fingers crossed: how music saved me from success?, and it’s endlessly captivating. She is playing shows in the US in June, then returning to the UK on the fall. Those dates can be found ?here?. And her latest single, ?Vertigo?, is streaming in all the usual places.

Single of the Week: “Lucky” by Raveena

At the core, “Lucky” is a stunning little R&B ballad that could’ve come out anytime in the last 50 years and it would’ve felt just as timely and timeless. The song is both light and sexy, and even without this video, I would’ve really dug it. But THIS VIDEO?!?!?! It’s hands down my favorite movie of the year at this point. This video is visually stunning and tells a complete story in 3:44. Anyone who tells you their movie needs to be 3+ hours should watch this piece of art. 

“Lucky” is off of Raveena’s upcoming full-length, Where The Butterflies Go In The Rain, coming your way June 14th

Show Review: Decapitated + SepticFlesh at DNA Lounge, May 18, 2024

Photos and review by: Alan Ralph @AlanHasPicks
Decapitated photos by: Zoran Theodorovic of Capital Chaos TV

After just over a month on the road, co-headliners Decapitated and SepticFlesh, along with Kataklysm and Allegaeon, held their penultimate show of the Cancer Culture Over North America tour at DNA Lounge in San Francisco. The show was packed from the first band to the last, and all four felt like they could have been the headliner!

Continue reading “Show Review: Decapitated + SepticFlesh at DNA Lounge, May 18, 2024”

Show Review: CSS, Agender at The Independent, 5/14/24

I’ve waited 18 years for this. CSS was a big part of my 20’s. I was heavy into the electroclash universe, and made it through plenty of drunken dance parties, sweating the booze out to “Let’s Make Love (And Listen To Death From Above.” But I never ended up seeing them. It simply never worked out, and as their visits to the States became fewer and further between, I just chalked it up to the “I can’t see everybody.” 

Well, then Just Like Heaven released their 2024 lineup. I already knew Gossip was back, but I was surprised to see CSS hidden on one of the lower lines. (SACRILEGE!) Not long after this announcement a small number of tour dates appeared, and I decided it was finally time to make this one happen.  

cssindy963

Warming up the crowd was LA’s Agender. This is one of those bands that simply hit on the nose EXACTLY everything that I usually want to hear. They pooled elements of disco, hardcore, pop-punk, and stoner metal into a joyful cacophony that flooded my brain with some much-needed serotonin. This was excellent. 

CSS took the stage to the bouncing beats of the Vengaboy’s classic, “We Like To Party.” They seemed to burst onto the stage in a fit color and energy, powering through “CSS Suxxx” in all its pop-punk glory. Lead singer Lovefoxxx would fling her Rapunzel-esque hair with such intensity that I was nervous band members would get hurt. The energy was infectious, and this certainly didn’t feel like we were watching a band that hadn’t performed together regularly in almost a decade. 

With no new material to pull from, the setlist itself did largely feel like a career retrospective, with Lovefoxxx telling stories about the early days of the band, and hitting songs from every portion of their career. She spoke of auditioning for CSS while wearing a Motörhead shirt, despite only knowing “Ace Of Spades” and being a tad embarrassed, only to find that the band was more Madonna than Motörhead anyway. They even covered a few songs that they used to play in their early days- an epic rendition of Madonna’s “Hollywood,” and a live mashup of Sleater-Kinney’s “I Wanna Be Your Joey Ramone” and Jennifer Lopez’s “Jenny From The Block,” which was far more fun than you could ever imagine it being. 

The joy of this set and the happiness emanating from the stage made it hard for me to believe that this tour was a one-off. They sounded as tight as ever, and everyone on stage seemed to be having the time of their lives. The audience gave right back, with a mix of newer, younger fans who never got to see the band in their heyday alongside folks who never missed a show, dancing up a storm, and giving right back to the band. The electroclash hits felt like an old friend that we lost contact with and then found each other again after years, but it felt like no time had passed. Two key moments where this happened with me were “Music Is My Hot Hot Sex” and “Alala.” I forgot how much I moved to those songs in the past, but it was just like riding a bicycle. 

I genuinely hope we get to spend time with CSS again. This show was everything that makes going to shows great: the songs, the crowd, the band. It was such a joy. 

Single of the Week: “touchdown (4-track) by dear francis

I’ve been following the music of Jennifer Francis Clavin for a long time now… I believe I first heard the music of Mika Miko while working at a chain music store in 2006, when I would play anything the Kill Rock Stars would send us, and fell in love. Her band after Mika Miko broke up, Bleached, immediately became my favorite band. In the passing years, Clavin’s songwriting seemed to mature with me. Were we psychically connected? Or is she just that good at conveying her own emotions in a way that feels like “mass empathy”? Does any of this even make sense? I don’t know, but “touchdown (4-track)” is a her debut solo single (under the moniker “dear francis”), and, man, this song just tingles the soul. 

“touchdown (4-track)” is just the beginning of a whole new side of Ms Clavin. The track can be streamed and saved and purchased and all that good stuff in all the usual places. Expect more news in the coming months!