Spinning Platters – Page 108 – Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds

Film Review: Love, Simon

You’ll love Simon, and his movie, too

High school senior Simon (Nick Robinson) has a secret.

“I’m done living in a world where I don’t get to be who I am. I deserve a great love story, and I want someone to share it with,” so declares high school senior Simon Spier, in Love, Simon, the new teen romance that bears his name, and, of course, he’s right. It took until 2018 for a major studio (in this case, 20th Century Fox) to release a picture about a gay teen romance, but the wait was worth it. Charming and authentic, Love, Simon takes the John Hughes era teen film template and updates it into something fresh, funny, smart, and much, much more inclusive.
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Show Review: Stone Temple Pilots with The Dirty Hooks at the Fillmore, 3/12/18

Gather round, children, it’s story time. (Well, okay, it’s really just more of a long-winded introduction, but bear with me here…) My brother is, by far, one of my favorite people on the planet. He’s a few years older than me, so he was a senior in high school when I was a freshman, and I was fortunate that he was nice to me in front of his peers. This meant that all the older, cooler kids accepted me rather than finding me annoying. This was also the time in our lives when we first started to agree on (and bond over) music. In particular, we loved Aerosmith (because who wasn’t obsessed with Get a Grip in the early/mid 90s?) and Stone Temple Pilots. So fast forward nearly 25 years, and you’d better believe we were both dying to catch the band at San Francisco’s legendary Fillmore. Continue reading “Show Review: Stone Temple Pilots with The Dirty Hooks at the Fillmore, 3/12/18”

In Defense Of: No Jack White, The White Stripes Weren’t “Like A Solo Project”

I’ve been a fan of Jack White for a while now… While working at Wherehouse Music in the early ‘00s, I made sure we were the first chain store to stock The White Stripes in the Bay Area, and I’ve been following White’s career closely ever since. And, yes, he’s a little idiosyncratic. He can be a bit of a jerk. Heck, he took his kids out of a school because his arch rival, Dan Auerbach of The Black Keys, also sent his kids there! But, despite these quirks, I’ve always had a bit of respect for him. He always elevated female musicians, especially female side players. Most importantly, he would always defend his original drummer, Meg White.

Well, he always did, until now. Continue reading “In Defense Of: No Jack White, The White Stripes Weren’t “Like A Solo Project””

Interview: Director Cory Finley and Actress Anya Taylor-Joy on Thoroughbreds

Olivia Cooke and Anya Taylor-Joy play a kind of chess in Thoroughbreds, Cory Finley’s new film.

Cory Finley’s debut feature, Thoroughbreds, has many signs that point to a promising career in film. His dialogue is often whip-smart, crackling along at a fast pace. He has scenes of incredible tension realized in interestingly new yet classic style. He’s got a knack for casting, and clearly has a way with actors, as his small ensemble performs the heck out of the material. There’s so much to like about this movie, yet it left me with so many questions about its history and its themes. Lucky for me, director Cory Finley and star Anya Taylor-Joy were in town to talk about the film, and I was able to sit down with them to discuss this fun and tense film.

SP: When I saw this film, I had no idea it was based on a play, and then I watched it and talked to my friend, and I said, “I think that was based on a play.” I think there were two things that stood out. One is sort of just the conservation of characters. I was really surprised that we met the moms at all. I thought that we were going to get through the whole film without the moms. Were the moms in the play? Continue reading “Interview: Director Cory Finley and Actress Anya Taylor-Joy on Thoroughbreds“

Film Review: A Wrinkle in Time

A Wrinkle for our Time: DuVernay’s adaptation worth the wait

Calvin (Levi Miller, l.), Charles Wallace (Deric McCabe), and Meg (Storm Reid) face danger and confusion on the erie planet Camazotz.

If you’re going to go see A Wrinkle in Time, director Ava DuVernay’s new Disney big budget adaptation of Madeleine L’Engle’s classic 1962 young adult novel — and I absolutely think you should — there is one thing you should keep in mind: this movie is not meant for you, dear adult Spinning Platters reader. This movie is for the tween and teen set, whose imaginations haven’t yet been curdled by cynicism, and who want — and need — to be swept away by the adventure and spectacle of a story that will reassure them that they are brave, smart, kind, and worthy of love and acceptance. That’s a powerful message, and DuVernay’s new film delivers it with exactly the kind of spirited fun and genuine emotion that kids love, but jaded adults may scorn. And that’s a shame.
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Noise Pop Show Review: Nilbog with Chaki at Rickshaw Stop, 2/26/2018

I’d like you to close your eyes for a moment and think of the nerdiest concert you can imagine. What do you see when you do this? Apocalyptica Plays Metallica by Four Cellos? The Fair Maidens Play Iron Maiden by Four Ukuleles? Queensryche doing Operation Mindcrime AND Operation Mindcrime 2? Well, my fellow music nerds, I am here to report that I have a concert nerdier than my wildest dreams, and it was wonderful.

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Noise Pop Review:Too Much Johnson and Oddsac

Too much Johnson in my Oddsac

Joseph Cotton shows absolutely no respect for his suit.

Let me say right here, at the outset of this double review, that I had no intention of deliberately pairing Too Much Johnson and Oddsac together for any comedic purposes. Yes, it’s very easy to “put too much Johnson into the oddsac” or snickeringly flippant to say something like “too much Johnson, the story of oddsac’s life.” Nope, not having it. You can’t pin it on me. Sure, accuse me of being wildly naive, but when I looked through the film offerings when the Noisepop 2018 schedule was released, I picked these two purely for what I thought was their cinematic possibilities. Too bad the best things about these two offerings are the many jokes that can be made from their titles.

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Film Feature: Spinning Platters Heads to the 2018 Cinequest Film Festival

Maverick Spirit Award recipient Nicolas Cage

This week marks the beginning of one of California’s favorite film festivals, San Jose’s Cinequest. Running from 2/27 – 3/11 in a series of South Bay venues, this year Cinequest will present 229 feature and short films, including 74 world premieres over its two-week span. And you know what else? Nic Cage is going to be there.

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Film Feature: Carrie and Chris Pick the 2018 Oscars

Film critics Carrie and Chris on who will – and who should – win the 90th Academy Awards

The 90th Academy Awards air this Sunday, March 4th on ABC at 5:00 pm PST (pre-show festivities start well before, if you want to weigh in on Oscar fashions). Spinning Platters film critics Carrie Kahn and Chris Piper share their predictions – and hopes – for the major categories, and discuss their reasoning for six of the biggest categories in the podcast below. Will there be another Moonlight/La La Land fiasco? Tune in on Sunday to find out – and to see how we – and you – do on the big night!

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Noise Pop Review: The Album Leaf, Vákoum, Indy Nyles at Swedish American Hall, 2/23/18

I’ll start by telling you that I have The Album Leaf’s emblem tattooed on the inside of my right wrist. Let’s just say, my love for their music runs deep, and my respect for them as musicians is significant. I’ve been able to see them perform live several times over the years, each time special and important to me – and Friday night’s show was everything I wanted. From the opening acts until the last note of “Lights” at the end of the evening, it was intimate, emotionally powerful, and beautifully passionate.

Beginning the evening was Indy Nyles, with a compact-but-complex set up on a table in front of the stage. It was an interesting dynamic to be on the same level as the performer, with no barrier to audience members seeing every cord connected, each individual button and key selected. I was impressed with his ability to capture the audience’s attention, forming a quiet energy while building and layering the arcs of his music.

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